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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Robert Browning: How To Know Him

W >> William Lyon Phelps >> Robert Browning: How To Know Him

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This is why I am glad he added the last stanza to _Saul_. It
purports to be a picture of David's drunken rapture, when, after the
inspiration had flowed through his soul, he staggered home through
the night. About him were angels, powers, unuttered, unseen, alive,
aware. The whole earth was awakened, hell loosed with her crews; the
stars of night beat with emotion. David is Browning himself; and the
poet is trying to tell us, in the only way possible to a man like
Browning, how the floods of his own genius affected him. He gives a
somewhat similar picture in _Abt Vogler_. It is not in the least
surprising that he could not write or talk to his friends about such
marvellous experiences. Can a man who has looked on the face of God,
and dwelt in the heavenly places, talk about it to others?

Furthermore this nineteenth stanza of _Saul_ contains a picture of
the dawn that has never been surpassed in poetry. Only those who
have spent nights in the great woods can really understand it.




SAUL

1845-1855


I

Said Abner, "At last thou art come! Ere I tell, ere thou speak,
Kiss my cheek, wish me well!" Then I wished it, and did kiss his
cheek.
And he: "Since the King, O my friend, for thy countenance sent,
Neither drunken nor eaten have we; nor until from his tent
Thou return with the joyful assurance the King liveth yet,
Shall our lip with the honey be bright, with the water be wet
For out of the black mid-tent's silence, a space of three days,
Not a sound hath escaped to thy servants, of prayer nor of praise,
To betoken that Saul and the Spirit have ended their strife,
And that, faint in his triumph, the monarch sinks back upon life."


II

"Yet now my heart leaps, O beloved! God's child with his dew
On thy gracious gold hair, and those lilies still living and blue
Just broken to twine round thy harp-strings, as if no wild heat
Were now raging to torture the desert!"


III

Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped;
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, "Here is David, thy servant!" And no voice replied.
At the first I saw naught but the blackness: but soon I descried
A something more black than the blackness--the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst through the tent-roof, showed Saul.


IV

He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,--so agonized Saul, drear and stark,
blind and dumb.


V

Then I tuned my harp,--took off the lilies we twine round
its chords
Lest they snap 'neath the stress of the noontide--those sunbeams
like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,--so blue and so far!


VI

--Then the tune for which quails on the corn-land will each leave
his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another; and then, what has weight
To set the quick jerboa a-musing outside his sand house--
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.


VII

Then I played the help-tune of our reapers, their wine-song, when
hand
Grasps at hand, eye lights eye in good friendship, and great
hearts expand
And grow one in the sense of this world's life.--And then, the
last song
When the dead man is praised on his journey--"Bear, bear him along,
With his few faults shut up like dead flowerets! Are balm seeds
not here
To console us? The land has none left such as he on the bier.
Oh, would we might keep thee, my brother!"--And then, the glad
chaunt
Of the marriage,--first go the young maidens, next, she whom we
vaunt
As the beauty, the pride of our dwelling.--And then, the great
march
Wherein man runs to man to assist him and buttress an arch
Naught can break; who shall harm them, our friends? Then, the
chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.


VIII

And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan
dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang:--


IX

"Oh, our manhood's prime vigour! No spirit feels waste,
Not a muscle is stopped in its playing nor sinew unbraced.
Oh, the wild joys of living! the leaping from rock up to rock,
The strong rending of boughs from the fir-tree, the cool silver
shock
Of the plunge in a pool's living water, the hunt of the bear,
And the sultriness showing the lion is couched in his lair.
And the meal, the rich dates yellowed over with gold dust divine,
And the locust-flesh steeped in the pitcher, the full draught of
wine,
And the sleep in the dried river-channel where bulrushes tell
That the water was wont to go warbling so softly and well.
How good is man's life, the mere living! how fit to employ
All the heart and the soul and the senses forever in joy!
Hast thou loved the white locks of thy father, whose sword thou
didst guard
When he trusted thee forth with the armies, for glorious reward?
Didst thou see the thin hands of thy mother, held up as men sung
The low song of the nearly-departed, and hear her faint tongue
Joining in while it could to the witness, 'Let one more attest,
I have lived, seen God's hand through a lifetime, and all was for
best'?
Then they sung through their tears in strong triumph, not much,
but the rest.
And thy brothers, the help and the contest, the working whence grew
Such result as, from seething grape-bundles, the spirit strained
true:
And the friends of thy boyhood--that boyhood of wonder and hope,
Present promise and wealth of the future beyond the eye's scope,--
Till lo, thou art grown to a monarch; a people is thine;
And all gifts, which the world offers singly, on one head combine!
On one head, all the beauty and strength, love and rage (like the
throe
That, a-work in the rock, helps its labour and lets the gold go)
High ambition and deeds which surpass it, fame crowning them,--all
Brought to blaze on the head of one creature--King Saul!"


X

And lo, with that leap of my spirit,--heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for--as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And upsoareth the cherubim-chariot--"Saul!" cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung
propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of
stone
A year's snow bound about for a breastplate,--leaves grasp of the
sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain
of old,
With his rents, the successive bequeathings of ages untold--
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest--all hail, there
they are!
--Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse 'twixt hope and
despair,
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, we watch from the shore,
At their sad level gaze o'er the ocean--a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely; so, arm folded arm
O'er the chest whose slow heavings subsided.


XI

What spell or what charm,
(For awhile there was trouble within me,) what next should I urge
To sustain him where song had restored him?--one filled to the
verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty; beyond, on what
fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, "It is good;" still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.
XII

Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence--above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the
sky:
And I laughed--"Since my days are ordained to be passed with my
flocks,
Let me people at least, with my fancies, the plains and the rocks,
Dream the life I am never to mix with, and image the show
Of mankind as they live in those fashions I hardly shall know!
Schemes of life, its best rules and right uses, the courage that
gains,
And the prudence that keeps what men strive for." And now these
old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus--


XIII

"Yea, my King,"
I began--"thou dost well in rejecting mere comforts that spring
From the mere mortal life held in common by man and by brute:
In our flesh grows the branch of this life, in our soul it bears
fruit.
Thou hast marked the slow rise of the tree,--how its stem trembled
first
Till it passed the kid's lip, the stag's antler; then safely
outburst
The fan-branches all round; and thou mindest when these too, in
turn,
Broke a-bloom and the palm-tree seemed perfect: yet more was to
learn,
E'en the good that comes in with the palm-fruit. Our dates shall
we slight,
When their juice brings a cure for all sorrow? or care for the
plight
Of the palm's self whose slow growth produced them? Not so! stem
and branch
Shall decay, nor be known in their place, while the palm-wine
shall stanch
Every wound of man's spirit in winter. I pour thee such wine.
Leave the flesh to the fate it was fit for! the spirit be thine!
By the spirit, when age shall o'ercome thee, thou still shalt enjoy
More indeed, than at first when inconscious, the life of a boy.
Crush that life, and behold its wine running! Each deed thou hast
done
Dies, revives, goes to work in the world; until e'en as the sun
Looking down on the earth, though clouds spoil him, though
tempests efface,
Can find nothing his own deed produced not, must everywhere trace
The results of his past summer-prime,--so, each ray of thy will,
Every flash of thy passion and prowess, long over, shall thrill
Thy whole people, the countless, with ardor, till they too give
forth
A like cheer to their sons, who in turn, fill the South and the
North
With the radiance thy deed was the germ of. Carouse in the past!
But the license of age has its limit; thou diest at last:
As the lion when age dims his eyeball, the rose at her height,
So with man--so his power and his beauty forever take flight.
No! Again a long draught of my soul-wine! Look forth o'er the years!
Thou hast done now with eyes for the actual; begin with the seer's!
Is Saul dead? In the depth of the vale make his tomb--bid arise
A gray mountain of marble heaped four-square, till, built to the
skies,
Let it mark where the great First King slumbers: whose fame would
ye know?
Up above see the rock's naked face, where the record shall go
In great characters cut by the scribe,--Such was Saul, so he did;
With the sages directing the work, by the populace chid,--
For not half, they'll affirm, is comprised there! Which fault to
amend,
In the grove with his kind grows the cedar, whereon they shall
spend
(See, in tablets 'tis level before them) their praise, and record
With the gold of the graver, Saul's story,--the statesman's great
word
Side by side with the poet's sweet comment. The river's a-wave
With smooth paper-reeds grazing each other when prophet-winds rave:
So the pen gives unborn generations their due and their part
In thy being! Then, first of the mighty, thank God that thou art!"


XIV

And behold while I sang ... but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,--my shield and my sword
In that act where my soul was thy servant, thy word was my word,--
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as
ever
On the new stretch of heaven above me--till, mighty to save,
Just one lift of thy hand cleared that distance--God's throne from
man's grave!
Let me tell out my tale to its ending--my voice to my heart
Which can scarce dare believe in what marvels last night I took
part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the gray dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron
retrieves
Slow the damage of yesterday's sunshine.


XV

I say then,--my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him--he slowly resumed
His old motions and habitudes kingly. The right hand re-plumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see--the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,--ere error had bent
The broad brow from the daily communion; and still, though much
spent
Be the life and the bearing that front you, the same, God did
choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,--one arm round the tent-prop, to raise
His bent head, and the other hung slack--till I touched on the
praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak roots which
please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: through my
hair
The large fingers were pushed, and he bent back my head, with kind
power--
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine--
And oh, all my heart how it loved him! but where was the sign?
I yearned--"Could I help thee, my father, inventing a bliss,
I would add, to that life of the past, both the future and this;
I would give thee new life altogether, as good, ages hence,
As this moment,--had love but the warrant, love's heart to dispense!"


XVI

Then the truth came upon me. No harp more--no song more! outbroke--


XVII

"I have gone the whole round of creation: I saw and I spoke:
I, a work of God's hand for that purpose, received in my brain
And pronounced on the rest of his handwork--returned him again
His creation's approval or censure: I spoke as I saw:
I report, as a man may of God's work--all's love, yet all's law.
Now I lay down the judgeship he lent me. Each faculty tasked
To perceive him, has gained an abyss, where a dewdrop was asked.
Have I knowledge? confounded it shrivels at Wisdom laid bare.
Have I forethought? how purblind, how blank, to the Infinite Care!
Do I task any faculty highest, to image success?
I but open my eyes,--and perfection, no more and no less,
In the kind I imagined, full-fronts me, and God is seen God
In the star, in the stone, in the flesh, in the soul and the clod.
And thus looking within and around me, I ever renew
(With that stoop of the soul which in bending upraises it too)
The submission of man's nothing-perfect to God's all-complete,
As by each new obeisance in spirit, I climb to his feet.
Yet with all this abounding experience, this deity known,
I shall dare to discover some province, some gift of my own.
There's a faculty pleasant to exercise, hard to hoodwink,
I am fain to keep still in abeyance, (I laugh as I think)
Lest, insisting to claim and parade in it, wot ye, I worst
E'en the Giver in one gift--Behold, I could love if I durst!
But I sink the pretension as fearing a man may o'ertake
God's own speed in the one way of love: I abstain for love's sake.
--What, my soul? see thus far and no farther? when doors great and
small,
Nine-and-ninety flew ope at our touch, should the hundredth appall?
In the least things have faith, yet distrust in the greatest of all?
Do I find love so full in my nature, God's ultimate gift,
That I doubt his own love can compete with it? Here, the parts
shift?
Here, the creature surpass the Creator,--the end, what Began?
Would I fain in my impotent yearning do all for this man,
And dare doubt he alone shall not help him, who yet alone can?
Would it ever have entered my mind, the bare will, much less power,
To bestow on this Saul what I sang of, the marvellous dower
Of the life he was gifted and filled with? to make such a soul,
Such a body, and then such an earth for insphering the whole?
And doth it not enter my mind (as my warm tears attest)
These good things being given, to go on, and give one more, the
best?
Ay, to save and redeem and restore him, maintain at the height
This perfection,--succeed with life's day-spring, death's minute
of night?
Interpose at the difficult minute, snatch Saul the mistake,
Saul the failure, the ruin he seems now,--and bid him awake
From the dream, the probation, the prelude, to find himself set
Clear and safe in new light and new life,--a new harmony yet
To be run, and continued, and ended--who knows?--or endure!
The man taught enough by life's dream, of the rest to make sure;
By the pain-throb, triumphantly winning intensified bliss,
And the next world's reward and repose, by the struggles in this."


XVIII

"I believe it! 'Tis thou, God, that givest, 'tis I who receive:
In the first is the last, in thy will is my power to believe.
All's one gift: thou canst grant it moreover, as prompt to my
prayer
As I breathe out this breath, as I open these arms to the air.
From thy will stream the worlds, life and nature, thy dread Sabaoth:
_I_ will?--the mere atoms despise me! Why am I not loth
To look that, even that in the face too? Why is it I dare
Think but lightly of such impuissance? What stops my despair?
This;--'tis not what man Does which exalts him, but what man Would
do!
See the King--I would help him but cannot, the wishes fall through.
Could I wrestle to raise him from sorrow, grow poor to enrich,
To fill up his life, starve my own out, I would--knowing which,
I know that my service is perfect. Oh, speak through me now!
Would I suffer for him that I love? So wouldst thou--so wilt thou!
So shall crown thee the topmost, ineffablest, uttermost crown--
And thy love fill infinitude wholly, nor leave up nor down
One spot for the creature to stand in! It is by no breath,
Turn of eye, wave of hand, that salvation joins issue with death!
As thy Love is discovered almighty, almighty be proved
Thy power, that exists with and for it, of being Beloved!
He who did most, shall bear most; the strongest shall stand the
most weak.
'Tis the weakness in strength, that I cry for! my flesh, that I
seek
In the Godhead! I seek and I find it. O Saul, it shall be
A Face like my face that receives thee; a Man like to me,
Thou shalt love and be loved by, forever: a Hand like this hand
Shall throw open the gates of new life to thee! See the Christ
stand!"


XIX

I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news--
Life or death. The whole earth was awakened, hell loosed with her
crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth--
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling
still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,--he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices--"E'en so, it is so!"

On a clear, warm day in March, 1912, I stood on the Piazza Michel
Angelo in Florence, with a copy of Browning in my hand, and gazed
with delight on the panorama of the fair city below. Then I read
aloud the first two stanzas of _Old Pictures in Florence_, and
realised for the thousandth time the definiteness of Browning's
poetry. This particular poem is a mixture of art and doggerel; but
even the latter is interesting to lovers of Florence.

Not a churlish saint, Lorenzo Monaco?

Did you ever stand in front of the picture by Lorenzo that Browning
had in mind, and observe the churlish saints? Most saints in Italian
pictures look either happy or complacent; because they have just
been elected to the society of heaven and are in for life. But for
some strange reason, Lorenzo's saints, although in the Presence, and
worshipping with music, look as if they were suffering from acute
indigestion. If one will wander about the galleries of Florence, and
take along Browning, one will find the poet more specifically
informing than Baedeker.

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