Laura Lee Hope - "The Moving Picture Girls Snowbound"

Oscar Wilde - "The Picture of Dorian Gray"

Samuel Adams - "The Writings of Samuel Adams, volume II (1770 1773)"

John Wood Campbell - "Invaders from the Infinite"

Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Outlines of English and American Literature

W >> William J. Long >> Outlines of English and American Literature




"And thenne the kynge and al estates wente home unto Camelot, and
soo wente to evensonge to the grete mynster, and soo after upon
that to souper; and every knyght sette in his owne place as they
were to forehand. Thenne anone they herd crakynge and cryenge of
thonder, that hem thought the place shold alle to dryve. In the
myddes of this blast entred a sonne beaume more clerer by seven
tymes than ever they sawe daye, and al they were alyghted of the
grace of the Holy Ghoost. Then beganne every knyghte to behold
other, and eyther sawe other by theire semynge fayrer than ever
they sawe afore. Not for thenne there was no knyght myghte speke
one word a grete whyle, and soo they loked every man on other, as
they had ben domb. Thenne ther entred into the halle the Holy
Graile, covered with whyte samyte, but ther was none myghte see
hit, nor who bare hit. And there was al the halle fulfylled with
good odoures, and every knyght had suche metes and drynkes as he
best loved in this world. And when the Holy Grayle had be borne
thurgh the halle, thenne the holy vessel departed sodenly, that
they wyste not where hit becam....

"'Now,' said Sir Gawayne, 'we have ben served this daye of what
metes and drynkes we thoughte on, but one thynge begyled us; we
myght not see the Holy Grayle, it was soo precyously coverd.
Therfor I wil mak here avowe, that to morne, withoute lenger
abydyng, I shall laboure in the quest of the Sancgreal; that I
shalle hold me oute a twelve moneth and a day, or more yf nede be,
and never shalle I retorne ageyne unto the courte tyl I have sene
hit more openly than hit hath ben sene here.'... Whan they of the
Table Round herde Syr Gawayne saye so, they arose up the most party
and maade suche avowes as Sire Gawayne had made."

Into this holy quest sin enters like a serpent; then in quick succession
tragedy, rebellion, the passing of Arthur, the penitence of guilty
Launcelot and Guinevere. The figures fade away at last, as Shelley says of
the figures of the Iliad, "in tenderness and inexpiable sorrow."

As the best of Malory's work is now easily accessible, we forbear further
quotation. These old Arthurian legends, the common inheritance of all
English-speaking people, should be known to every reader. As they appear in
_Morte d'Arthur_ they are notable as an example of fine old English
prose, as a reflection of the enduring ideals of chivalry, and finally as a
storehouse in which Spenser, Tennyson and many others have found material
for some of their noblest poems.

CAXTON. William Caxton (d. 1491) is famous for having brought the printing
press to England, but he has other claims to literary renown. He was editor
as well as printer; he translated more than a score of the books which came
from his press; and, finally, it was he who did more than any other man to
fix a standard of English speech.

In Caxton's day several dialects were in use, and, as we infer from one of
his prefaces, he was doubtful which was most suitable for literature or
most likely to become the common speech of England. His doubt was dissolved
by the time he had printed the _Canterbury Tales_ and the _Morte
d'Arthur_. Many other works followed in the same "King's English"; his
successor at the printing press, Wynkyn de Worde, continued in the same
line; and when, less than sixty years after the first English book was
printed, Tyndale's translation of the New Testament had found its way to
every shire in England, there was no longer room for doubt that the
East-Midland dialect had become the standard of the English nation. We have
been speaking and writing that dialect ever since.

[Illustration: THE ALMONRY, WESTMINSTER
Caxton's printing office From an old print]

[Sidenote: STORY OF THE PRINTING PRESS]

The story of how printing came to England, not as a literary but as a
business venture, is a very interesting one. Caxton was an English merchant
who had established himself at Bruges, then one of the trading centers of
Europe. There his business prospered, and he became governor of the
_Domus Angliae_, or House of the English Guild of Merchant
Adventurers. There is romance in the very name. With moderate wealth came
leisure to Caxton, and he indulged his literary taste by writing his own
version of some popular romances concerning the siege of Troy, being
encouraged by the English princess Margaret, Duchess of Burgundy, into
whose service he had entered.

Copies of his work being in demand, Caxton consulted the professional
copyists, whose beautiful work we read about in a remarkable novel called
_The Cloister and the Hearth_. Then suddenly came to Bruges the rumor

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