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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Scientific American Supplement, No. 303

V >> Various >> Scientific American Supplement, No. 303

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It is true that all horses are not equally intelligent and tractable,
but it is probable that there is less difference among them in this
regard than there is among his human masters, since there are many
incitements and ambitions among men that do not affect animals.

The horse learns to know and to have confidence in a gentle driver, and
soon discovers how to secure for himself that which he desires, and
to understand his surroundings and his duties. The tone, volume, and
inflection of his master's voice indicate much, perhaps more than the
words that are spoken. Soothing tones rather than words calm him if
excited by fear or anger, and angry and excited tones tend to excite or
anger him. In short, bad masters make bad horses.

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