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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Dutch Fairy Tales for Young Folks

W >> William Elliot Griffis >> Dutch Fairy Tales for Young Folks

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It was in gloom and with a sad face that the king walked in the woods,
thinking how to make a sweet-tempered lady out of his petulant daughter,
who was fast growing up to be a tall, fine-looking woman.

Now when the king had been himself a little boy, he was very kind to all
living creatures, wild and tame, dumb and with voice--yes, even to the
trees in the forest. When a prince, the boy would never let the axe men
cut down an oak until they first begged pardon of the fairy that lived
in the tree.

There was one big oak, especially, which was near the mansion of his
father, the king. It was said that the doctors found little babies in
its leafy branches, and brought them to their mothers. The prince-boy
took great care of this tree. He was taught by a wise man to cut off the
dead limbs, keep off the worms, and warn away all people seeking to
break off branches--even for Yule-tide, which came at our Christmas
time.

Once when some hunters had chased a young she-aurochs, with her two
calves, into the king's park, the prince, though he was then only a boy,
ran out and drove the rough fellows away. Then he sheltered and fed the
aurochs family of three, until they were fresh and fat. After this he
sent a skilled hunter to imitate the sound of an aurochs mother, to call
the aurochs father to the edge of the woods. He then let them all go
free, and was happy to see the dumb brutes frisking together.

Now that the boy-prince was grown to be a man and had long been king,
and had forgotten all about the incident of his earlier years, he was
one day walking in the forest.

Suddenly a gentle breeze arose and the leaves of the old oak tree began
first to rustle and then to whisper. Soon the words were clear, and the
spirit in the oak said:

"I have seen a thousand years pass by, since I was an acorn planted
here. In a few moments I shall die and fall down. Cut my body into
staves. Of these make a wooden petticoat, like a barrel, for your
daughter. When her temper is bad, let her put it on and wear it until
she promises to be good."

The king was sad at the thought of losing the grand old tree, under
which he had played as a boy and his fathers before him. His countenance
fell.

"Cheer up, my friend," said the oak, "for something better shall follow.
When I pass away, you will find on this spot a blue flower growing.
Where the forest was shall be fields, on which the sun shines. Then, if
your daughter be good, young women shall spin something prettier than
wooden petticoats. Watch for the blue flower. Moreover," added the voice
of the tree, "that I may not be forgotten, do you take, henceforth, as
your family name Ten Eyck" (which, in Dutch, means "at the oak ").

At this moment, a huge aurochs rushed into the wood. Its long hair and
shaggy mane were gray with age. The king, thinking the beast would lower
his horns and charge at him, drew his sword to fight the mighty brute
that seemed to weigh well-nigh a ton.

But the aurochs stopped within ten feet of the king and bellowed; but,
in a minute or two, the bellowing changed to a voice and the king heard
these good words:

"I die with the oak, for we are brothers, kept under an enchantment for
a thousand years, which is to end in a few moments. Neither a tree nor
an aurochs can forget your kindness to us, when you were a prince. As
soon as our spirits are released, and we both go back to our home in the
moon, saw off my right horn and make of it a comb for use on your
daughter's curls. It will be smoother than stone."

In a moment a tempest arose, which drove the king for shelter behind
some rocks hard by. After a few minutes, the wind ceased and the sky was
clear. The king looked and there lay the oak, fallen at full length, and
the aurochs lay lifeless beside it.

Just then, the king's woodmen, who were out--thinking their master
might be hurt--drew near. He ordered them to take out the right horn of
the aurochs and to split up part of the oak for slaves. The next day,
they made a wooden petticoat and a horn comb. They were such novelties
that nearly every woman in the kingdom came to see them.

After this, the king called himself the Lord of the Land of Ten Eyck,
and ever after this was his family name, which all his descendants bore.
Whenever the princess showed bad temper, she was forced to wear the
wooden petticoat. To have the boys and girls point at her and make fun
of her was severe punishment.

But a curious thing took place. It was found that every time the maid
combed the hair of the princess she became gentler and more sweet
tempered. She often thanked her governess and said she liked to have her
curls smoothed with the new comb. She even begged her father to let her
own one and have the comb all to herself. It was not long before she
surprised her governess and her parents by combing and curling her own
hair. In truth, such a wonderful change came over the princess that she
did not often have to wear the wooden petticoat, and after a year or
two, not at all. So the gossips nearly forgot all about it.

One summer's day, as the princess was walking in the open, sunny space,
where the old oak had stood, she saw a blue flower. It seemed as
beautiful as it was strange. She plucked it and put it in her hair. When
she reached home, her old aunt, who had been in southern lands, declared
it to be the flower of the flax.

During that spring, millions of tiny green blades sprang up where the
forest had been, and when summer came, the plants were half a yard high.
The women learned how to put the stalks in water and rot the coarse,
outer fibre of the flax. Then they took the silk-like strands from the
inside and spun them on their spinning-wheels. Then they wove them into
pretty cloth.

This, when laid out on the grass, under the sunshine, was bleached
white. The flax thread was made first into linen, and then into lace.

"Let us name the place Groen-e'-veld" (Green Field), the happy people
cried, when they saw how green the earth was where had been the dark
forest. So the place was ever after called the Green Field.

Now when the princess saw what pretty clothes the snow white linen made,
she invented a new style of dress. The upper garment, or "rok," that is,
the one above the waist, she called the "boven rok" and the lower one,
beneath the waist, her "beneden rok." In Dutch "boven" means above and
"beneden" means beneath. By and by, when, at the looms, more of the
beautiful white linen was woven, she had a new petticoat made and put it
on. She was so delighted with this one that she wanted more. One after
the other, she belted them around her waist, until she had on twenty
petticoats at a time. Proud she was of her skirts, even though they made
her look like a barrel. When her mother, and maids, and all the women of
Groen-e-veld, young and old, saw the princess set the fashion, they all
followed. It was not always easy for poor girls, who were to be married,
to buy as many as twenty petticoats. But, as it was the fashion, every
bride had to obey the rule. It grew to be the custom to have at least
twenty; for only this number was thought proper.

So, a new rule, even among the men, grew up. A betrothed young man, or
his female relatives assisting him, was accustomed to make a present of
one or more petticoats to his sweetheart to increase her wardrobe.

Thus the fashion prevailed and still holds among the women of the coast.
Fat or thin, tall or short, they pile on the petticoats and swing their
skirts proudly as they walk or go to market, sell their fish, cry "fresh
herring" in the streets, or do their knitting at home, or in front of
their houses. In some parts of the country, nothing makes a girl so
happy as to present her with a new petticoat. It is the fashion to have
a figure like a barrel and wear one's clothes so as to look like a small
hogshead.

By and by, the men built a dam to get plenty of water in winter for the
rotting of the flax stalks. The linen industry made the people rich. In
time, a city sprang up, which they called Rotterdam, or the dam where
they rotted the flax.

And, because where had been a forest of oaks, with the pool and rivulet,
there was now a silvery stream flowing gently between verdant meadows,
they made the arms and seal of the city green and white, two of the
former and one of the latter; that is, verdure and silver. To this day,
on the arms and flags of the great city, and on the high smoke-stacks of
the mighty steamers that cross the ocean, from land to land, one sees
the wide, white band between the two broad stripes of green.

[Illustration: ON AND ON THE RAGING FLOOD BORE THEM UNTIL DARK NIGHT CAME
DOWN]




THE CAT AND THE CRADLE


In the early ages, when our far-off ancestors lived in the woods, ate
acorns, slept in caves, and dressed in the skins of wild animals, they
had no horses, cows or cats. Their only pets and helpers were dogs. The
men and the dogs were more like each other than they are now.

However, they knew about bees. So the women gathered honey and from it
they made mead. Not having any sugar, the children enjoyed tasting honey
more than anything else, and it was the only sweet thing they had.

By and by, cows were brought into the country and the Dutch soil being
good for grass, the cows had plenty to eat. When these animals
multiplied, the people drank milk and learned to make cheese and butter.
So the Dutch boys and girls grew fat and healthy.

The oxen were so strong that they could pull logs of wood or draw a
plough. So, little by little, the forests were cut down and grassy
meadows, full of bright colored flowers, took their place. Houses were
built and the people were rich and happy.

Yet there were still many cruel men and bad people in the land.
Sometimes, too, floods came and drowned the cattle and covered the
fields with sand, or salt water. In such times, food was very scarce.
Thus it happened that not all the babies born could live, or every
little child be fed. The baby girls especially were often left to die,
because war was common and only boys, that grew into strong warriors,
were wanted.

It grew to be a custom that families would hold a council and decide
whether the baby should be raised or not. But if any one should give the
infant even a tiny drop of milk, or food of any kind, it was allowed to
live and grow up. If no one gave it milk or honey, it died. No matter
how much a mother might love her baby, she was not allowed to put milk
to its lips, if the grandmother or elders forbade it. The young bride,
coming into her husband's home, always had to obey his mother, for she
was now as a daughter and one of the family. All lived together in one
house, and the grandmother ruled all the women and girls that were under
one roof.

This was the way of the world, when our ancestors were pagans, and not
always as kind to little babies as our own mothers and fathers are now.
Many times was the old grandmother angry, when her son had taken a wife
and a girl was born. If the old woman expected a grandson, who should
grow up and be a fighter, with sword and spear, and it turned out to be
a girl, she was mad as fire. Often the pretty bride, brought into the
house, had a hard time of it, with her husband's mother, if she did not
in time have a baby boy. In those days a "Herman," a "War Man" and
"German" were one and the same word.

Now when the good missionaries came into Friesland, one of the first of
the families to receive the gospel was one named Altfrid. With his
bride, who also became a Christian, Altfrid helped the missionary to
build a church. By and by, a sweet little baby was born in the family
and the parents were very happy. They loved the little thing sent from
God, as fathers and mothers love their children now.

But when some one went and told the pagan grandmother that the new baby
was a girl instead of a boy, the old woman flew into a rage and would
have gone at once to get hold of the baby and put it to death. Her
lameness, however, made her move slowly, and she could not find her
crutch; for the midwife, who knew the bad temper of the grandmother, had
purposely hid it. The old woman was angry, because she did not want any
more females in the big house, where she thought there were already too
many mouths to fill. Food was hard to get, and there were not enough war
men to defend the tribe. She meant to get the new baby and throw it to
the wolves. The old grandmother was a pagan and still worshipped the
cruel gods that loved fighting. She hated the new religion, because it
taught gentleness and peace.

But the midwife, who was a neighbor, feared that the old woman was
malicious and she had hid her crutch. This she did, so that if the baby
was a girl, she could save its life. The midwife was a good woman, who
had been taught that the Great Creator loves little girls as well as
boys.

So when the midwife heard the grandmother storm and rave, while hunting
for her crutch, she ran first to the honey jar, dipped her forefinger in
it and put some drops of honey on the baby's tongue. Then she passed it
out the window to some women friends, who were waiting outside. She knew
the law, that if a child tasted food, it must be allowed to live.

The kind women took the baby to their home and fed it carefully. A hole
was drilled in the small end of a cow's horn and the warm milk, fresh
from the cow, was allowed to fall, drop by drop, into the baby's mouth.
In a few days the little one was able to suck its breakfast slowly out
of the horn, while one of the girls held it. So the baby grew bigger
every day. All the time it was carefully hidden.

The foolish old grandmother was foiled, for she could never find out
where the baby girl was, which all the time was growing strong and
plump. Her father secretly made her a cradle and he and the babe's
mother came often to see their child. Every one called her Honig-je', or
Little Honey.

Now about this time, cats were brought into the country and the children
made such pets of them that some of the cows seemed to be jealous of the
attentions paid to Pussy and the kittens. These were the days when cows
and people all lived under one long roof. The children learned to tell
the time of day, whether it was morning, noon or night by looking into
the cats' eyes. These seemed to open and shut, very much as if they had
doors.

The fat pussy, which was brought into the house where Honig-je' was,
seemed to be very fond of the little girl, and the two, the cat and the
child, played much together. It was often said that the cat loved the
baby even more than her own kittens. Every one called the affectionate
animal by the nickname of Dub-belt-je', which means Little Double;
because this puss was twice as loving as most cat mothers are. When her
own furry little babies were very young, she carried them from one place
to another in her mouth. But this way, of holding kittens, she never
tried on the baby. She seemed to know better. Indeed, Dub-belt-je' often
wondered why human babies were born so naked and helpless; for at an age
when her kittens could feed themselves and run about and play with their
tails and with each other, Honig-je' was not yet able to crawl.

But other dangers were in store for the little girl. One day, when the
men were out hunting, and the women went to the woods to gather nuts and
acorns, a great flood came. The waters washed away the houses, so that
everything floated into the great river, and then down towards the sea.

What had, what would, become of our baby? So thought the parents of
Honig-je', when they came back to find the houses swept away and no sign
of their little daughter. Dub-belt-je' and her kittens, and all the
cows, were gone too.

Now it had happened that when the flood came and the house crashed down,
baby was sound asleep. The cat, leaving its kittens, that were now
pretty well grown up, leaped up and on to the top of the cradle and the
two floated off together. Pretty soon they found themselves left alone,
with nothing in sight that was familiar, except one funny thing. That
was a wooden shoe, in which was a fuzzy little yellow chicken hardly
four days old. It had been playing in the shoe, when the floods came
and swept it off from under the very beak of the old hen, that, with all
her other chicks, was speedily drowned.

On and on, the raging flood bore baby and puss, until dark night came
down. For hours more they drifted until, happily, the cradle was swept
into an eddy in front of a village. There it spun round and round, and
might soon have been borne into the greater flood, which seemed to roar
louder as the waters rose.

Now a cat can see sometimes in the night, better even than in the day,
for the darker it becomes, the wider open the eyes of puss. In bright
sunshine, at noon, the inside doors of the cat's eyes close to a narrow
slit, while at night these doors open wide. That is the reason why, in
the days before clocks and watches were made, the children could tell
about the time of day by looking at the cat's eyes. Sometimes they named
their pussy Klok'-oog, which means Clock Eye, or Bell Eye, for bell
clocks are older than clocks with a dial, and because in Holland the
bells ring out the hours and quarter hours.

Puss looked up and saw the church tower looming up in the dark. At once
she began to meouw and caterwaul with all her might. She hoped that some
one in one of the houses near the river bank might catch the sound. But
none seemed to hear or heed. At last, when Puss was nearly dead with
howling, a light appeared at one of the windows. This showed that some
one was up and moving. It was a boy, who was named Dirck, after the
saint Theodoric, who had first, long ago, built a church in the village.
Then Puss opened her mouth and lungs again and set up a regular
cat-scream. This wakened all her other relatives in the village and
every Tom and Kitty made answer, until there was a cat concert of meouws
and caterwauls.

The boy heard, rushed down-stairs, and, opening the door, listened. The
wind blew out his candle, but the brave lad was guided by the sound
which Pussy made. Reaching the bank, he threw off his wooden klomps,
plunged into the boiling waters, and, seizing the cradle, towed it
ashore. Then he woke up his mother and showed her his prize. The way
that baby laughed and crowed, and patted the horn of milk, and kicked up
its toes in delight over the warm milk, which was brought, was a joy to
see. Near the hearth, in the middle of the floor, Dub-belt-je', the
puss, was given some straw for a bed and, after purring joyfully, was
soon, like the baby, sound asleep.

Thus the cat warned the boy, and the boy saved the baby, that was very
welcome in a family where there were no girls, but only a boy. When
Honig-je' grew up to be a young woman, she looked as lovely as a
princess and in the church was married to Dirck! It was the month of
April and all the world was waking to flowers, when the wedding
procession came out of the church and the air was sweet with the opening
of the buds.

Before the next New Year's day arrived, there lay in the same cradle,
and put to sleep over the same rockers, a baby boy. When they brought
him to the font, the good grandmother named him Luid-i-ger. He grew up
to be the great missionary, whose name in Friesland is, even today,
after a thousand years, a household word. He it was who drove out bad
fairies, vile enchanters, wicked spirits and terrible diseases. Best of
all, he banished "eye-bite," which was the name the people gave to
witchcraft. Luid-i-ger, also, made it hard for the naughty elves and
sprites that delude men.

After this, it was easy for all the good spirits, that live in kind
hearts and noble lives, to multiply and prosper. The wolves were driven
away or killed off and became very few, while the cattle and sheep
multiplied, until everybody could have a woollen coat, and there was a
cow to every person in the land.

But the people still suffered from the floods, that from time to time
drowned the cattle and human beings, and the ebb tides, that carried
everything out to sea. Then the good missionary taught the men how to
build dykes, that kept out the ocean and made the water of the rivers
stay between the banks. The floods became fewer and fewer and at last
rarely happened. Then Santa Klaas arrived, to keep alive in the hearts
of the people the spirit of love and kindness and good cheer forever.

At last, when nearly a hundred years had passed away, Honig-je', once
the girl baby, and then the dear old lady, who was kind to everybody and
prepared the way for Santa Klaas, died. Then, also, Dub-belt-je' the
cat, that had nine lives in one, died with her. They buried the old lady
under the church floor and stuffed the pussy that everybody, kittens,
boys, girls and people loved. By and by, when the cat's tail and fur
fell to pieces, and ears tumbled off, and its glass eyes dropped out, a
skilful artist chiselled a statue of Dub-belt-je', which still stands
over the tomb in the church. Every year, on Santa Klaas day, December
sixth, the children put a new collar around its neck and talk about the
cat that saved a baby's life.




PRINCE SPIN HEAD AND MISS SNOW WHITE


Long, long ago, before the Romans came into the land and when the
fairies ruled in the forest, there was a maiden who lived under an oak
tree. When she was a baby they called her Bundlekin. She had four
brothers, who loved their younger sister very dearly and did everything
they could to make her happy. Her fat father was a famous hunter. When
he roamed the woods, no bear, wolf, aurochs, roebuck, deer, or big
animal of any kind, could escape from his arrows, his spear, or his
pit-trap. He taught his sons to be skilful in the chase, but also to be
kind to the dumb creatures when captured. Especially when the mother
beast was killed, the boys were always told to care for the cubs, whelps
and kittens. As for the smaller animals, foxes, hares, weasels, rabbits
and ermine, these were so numerous, that the father left the business of
hunting them to the lads, who had great sport.

The house under the oak tree was always well provided with meat and
furs. The four brothers brought the little animals, which they took in
the woods, to make presents to their sister. So there was always a
plenty of pets, bear and wolf cubs, wildcats' kittens and baby aurochs
for the girl to play with. Every day, while the animals were so young as
to be fed on milk, she enjoyed frolicking with the four-footed babies.
When they grew bigger, she romped and sported with them, as if she and
they were equal members of the same family. The older brother watched
carefully, so that the little brutes, as they increased in size, should
not bite or claw his sister, for he knew the fierce nature that was in
wild creatures. Yet the maiden had wonderful power over these beasts of
the forest, whether little or big. She was not very much afraid of them
and often made them run, by looking at them hard in the eye.

While the girl made a pet of the animals, her parents made a pet of her.
The mother prepared the skins of the wolves and bears, until these were
very soft, keeping the fur on, to make rugs for the floor, and winter
coats for her children. The hides of the aurochs sufficed for rougher
use, but from what had once been the clothes of the fawn, the weasel,
the rabbit, and the ermine, garments were made that were smooth enough
to suit a baby's tender flesh. The forest folk wrapped their infants in
swaddling hands made of these dressed pelts. After feeding the darling,
a mother hung her baby up, warmly covered, to a tree branch. The cradle,
which was a furry bag, was made of the same material and swung in the
wind.

Bundlekin usually fell asleep right after she had had her breakfast.
When she woke up crowing, the squirrels were playing all around her. She
even learned to watch the spiders, spinning their houses of silk,
without being afraid. When Bundlekin grew up, she always called this
curious creature, that could make silk, Spin Head. She jokingly called
it her lover, in remembrance of baby days.

It was funny to see how deft the mother was with her needles, fashioned
from bone, and her rough thread, which was made of the intestines of the
deer. From her own childhood in the woods, Bundlekin's mother had been
used to this kind of dressmaking. Now, when her daughter had grown, from
babyhood and through her teens, to be a lovely maiden, fair of face and
strong of limb, her sweet, unselfish parent was equal to new tasks. To
the soft leather coats, made from the skins of fawns, martens, and
weasels, she added trimmings of snow white ermine. Caps and mittens,
cloaks for the body, and coverings for the feet, were fashioned to fit
neatly. Fringes, here and there, were put on them, until her girl looked
like a king's daughter. In summer, the skins of birds and their feathers
clothed her lightly, and with many and rich colors, while the forest
flowers decked her hair.

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