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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Fifty Bab Ballads

W >> William S. Gilbert >> Fifty Bab Ballads

Pages:
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"We now proceed to something new -
Dance as the PAYNES and LAURIS do,
Like this--one, two--one, two--one, two."
The Bishop, never proud,
But in an overwhelming heat
(His name was PETER, I repeat)
Performed the PAYNE and LAURI feat,
And puffed his thanks aloud.

Another game the dancer planned -
"Just take your ankle in your hand,
And try, my lord, if you can stand -
Your body stiff and stark.
If, when revisiting your see,
You learnt to hop on shore--like me -
The novelty would striking be,
And must attract remark."

"No," said the worthy Bishop, "no;
That is a length to which, I trow,
Colonial Bishops cannot go.
You may express surprise
At finding Bishops deal in pride -
But if that trick I ever tried,
I should appear undignified
In Rum-ti-Foozle's eyes.

"The islanders of Rum-ti-Foo
Are well-conducted persons, who
Approve a joke as much as you,
And laugh at it as such;
But if they saw their Bishop land,
His leg supported in his hand,
The joke they wouldn't understand -
'T would pain them very much!"



Ballad: THE PRECOCIOUS BABY. A VERY TRUE TALE.
(To be sung to the Air of the "Whistling Oyster.")



An elderly person--a prophet by trade -
With his quips and tips
On withered old lips,
He married a young and a beautiful maid;
The cunning old blade!
Though rather decayed,
He married a beautiful, beautiful maid.

She was only eighteen, and as fair as could be,
With her tempting smiles
And maidenly wiles,
And he was a trifle past seventy-three:
Now what she could see
Is a puzzle to me,
In a prophet of seventy--seventy-three!

Of all their acquaintances bidden (or bad)
With their loud high jinks
And underbred winks,
None thought they'd a family have--but they had;
A dear little lad
Who drove 'em half mad,
For he turned out a horribly fast little cad.

For when he was born he astonished all by,
With their "Law, dear me!"
"Did ever you see?"
He'd a pipe in his mouth and a glass in his eye,
A hat all awry -
An octagon tie -
And a miniature--miniature glass in his eye.

He grumbled at wearing a frock and a cap,
With his "Oh, dear, oh!"
And his "Hang it! 'oo know!"
And he turned up his nose at his excellent pap -
"My friends, it's a tap
Dat is not worf a rap."
(Now this was remarkably excellent pap.)

He'd chuck his nurse under the chin, and he'd say,
With his "Fal, lal, lal" -
"'Oo doosed fine gal!"
This shocking precocity drove 'em away:
"A month from to-day
Is as long as I'll stay -
Then I'd wish, if you please, for to toddle away."

His father, a simple old gentleman, he
With nursery rhyme
And "Once on a time,"
Would tell him the story of "Little Bo-P,"
"So pretty was she,
So pretty and wee,
As pretty, as pretty, as pretty could be."

But the babe, with a dig that would startle an ox,
With his "C'ck! Oh, my! -
Go along wiz 'oo, fie!"
Would exclaim, "I'm afraid 'oo a socking ole fox."
Now a father it shocks,
And it whitens his locks,
When his little babe calls him a shocking old fox.

The name of his father he'd couple and pair
(With his ill-bred laugh,
And insolent chaff)
With those of the nursery heroines rare -
Virginia the Fair,
Or Good Goldenhair,
Till the nuisance was more than a prophet could bear.

"There's Jill and White Cat" (said the bold little brat,
With his loud, "Ha, ha!")
"'Oo sly ickle Pa!
Wiz 'oo Beauty, Bo-Peep, and 'oo Mrs. Jack Sprat!
I've noticed 'oo pat
MY pretty White Cat -
I sink dear mamma ought to know about dat!"

He early determined to marry and wive,
For better or worse
With his elderly nurse -
Which the poor little boy didn't live to contrive:
His hearth didn't thrive -
No longer alive,
He died an enfeebled old dotard at five!

MORAL.

Now, elderly men of the bachelor crew,
With wrinkled hose
And spectacled nose,
Don't marry at all--you may take it as true
If ever you do
The step you will rue,
For your babes will be elderly--elderly too.



Ballad: TO PHOEBE. {2}



"Gentle, modest little flower,
Sweet epitome of May,
Love me but for half an hour,
Love me, love me, little fay."
Sentences so fiercely flaming
In your tiny shell-like ear,
I should always be exclaiming
If I loved you, PHOEBE dear.

"Smiles that thrill from any distance
Shed upon me while I sing!
Please ecstaticize existence,
Love me, oh, thou fairy thing!"
Words like these, outpouring sadly
You'd perpetually hear,
If I loved you fondly, madly; -
But I do not, PHOEBE dear.



Ballad: BAINES CAREW, GENTLEMAN.



Of all the good attorneys who
Have placed their names upon the roll,
But few could equal BAINES CAREW
For tender-heartedness and soul.

Whene'er he heard a tale of woe
From client A or client B,
His grief would overcome him so
He'd scarce have strength to take his fee.

It laid him up for many days,
When duty led him to distrain,
And serving writs, although it pays,
Gave him excruciating pain.

He made out costs, distrained for rent,
Foreclosed and sued, with moistened eye -
No bill of costs could represent
The value of such sympathy.

No charges can approximate
The worth of sympathy with woe; -
Although I think I ought to state
He did his best to make them so.

Of all the many clients who
Had mustered round his legal flag,
No single client of the crew
Was half so dear as CAPTAIN BAGG.

Now, CAPTAIN BAGG had bowed him to
A heavy matrimonial yoke -
His wifey had of faults a few -
She never could resist a joke.

Her chaff at first he meekly bore,
Till unendurable it grew.
"To stop this persecution sore
I will consult my friend CAREW.

"And when CAREW'S advice I've got,
Divorce a mensa I shall try."
(A legal separation--not
A vinculo conjugii.)

"Oh, BAINES CAREW, my woe I've kept
A secret hitherto, you know;" -
(And BAINES CAREW, ESQUIRE, he wept
To hear that BAGG HAD any woe.)

"My case, indeed, is passing sad.
My wife--whom I considered true -
With brutal conduct drives me mad."
"I am appalled," said BAINES CAREW.

"What! sound the matrimonial knell
Of worthy people such as these!
Why was I an attorney? Well -
Go on to the saevitia, please."

"Domestic bliss has proved my bane, -
A harder case you never heard,
My wife (in other matters sane)
Pretends that I'm a Dicky bird!

"She makes me sing, 'Too-whit, too-wee!'
And stand upon a rounded stick,
And always introduces me
To every one as 'Pretty Dick'!"

"Oh, dear," said weeping BAINES CAREW,
"This is the direst case I know."
"I'm grieved," said BAGG, "at paining you -
"To COBB and POLTHERTHWAITE I'll go -

"To COBB'S cold, calculating ear,
My gruesome sorrows I'll impart" -
"No; stop," said BAINES, "I'll dry my tear,
And steel my sympathetic heart."

"She makes me perch upon a tree,
Rewarding me with 'Sweety--nice!'
And threatens to exhibit me
With four or five performing mice."

"Restrain my tears I wish I could"
(Said BAINES), "I don't know what to do."
Said CAPTAIN BAGG, "You're very good."
"Oh, not at all," said BAINES CAREW.

"She makes me fire a gun," said BAGG;
"And, at a preconcerted word,
Climb up a ladder with a flag,
Like any street performing bird.

"She places sugar in my way -
In public places calls me 'Sweet!'
She gives me groundsel every day,
And hard canary-seed to eat."

"Oh, woe! oh, sad! oh, dire to tell!"
(Said BAINES). "Be good enough to stop."
And senseless on the floor he fell,
With unpremeditated flop!

Said CAPTAIN BAGG, "Well, really I
Am grieved to think it pains you so.
I thank you for your sympathy;
But, hang it!--come--I say, you know!"

But BAINES lay flat upon the floor,
Convulsed with sympathetic sob; -
The Captain toddled off next door,
And gave the case to MR. COBB.



Ballad: THOMAS WINTERBOTTOM HANCE.



In all the towns and cities fair
On Merry England's broad expanse,
No swordsman ever could compare
With THOMAS WINTERBOTTOM HANCE.

The dauntless lad could fairly hew
A silken handkerchief in twain,
Divide a leg of mutton too -
And this without unwholesome strain.

On whole half-sheep, with cunning trick,
His sabre sometimes he'd employ -
No bar of lead, however thick,
Had terrors for the stalwart boy.

At Dover daily he'd prepare
To hew and slash, behind, before -
Which aggravated MONSIEUR PIERRE,
Who watched him from the Calais shore.

It caused good PIERRE to swear and dance,
The sight annoyed and vexed him so;
He was the bravest man in France -
He said so, and he ought to know.

"Regardez donc, ce cochon gros -
Ce polisson! Oh, sacre bleu!
Son sabre, son plomb, et ses gigots
Comme cela m'ennuye, enfin, mon Dieu!

"Il sait que les foulards de soie
Give no retaliating whack -
Les gigots morts n'ont pas de quoi -
Le plomb don't ever hit you back."

But every day the headstrong lad
Cut lead and mutton more and more;
And every day poor PIERRE, half mad,
Shrieked loud defiance from his shore.

HANCE had a mother, poor and old,
A simple, harmless village dame,
Who crowed and clapped as people told
Of WINTERBOTTOM'S rising fame.

She said, "I'll be upon the spot
To see my TOMMY'S sabre-play;"
And so she left her leafy cot,
And walked to Dover in a day.

PIERRE had a doating mother, who
Had heard of his defiant rage;
HIS Ma was nearly ninety-two,
And rather dressy for her age.

At HANCE'S doings every morn,
With sheer delight HIS mother cried;
And MONSIEUR PIERRE'S contemptuous scorn
Filled HIS mamma with proper pride.

But HANCE'S powers began to fail -
His constitution was not strong -
And PIERRE, who once was stout and hale,
Grew thin from shouting all day long.

Their mothers saw them pale and wan,
Maternal anguish tore each breast,
And so they met to find a plan
To set their offsprings' minds at rest.

Said MRS. HANCE, "Of course I shrinks
From bloodshed, ma'am, as you're aware,
But still they'd better meet, I thinks."
"Assurement!" said MADAME PIERRE.

A sunny spot in sunny France
Was hit upon for this affair;
The ground was picked by MRS. HANCE,
The stakes were pitched by MADAME PIERRE.

Said MRS. H., "Your work you see -
Go in, my noble boy, and win."
"En garde, mon fils!" said MADAME P.
"Allons!" "Go on!" "En garde!" "Begin!"

(The mothers were of decent size,
Though not particularly tall;
But in the sketch that meets your eyes
I've been obliged to draw them small.)

Loud sneered the doughty man of France,
"Ho! ho! Ho! ho! Ha! ha! Ha! ha!
"The French for 'Pish'" said THOMAS HANCE.
Said PIERRE, "L'Anglais, Monsieur, pour 'Bah.'"

Said MRS. H., "Come, one! two! three! -
We're sittin' here to see all fair."
"C'est magnifique!" said MADAME P.,
"Mais, parbleu! ce n'est pas la guerre!"

"Je scorn un foe si lache que vous,"
Said PIERRE, the doughty son of France.
"I fight not coward foe like you!"
Said our undaunted TOMMY HANCE.

"The French for 'Pooh!'" our TOMMY cried.
"L'Anglais pour 'Va!'" the Frenchman crowed.
And so, with undiminished pride,
Each went on his respective road.



Ballad: A DISCONTENTED SUGAR BROKER.



A gentleman of City fame
Now claims your kind attention;
East India broking was his game,
His name I shall not mention:
No one of finely-pointed sense
Would violate a confidence,
And shall _I_ go
And do it? No!
His name I shall not mention.

He had a trusty wife and true,
And very cosy quarters,
A manager, a boy or two,
Six clerks, and seven porters.
A broker must be doing well
(As any lunatic can tell)
Who can employ
An active boy,
Six clerks, and seven porters.

His knocker advertised no dun,
No losses made him sulky,
He had one sorrow--only one -
He was extremely bulky.
A man must be, I beg to state,
Exceptionally fortunate
Who owns his chief
And only grief
Is--being very bulky.

"This load," he'd say, "I cannot bear;
I'm nineteen stone or twenty!
Henceforward I'll go in for air
And exercise in plenty."
Most people think that, should it come,
They can reduce a bulging tum
To measures fair
By taking air
And exercise in plenty.

In every weather, every day,
Dry, muddy, wet, or gritty,
He took to dancing all the way
From Brompton to the City.
You do not often get the chance
Of seeing sugar brokers dance
From their abode
In Fulham Road
Through Brompton to the City.

He braved the gay and guileless laugh
Of children with their nusses,
The loud uneducated chaff
Of clerks on omnibuses.
Against all minor things that rack
A nicely-balanced mind, I'll back
The noisy chaff
And ill-bred laugh
Of clerks on omnibuses.

His friends, who heard his money chink,
And saw the house he rented,
And knew his wife, could never think
What made him discontented.
It never entered their pure minds
That fads are of eccentric kinds,
Nor would they own
That fat alone
Could make one discontented.

"Your riches know no kind of pause,
Your trade is fast advancing;
You dance--but not for joy, because
You weep as you are dancing.
To dance implies that man is glad,
To weep implies that man is sad;
But here are you
Who do the two -
You weep as you are dancing!"

His mania soon got noised about
And into all the papers;
His size increased beyond a doubt
For all his reckless capers:
It may seem singular to you,
But all his friends admit it true -
The more he found
His figure round,
The more he cut his capers.

His bulk increased--no matter that -
He tried the more to toss it -
He never spoke of it as "fat,"
But "adipose deposit."
Upon my word, it seems to me
Unpardonable vanity
(And worse than that)
To call your fat
An "adipose deposit."

At length his brawny knees gave way,
And on the carpet sinking,
Upon his shapeless back he lay
And kicked away like winking.
Instead of seeing in his state
The finger of unswerving Fate,
He laboured still
To work his will,
And kicked away like winking.

His friends, disgusted with him now,
Away in silence wended -
I hardly like to tell you how
This dreadful story ended.
The shocking sequel to impart,
I must employ the limner's art -
If you would know,
This sketch will show
How his exertions ended.

MORAL.

I hate to preach--I hate to prate -
- I'm no fanatic croaker,
But learn contentment from the fate
Of this East India broker.
He'd everything a man of taste
Could ever want, except a waist;
And discontent
His size anent,
And bootless perseverance blind,
Completely wrecked the peace of mind
Of this East India broker.



Ballad: THE PANTOMIME "SUPER" TO HIS MASK.



Vast empty shell!
Impertinent, preposterous abortion!
With vacant stare,
And ragged hair,
And every feature out of all proportion!
Embodiment of echoing inanity!
Excellent type of simpering insanity!
Unwieldy, clumsy nightmare of humanity!
I ring thy knell!

To-night thou diest,
Beast that destroy'st my heaven-born identity!
Nine weeks of nights,
Before the lights,
Swamped in thine own preposterous nonentity,
I've been ill-treated, cursed, and thrashed diurnally,
Credited for the smile you wear externally -
I feel disposed to smash thy face, infernally,
As there thou liest!

I've been thy brain:
I'VE been the brain that lit thy dull concavity!
The human race
Invest MY face
With thine expression of unchecked depravity,
Invested with a ghastly reciprocity,
I'VE been responsible for thy monstrosity,
I, for thy wanton, blundering ferocity -
But not again!

'T is time to toll
Thy knell, and that of follies pantomimical:
A nine weeks' run,
And thou hast done
All thou canst do to make thyself inimical.
Adieu, embodiment of all inanity!
Excellent type of simpering insanity!
Unwieldy, clumsy nightmare of humanity!
Freed is thy soul!

(The Mask respondeth.)

Oh! master mine,
Look thou within thee, ere again ill-using me.
Art thou aware
Of nothing there
Which might abuse thee, as thou art abusing me?
A brain that mourns THINE unredeemed rascality?
A soul that weeps at THY threadbare morality?
Both grieving that THEIR individuality
Is merged in thine?



Ballad: THE GHOST, THE GALLANT, THE GAEL, AND THE GOBLIN.



O'er unreclaimed suburban clays
Some years ago were hobblin'
An elderly ghost of easy ways,
And an influential goblin.
The ghost was a sombre spectral shape,
A fine old five-act fogy,
The goblin imp, a lithe young ape,
A fine low-comedy bogy.

And as they exercised their joints,
Promoting quick digestion,
They talked on several curious points,
And raised this delicate question:
"Which of us two is Number One -
The ghostie, or the goblin?"
And o'er the point they raised in fun
They fairly fell a-squabblin'.

They'd barely speak, and each, in fine,
Grew more and more reflective:
Each thought his own particular line
By chalks the more effective.
At length they settled some one should
By each of them be haunted,
And so arrange that either could
Exert his prowess vaunted.

"The Quaint against the Statuesque" -
By competition lawful -
The goblin backed the Quaint Grotesque,
The ghost the Grandly Awful.
"Now," said the goblin, "here's my plan -
In attitude commanding,
I see a stalwart Englishman
By yonder tailor's standing.

"The very fittest man on earth
My influence to try on -
Of gentle, p'r'aps of noble birth,
And dauntless as a lion!
Now wrap yourself within your shroud -
Remain in easy hearing -
Observe--you'll hear him scream aloud
When I begin appearing!

The imp with yell unearthly--wild -
Threw off his dark enclosure:
His dauntless victim looked and smiled
With singular composure.
For hours he tried to daunt the youth,
For days, indeed, but vainly -
The stripling smiled!--to tell the truth,
The stripling smiled inanely.

For weeks the goblin weird and wild,
That noble stripling haunted;
For weeks the stripling stood and smiled,
Unmoved and all undaunted.
The sombre ghost exclaimed, "Your plan
Has failed you, goblin, plainly:
Now watch yon hardy Hieland man,
So stalwart and ungainly.

"These are the men who chase the roe,
Whose footsteps never falter,
Who bring with them, where'er they go,
A smack of old SIR WALTER.
Of such as he, the men sublime
Who lead their troops victorious,
Whose deeds go down to after-time,
Enshrined in annals glorious!

"Of such as he the bard has said
'Hech thrawfu' raltie rorkie!
Wi' thecht ta' croonie clapperhead
And fash' wi' unco pawkie!'
He'll faint away when I appear,
Upon his native heather;
Or p'r'aps he'll only scream with fear,
Or p'r'aps the two together."

The spectre showed himself, alone,
To do his ghostly battling,
With curdling groan and dismal moan,
And lots of chains a-rattling!
But no--the chiel's stout Gaelic stuff
Withstood all ghostly harrying;
His fingers closed upon the snuff
Which upwards he was carrying.

For days that ghost declined to stir,
A foggy shapeless giant -
For weeks that splendid officer
Stared back again defiant.
Just as the Englishman returned
The goblin's vulgar staring,
Just so the Scotchman boldly spurned
The ghost's unmannered scaring.

For several years the ghostly twain
These Britons bold have haunted,
But all their efforts are in vain -
Their victims stand undaunted.
This very day the imp, and ghost,
Whose powers the imp derided,
Stand each at his allotted post -
The bet is undecided.



Ballad: THE PHANTOM CURATE. A FABLE.



A Bishop once--I will not name his see -
Annoyed his clergy in the mode conventional;
From pulpit shackles never set them free,
And found a sin where sin was unintentional.
All pleasures ended in abuse auricular -
The Bishop was so terribly particular.

Though, on the whole, a wise and upright man,
He sought to make of human pleasures clearances;
And form his priests on that much-lauded plan
Which pays undue attention to appearances.
He couldn't do good deeds without a psalm in 'em,
Although, in truth, he bore away the palm in 'em.

Enraged to find a deacon at a dance,
Or catch a curate at some mild frivolity,
He sought by open censure to enhance
Their dread of joining harmless social jollity.
Yet he enjoyed (a fact of notoriety)
The ordinary pleasures of society.

One evening, sitting at a pantomime
(Forbidden treat to those who stood in fear of him),
Roaring at jokes, sans metre, sense, or rhyme,
He turned, and saw immediately in rear of him,
His peace of mind upsetting, and annoying it,
A curate, also heartily enjoying it.

Again, 't was Christmas Eve, and to enhance
His children's pleasure in their harmless rollicking,
He, like a good old fellow, stood to dance;
When something checked the current of his frolicking:
That curate, with a maid he treated lover-ly,
Stood up and figured with him in the "Coverley!"

Once, yielding to an universal choice
(The company's demand was an emphatic one,
For the old Bishop had a glorious voice),
In a quartet he joined--an operatic one.
Harmless enough, though ne'er a word of grace in it,
When, lo! that curate came and took the bass in it!

One day, when passing through a quiet street,
He stopped awhile and joined a Punch's gathering;
And chuckled more than solemn folk think meet,
To see that gentleman his Judy lathering;
And heard, as Punch was being treated penalty,
That phantom curate laughing all hyaenally.

Now at a picnic, 'mid fair golden curls,
Bright eyes, straw hats, bottines that fit amazingly,
A croquet-bout is planned by all the girls;
And he, consenting, speaks of croquet praisingly;
But suddenly declines to play at all in it -
The curate fiend has come to take a ball in it!

Next, when at quiet sea-side village, freed
From cares episcopal and ties monarchical,
He grows his beard, and smokes his fragrant weed,
In manner anything but hierarchical -
He sees--and fixes an unearthly stare on it -
That curate's face, with half a yard of hair on it!

At length he gave a charge, and spake this word:
"Vicars, your curates to enjoyment urge ye may;
To check their harmless pleasuring's absurd;
What laymen do without reproach, my clergy may."
He spake, and lo! at this concluding word of him,
The curate vanished--no one since has heard of him.



Ballad: KING BORRIA BUNGALEE BOO.



KING BORRIA BUNGALEE BOO
Was a man-eating African swell;
His sigh was a hullaballoo,
His whisper a horrible yell -
A horrible, horrible yell!

Four subjects, and all of them male,
To BORRIA doubled the knee,
They were once on a far larger scale,
But he'd eaten the balance, you see
("Scale" and "balance" is punning, you see).

There was haughty PISH-TUSH-POOH-BAH,
There was lumbering DOODLE-DUM-DEY,
Despairing ALACK-A-DEY-AH,
And good little TOOTLE-TUM-TEH -
Exemplary TOOTLE-TUM-TEH.

One day there was grief in the crew,
For they hadn't a morsel of meat,
And BORRIA BUNGALEE BOO
Was dying for something to eat -
"Come, provide me with something to eat!

"ALACK-A-DEY, famished I feel;
Oh, good little TOOTLE-TUM-TEH,
Where on earth shall I look for a meal?
For I haven't no dinner to-day! -
Not a morsel of dinner to-day!

"Dear TOOTLE-TUM, what shall we do?
Come, get us a meal, or, in truth,
If you don't, we shall have to eat you,
Oh, adorable friend of our youth!
Thou beloved little friend of our youth!"

And he answered, "Oh, BUNGALEE BOO,
For a moment I hope you will wait, -
TIPPY-WIPPITY TOL-THE-ROL-LOO
Is the Queen of a neighbouring state -
A remarkably neighbouring state.

"TIPPY-WIPPITY TOL-THE-ROL-LOO,
She would pickle deliciously cold -
And her four pretty Amazons, too,
Are enticing, and not very old -
Twenty-seven is not very old.

"There is neat little TITTY-FOL-LEH,
There is rollicking TRAL-THE-RAL-LAH,
There is jocular WAGGETY-WEH,
There is musical DOH-REH-MI-FAH -
There's the nightingale DOH-REH-MI-FAH!"

So the forces of BUNGALEE BOO
Marched forth in a terrible row,
And the ladies who fought for QUEEN LOO
Prepared to encounter the foe -
This dreadful, insatiate foe!

But they sharpened no weapons at all,
And they poisoned no arrows--not they!
They made ready to conquer or fall
In a totally different way -
An entirely different way.

With a crimson and pearly-white dye
They endeavoured to make themselves fair,
With black they encircled each eye,
And with yellow they painted their hair
(It was wool, but they thought it was hair).

And the forces they met in the field:-
And the men of KING BORRIA said,
"Amazonians, immediately yield!"
And their arrows they drew to the head -
Yes, drew them right up to the head.

But jocular WAGGETY-WEH
Ogled DOODLE-DUM-DEY (which was wrong),
And neat little TITTY-FOL-LEH
Said, "TOOTLE-TUM, you go along!
You naughty old dear, go along!"

And rollicking TRAL-THE-RAL-LAH
Tapped ALACK-A-DEY-AH with her fan;
And musical DOH-REH-MI-FAH
Said, "PISH, go away, you bad man!
Go away, you delightful young man!"

And the Amazons simpered and sighed,
And they ogled, and giggled, and flushed,
And they opened their pretty eyes wide,
And they chuckled, and flirted, and blushed
(At least, if they could, they'd have blushed).

But haughty PISH-TUSH-POOH-BAH
Said, "ALACK-A-DEY, what does this mean?"
And despairing ALACK-A-DEY-AH
Said, "They think us uncommonly green!
Ha! ha! most uncommonly green!"

Even blundering DOODLE-DUM-DEY
Was insensible quite to their leers,
And said good little TOOTLE-TUM-TEH,
"It's your blood we desire, pretty dears -
We have come for our dinners, my dears!"

And the Queen of the Amazons fell
To BORRIA BUNGALEE BOO, -
In a mouthful he gulped, with a yell,
TIPPY-WIPPITY TOL-THE-ROL-LOO -
The pretty QUEEN TOL-THE-ROL-LOO.

And neat little TITTY-FOL-LEH
Was eaten by PISH-POOH-BAH,
And light-hearted WAGGETY-WEH
By dismal ALACK-A-DEY-AH -
Despairing ALACK-A-DEY-AH.

And rollicking TRAL-THE-RAL-LAH
Was eaten by DOODLE-DUM-DEY,
And musical DOH-REH-MI-FAH
By good little TOOTLE-DUM-TEH -
Exemplary TOOTLE-TUM-TEH!

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