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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Complete Poems of Sir Thomas Moore

T >> Thomas Moore et al >> The Complete Poems of Sir Thomas Moore

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"Ye wise, ye learned, who grope your dull way on
"By the dim twinkling gleams of ages gone,
"Like superstitious thieves who think the light
"From dead men's marrow guides them best at night[49]--
"Ye shall have honors--wealth--yes, Sages, yes--
"I know, grave fools, your wisdom's nothingness;
"Undazzled it can track yon starry sphere,
"But a gilt stick, a bauble blinds it here.
"How I shall laugh, when trumpeted along
"In lying speech and still more lying song,
"By these learned slaves, the meanest of the throng;
"Their wits brought up, their wisdom shrunk so small,
"A sceptre's puny point can wield it all!

"Ye too, believers of incredible creeds,
"Whose faith enshrines the monsters which it breeds;
"Who, bolder even than NEMROD, think to rise
"By nonsense heapt on nonsense to the skies;
"Ye shall have miracles, ay, sound ones too,
"Seen, heard, attested, everything--but true.
"Your preaching zealots too inspired to seek
"One grace of meaning for the things they speak:
"Your martyrs ready to shed out their blood,
"For truths too heavenly to be understood;
"And your State Priests, sole venders of the lore,
"That works salvation;--as, on AVA'S shore,
"Where none _but_ priests are privileged to trade
"In that best marble of which Gods are made[50];
"They shall have mysteries--ay precious stuff
"For knaves to thrive by--mysteries enough;
"Dark, tangled doctrines, dark as fraud can weave,
"Which simple votaries shall on trust receive,
"While craftier feign belief till they believe.
"A Heaven too ye must have, ye lords of dust,--
"A splendid Paradise,--pure souls, ye must:
"That Prophet ill sustains his holy call,
"Who finds not heavens to suit the tastes of all;
"Houris for boys, omniscience for sages,
"And wings and glories for all ranks and ages.
"Vain things!--as lust or vanity inspires,
"The heaven of each is but what each desires,
"And, soul or sense, whate'er the object be,
"Man would be man to all eternity!
"So let him--EBLIS! grant this crowning curse,
"But keep him what he is, no Hell were worse."

"Oh my lost soul!" exclaimed the shuddering maid,
Whose ears had drunk like poison all he said:
MOKANNA started--not abasht, afraid,--
He knew no more of fear than one who dwells
Beneath the tropics knows of icicles!
But in those dismal words that reached his ear,
"Oh my lost soul!" there was a sound so drear,
So like that voice among the sinful dead
In which the legend o'er Hell's Gate is read,
That, new as 'twas from her whom naught could dim
Or sink till now, it startled even him.

"Ha, my fair Priestess!"--thus, with ready wile,
The impostor turned to greet her--"thou whose smile
"Hath inspiration in its rosy beam
"Beyond the Enthusiast's hope or Prophet's dream,
"Light of the Faith! who twin'st religion's zeal
"So close with love's, men know not which they feel,
"Nor which to sigh for, in their trance of heart,
"The heaven thou preachest or the heaven thou art!
"What should I be without thee? without thee
"How dull were power, how joyless victory!
"Tho' borne by angels, if that smile of thine
"Blest not my banner 'twere but half divine.
"But--why so mournful, child? those eyes that shone
"All life last night--what!--is their glory gone?
"Come, come--this morn's fatigue hath made them pale,
"They want rekindling--suns themselves would fail
"Did not their comets bring, as I to thee,
"From light's own fount supplies of brilliancy.
"Thou seest this cup--no juice of earth is here,
"But the pure waters of that upper sphere,
"Whose rills o'er ruby beds and topaz flow,
"Catching the gem's bright color as they go.
"Nightly my Genii come and fill these urns--
"Nay, drink--in every drop life's essence burns;
"'Twill make that soul all fire, those eyes all light--
"Come, come, I want thy loveliest smiles to-night:
"There is a youth--why start?--thou saw'st him then;
"Lookt he not nobly? such the godlike men,
"Thou'lt have to woo thee in the bowers above;--
"Tho' _he_, I fear, hath thoughts too stern for love,
"Too ruled by that cold enemy of bliss
"The world calls virtue--we must conquer this;
"Nay, shrink not, pretty sage! 'tis not for thee
"To scan the mazes of Heaven's mystery:
"The steel must pass thro' fire, ere it can yield
"Fit instruments for mighty hands to wield.
"This very night I mean to try the art
"Of powerful beauty on that warrior's heart.
"All that my Haram boasts of bloom and wit,
"Of skill and charms, most rare and exquisite,
"Shall tempt the boy;--young MIRZALA'S blue eyes
"Whose sleepy lid like snow on violets lies;
"AROUYA'S cheeks warm as a spring-day sun
"And lips that like the seal of SOLOMON
"Have magic in their pressure; ZEBA'S lute,
"And LILLA'S dancing feet that gleam and shoot
"Rapid and white as sea-birds o'er the deep--
"All shall combine their witching powers to steep
"My convert's spirit in that softening trance,
"From which to heaven is but the next advance;--
"That glowing, yielding fusion of the breast.
"On which Religion stamps her image best.
"But hear me, Priestess!--tho' each nymph of these
"Hath some peculiar, practised power to please,
"Some glance or step which at the mirror tried
"First charms herself, then all the world beside:
"There still wants _one_ to make the victory sure,
"One who in every look joins every lure,
"Thro' whom all beauty's beams concentred pass,
"Dazzling and warm as thro' love's burning glass;
"Whose gentle lips persuade without a word,
"Whose words, even when unmeaning, are adored.
"Like inarticulate breathings from a shrine,
"Which our faith takes for granted are divine!
"Such is the nymph we want, all warmth and light,
"To crown the rich temptations of to-night;
"Such the refined enchantress that must be
"This hero's vanquisher,--and thou art she!"

With her hands claspt, her lips apart and pale,
The maid had stood gazing upon the Veil
From which these words like south winds thro' a fence
Of Kerzrah flowers, came filled with pestilence;[51]
So boldly uttered too! as if all dread
Of frowns from her, of virtuous frowns, were fled,
And the wretch felt assured that once plunged in,
Her woman's soul would know no pause in sin!

At first, tho' mute she listened, like a dream
Seemed all he said: nor could her mind whose beam
As yet was weak penetrate half his scheme.
But when at length he uttered, "Thou art she!"
All flasht at once and shrieking piteously,
"Oh not for worlds! "she cried--"Great God! to whom
"I once knelt innocent, is this my doom?
"Are all my dreams, my hopes of heavenly bliss,
"My purity, my pride, then come to this,--
"To live, the wanton of a fiend! to be
"The pander of his guilt--oh infamy!
"And sunk myself as low as hell can steep
"In its hot flood, drag others down as deep!

"Others--ha! yes--that youth who came to-day--
"_Not_ him I loved--not him--oh! do but say,
"But swear to me this moment 'tis not he,
"And I will serve, dark fiend, will worship even thee!"

"Beware, young raving thing!--in time beware,
"Nor utter what I can not, must not bear,
"Even from _thy_ lips. Go--try thy lute, thy voice,
"The boy must feel their magic;--I rejoice
"To see those fires, no matter whence they rise,
"Once more illuming my fait Priestess' eyes;
"And should the youth whom soon those eyes shall warm,
"Indeed resemble thy dead lover's form,
"So much the happier wilt thou find thy doom,
"As one warm lover full of life and bloom
"Excels ten thousand cold ones in the tomb.
"Nay, nay, no frowning, sweet!--those eyes were made
"For love, not anger--I must be obeyed."

"Obeyed!--'tis well--yes, I deserve it all--
"On me, on me Heaven's vengeance can not fall
"Too heavily--but AZIM, brave and true
"And beautiful--must _he_ be ruined too?
"Must _he_ too, glorious as he is, be driven
"A renegade like me from Love and Heaven?
"Like me?--weak wretch, I wrong him--not like me;
"No--he's all truth and strength and purity!
"Fill up your maddening hell-cup to the brim,
"Its witchery, fiends, will have no charm for him.
"Let loose your glowing wantons from their bowers,
"He loves, he loves, and can defy their powers!
"Wretch as I am, in his heart still I reign
"Pure as when first we met, without a stain!
"Tho' ruined--lost--my memory like a charm
"Left by the dead still keeps his soul from harm.
"Oh! never let him know how deep the brow
"He kist at parting is dishonored now;--
"Ne'er tell him how debased, how sunk is she.
"Whom once he loved--once!--_still_ loves dotingly.
"Thou laugh'st, tormentor,--what!--thou it brand my name?
"Do, do--in vain--he'll not believe my shame--
"He thinks me true, that naught beneath God's sky
"Could tempt or change me, and--so once thought I.
"But this is past--tho' worse than death my lot,
"Than hell--'tis nothing while _he_ knows it not.
"Far off to some benighted land I'll fly,
"Where sunbeam ne'er shall enter till I die;
"Where none will ask the lost one whence she came,
"But I may fade and fall without a name.
"And thou--curst man or fiend, whate'er thou art,
"Who found'st this burning plague-spot in my heart,
"And spread'st it--oh, so quick!--thro' soul and frame,
"With more than demon's art, till I became
"A loathsome thing, all pestilence, all flame!--
"If, when I'm gone"--"Hold, fearless maniac, hold,
"Nor tempt my rage--by Heaven, not half so bold
"The puny bird that dares with teasing hum
"Within the crocodile's stretched jaws to come![52]
"And so thou'lt fly, forsooth?--what!--give up all
"Thy chaste dominion in the Haram Hall,
"Where now to Love and now to ALLA given,
"Half mistress and half saint, thou hang'st as even
"As doth MEDINA'S tomb, 'twixt hell and heaven!
"Thou'lt fly?--as easily may reptiles run,
"The gaunt snake once hath fixt his eyes upon;
"As easily, when caught, the prey may be
"Pluckt from his loving folds, as thou from me.
"No, no, 'tis fixt--let good or ill betide,
"Thou'rt mine till death, till death MOKANNA'S bride!
"Hast thou forgot thy oath?"--
At this dread word,
The Maid whose spirit his rude taunts had stirred
Thro' all its depths and roused an anger there,
That burst and lightened even thro' her despair--
Shrunk back as if a blight were in the breath
That spoke that word and staggered pale as death.

"Yes, my sworn bride, let others seek in bowers
"Their bridal place--the charnel vault was ours!
"Instead of scents and balms, for thee and me
"Rose the rich steams of sweet mortality,
"Gay, flickering death-lights shone while we were wed.
"And for our guests a row of goodly Dead,
"(Immortal spirits in their time, no doubt,)
"From reeking shrouds upon the rite looked out!
"That oath thou heard'st more lips than thine repeat--
"That cup--thou shudderest, Lady,--was it sweet?
"That cup we pledged, the charnel's choicest wine,
"Hath bound thee--ay--body and soul all mine;
"Bound thee by chains that, whether blest or curst
"No matter now, not hell itself shall burst!
"Hence, woman, to the Haram, and look gay,
"Look wild, look--anything but sad; yet stay--
"One moment more--from what this night hath past,
"I see thou know'st me, know'st me _well_ at last.
"Ha! ha! and so, fond thing, thou thought'st all true,
"And that I love mankind?--I do, I do--
"As victims, love them; as the sea-dog dotes
"Upon the small, sweet fry that round him floats;
"Or, as the Nile-bird loves the slime that gives
"That rank and venomous food on which she lives!--

"And, now thou seest my _soul's_ angelic hue,
"'Tis time these _features_ were uncurtained too;--
"This brow, whose light--oh rare celestial light!
"Hath been reserved to bless thy favored sight;
"These dazzling eyes before whose shrouded might
"Thou'st seen immortal Man kneel down and quake--
"Would that they _were_ heaven's lightnings for his sake!
"But turn and look--then wonder, if thou wilt,
"That I should hate, should take revenge, by guilt,
"Upon the hand whose mischief or whose mirth
"Sent me thus mained and monstrous upon earth;
"And on that race who, tho' more vile they be
"Than moving apes, are demigods to me!
"Here--judge if hell, with all its power to damn,
"Can add one curse to the foul thing I am!"--
He raised his veil--the Maid turned slowly round,
Looked at him--shrieked--and sunk upon the ground!


On their arrival next night at the place of encampment they were surprised
and delighted to find the groves all around illuminated; some artists of
Yamtcheou[53] having been sent on previously for the purpose. On each
side of the green alley, which led to the Royal Pavilion, artificial
sceneries of bamboo-work were erected, representing arches, minarets,
towers, from which hung thousands of silken lanterns painted by the most
delicate pencils of Canton.--Nothing could be more beautiful than the
leaves of the mango-trees and acacias shining in the light of the
bamboo-scenery which shed a lustre round as soft as that of the nights of
Peristan.

LALLA ROOKH, however, who was too much occupied by the sad story of ZELICA
and her lover to give a thought to anything else, except perhaps him who
related it, hurried on through this scene of splendor to her
pavilion,--greatly to the mortification of the poor artists of
Yamtcheou,--and was followed with equal rapidity by the Great Chamberlain,
cursing, as he went, that ancient Mandarin, whose parental anxiety in
lighting up the shores of the lake, where his beloved daughter had
wandered and been lost, was the origin of these fantastic Chinese
illuminations.[54]

Without a moment's delay, young FERAMORZ was introduced, and FADLADEEN,
who could never make up his mind as to the merits of a poet till he knew
the religious sect to which he belonged, was about to ask him whether he
was a Shia or a Sooni when LALLA KOOKH impatiently clapped her hands for
silence, and the youth being seated upon the musnud near her proceeded:--


Prepare thy soul, young AZIM!--thou hast braved
The bands of GREECE, still mighty tho' enslaved;
Hast faced her phalanx armed with all its fame,--
Her Macedonian pikes and globes of fame,
All this hast fronted with firm heart and brow,
But a more perilous trial waits thee now,--
Woman's bright eyes, a dazzling host of eyes
From every land where woman smiles or sighs;
Of every hue, as Love may chance to raise
His black or azure banner in their blaze;
And each sweet mode of warfare, from the flash
That lightens boldly thro' the shadowy lash,
To the sly, stealing splendors almost hid
Like swords half-sheathed beneath the downcast lid;--
Such, AZIM, is the lovely, luminous host
Now led against thee; and let conquerors boast
Their fields of fame, he who in virtue arms
A young, warm spirit against beauty's charms,
Who feels her brightness, yet defies her thrall,
Is the best, bravest conqueror of them all.

Now, thro' the Haram chambers, moving lights
And busy shapes proclaim the toilet's rites;--
From room to room the ready handmaids hie,
Some skilled to wreath the turban tastefully,
Or hang the veil in negligence of shade
O'er the warm blushes of the youthful maid,
Who, if between the folds but one eye shone,
Like SEBA'S Queen could vanquish with that one:[55]--

While some bring leaves of Henna to imbue
The fingers' ends with a bright roseate hue,[56]
So bright that in the mirror's depth they seem
Like tips of coral branches in the stream:
And others mix the Kohol's jetty dye,
To give that long, dark languish to the eye,[57]
Which makes the maids whom kings are proud to call
From fair Circassia's vales, so beautiful.
All is in motion; rings and plumes and pearls
Are shining everywhere:--some younger girls
Are gone by moonlight to the garden-beds,
To gather fresh, cool chaplets for their heads;--
Gay creatures! sweet, tho' mournful, 'tis to see
How each prefers a garland from that tree
Which brings to mind her childhood's innocent day
And the dear fields and friendships far away.
The maid of INDIA, blest again to hold
In her full lap the Champac's leaves of gold,[58]
Thinks of the time when, by the GANGES' flood,
Her little playmates scattered many a bud
Upon her long black hair with glossy gleam
Just dripping from the consecrated stream;
While the young Arab haunted by the smell
Of her own mountain flowers as by a spell,--
The sweet Alcaya[59] and that courteous tree
Which bows to all who seek its canopy,[60]
Sees called up round her by these magic scents
The well, the camels, and her father's tents;
Sighs for the home she left with little pain,
And wishes even its sorrow back again!

Meanwhile thro' vast illuminated halls,
Silent and bright, where nothing but the falls
Of fragrant waters gushing with cool sound
From many a jasper fount is heard around,
Young AZIM roams bewildered,--nor can guess
What means this maze of light and loneliness.
Here the way leads o'er tesselated floors
Or mats of CAIRO thro' long corridors,
Where ranged in cassolets and silver urns
Sweet wood of aloe or of sandal burns,
And spicy rods such as illume at night
The bowers of TIBET[61] send forth odorous light,
Like Peris' wands, when pointing out the road
For some pure Spirit to its blest abode:--
And here at once the glittering saloon
Bursts on his sight, boundless and bright as noon;
Where in the midst reflecting back the rays
In broken rainbows a fresh fountain plays
High as the enamelled cupola which towers
All rich with Arabesques of gold and flowers:
And the mosaic floor beneath shines thro'
The sprinkling of that fountain's silvery dew,
Like the wet, glistening shells of every dye
That on the margin of the Red Sea lie.

Here too he traces the kind visitings
Of woman's love in those fair, living things
Of land and wave, whose fate--in bondage thrown
For their weak loveliness--is like her own!
On one side gleaming with a sudden grace
Thro' water brilliant as the crystal vase
In which it undulates, small fishes shine
Like golden ingots from a fairy mine;--
While, on the other, latticed lightly in
With odoriferous woods of COMORIN,
Each brilliant bird that wings the air is seen;--
Gay, sparkling loories such as gleam between
The crimson blossoms of the coral-tree[62]
In the warm isles of India's sunny sea:
Mecca's blue sacred pigeon,[63] and the thrush
Of Hindostan[64] whose holy warblings gush
At evening from the tall pagoda's top;--
Those golden birds that in the spice time drop
About the gardens, drunk with that sweet food[65]
Whose scent hath lured them o'er the summer flood;[66]
And those that under Araby's soft sun
Build their high nests of budding cinnamon;[67]
In short, all rare and beauteous things that fly
Thro' the pure element here calmly lie
Sleeping in light, like the green birds[68] that dwell
In Eden's radiant fields of asphodel!

So on, thro' scenes past all imagining,
More like the luxuries of that impious King,[69]
Whom Death's dark Angel with his lightning torch
Struck down and blasted even in Pleasure's porch,
Than the pure dwelling of a Prophet sent
Armed with Heaven's sword for man's enfranchisement--
Young AZIM wandered, looking sternly round,
His simple garb and war-boots clanking sound
But ill according with the pomp and grace
And silent lull of that voluptuous place.

"Is this, then," thought the youth, "is this the way
"To free man's spirit from the deadening sway
"Of worldly sloth,--to teach him while he lives
"To know no bliss but that which virtue gives,
"And when he dies to leave his lofty name
"A light, a landmark on the cliffs of fame?
"It was not so, Land of the generous thought
"And daring deed, thy god-like sages taught;
"It was not thus in bowers of wanton ease
"Thy Freedom nurst her sacred energies;
"Oh! not beneath the enfeebling, withering glow
"Of such dull luxury did those myrtles grow
"With which she wreathed her sword when she would dare
"Immortal deeds; but in the bracing air
"Of toil,--of temperance,--of that high, rare,
"Ethereal virtue, which alone can breathe
"Life, health, and lustre into Freedom's wreath.
"Who that surveys this span of earth we press.--
"This speck of life in time's great wilderness,
"This narrow isthmus 'twixt two boundless seas,
"The past, the future, two eternities!--
"Would sully the bright spot, or leave it bare,
"When he might build him a proud temple there,
"A name that long shall hallow all its space,
"And be each purer soul's high resting-place.
"But no--it cannot be, that one whom God
"Has sent to break the wizard Falsehood's rod,--
"A Prophet of the Truth, whose mission draws
"Its rights from Heaven, should thus profane its cause
"With the world's vulgar pomps;--no, no,--I see--
"He thinks me weak--this glare of luxury
"Is but to tempt, to try the eaglet gaze
"Of my young soul--shine on, 'twill stand the blaze!"

So thought the youth;--but even while he defied
This witching scene he felt its witchery glide
Thro' every sense. The perfume breathing round,
Like a pervading spirit;--the still sound
Of falling waters, lulling as the song
Of Indian bees at sunset when they throng
Around the fragrant NILICA, and deep
In its blue blossoms hum themselves to sleep;[70]
And music, too--dear music! that can touch
Beyond all else the soul that loves it much--
Now heard far off, so far as but to seem
Like the faint, exquisite music of a dream;
All was too much for him, too full of bliss,
The heart could nothing feel, that felt not this;
Softened he sunk upon a couch and gave
His soul up to sweet thoughts like wave on wave
Succeeding in smooth seas when storms are laid;
He thought of ZELICA, his own dear maid,
And of the time when full of blissful sighs
They sat and lookt into each other's eyes,
Silent and happy--as if God had given
Naught else worth looking at on this side heaven.

"Oh, my loved mistress, thou whose spirit still
"Is with me, round me, wander where I will--
"It is for thee, for thee alone I seek
"The paths of glory; to light up thy cheek
"With warm approval--in that gentle look
"To read my praise as in an angel's book,
"And think all toils rewarded when from thee
"I gain a smile worth immortality!
"How shall I bear the moment, when restored
"To that young heart where I alone am Lord.
"Tho' of such bliss unworthy,--since the best
"Alone deserve to be the happiest:--
"When from those lips unbreathed upon for years
"I shall again kiss off the soul-felt tears,
"And find those tears warm as when last they started,
"Those sacred kisses pure as when we parted.
"O my own life!--why should a single day,
"A moment keep me from those arms away?"

While thus he thinks, still nearer on the breeze
Come those delicious, dream-like harmonies,
Each note of which but adds new, downy links
To the soft chain in which his spirit sinks.
He turns him toward the sound, and far away
Thro' a long vista sparkling with the play
Of countless lamps,--like the rich track which Day
Leaves on the waters, when he sinks from us,
So long the path, its light so tremulous;--
He sees a group of female forms advance,
Some chained together in the mazy dance
By fetters forged in the green sunny bowers,
As they were captives to the King of Flowers;[71]
And some disporting round, unlinkt and free,
Who seemed to mock their sisters' slavery;
And round and round them still in wheeling flight
Went like gay moths about a lamp at night;
While others waked, as gracefully along
Their feet kept time, the very soul of song
From psaltery, pipe, and lutes of heavenly thrill,
Or their own youthful voices heavenlier still.
And now they come, now pass before his eye,
Forms such as Nature moulds when she would vie
With Fancy's pencil and give birth to things
Lovely beyond its fairest picturings.
Awhile they dance before him, then divide,
Breaking like rosy clouds at eventide
Around the rich pavilion of the sun,--
Till silently dispersing, one by one,
Thro' many a path that from the chamber leads
To gardens, terraces and moonlight meads,
Their distant laughter comes upon the wind,
And but one trembling nymph remains behind,--
Beckoning them back in vain--for they are gone
And she is left in all that light alone;
No veil to curtain o'er her beauteous brow,
In its young bashfulness more beauteous now;
But a light golden chain-work round her hair,[72]
Such as the maids of YEZD and SHIRAS wear,[73]
From which on either side gracefully hung
A golden amulet in the Arab tongue,
Engraven o'er with some immortal line
From Holy Writ or bard scarce less divine;
While her left hand, as shrinkingly she stood,
Held a small lute of gold and sandal-wood,
Which once or twice she touched with hurried strain,
Then took her trembling fingers off again.
But when at length a timid glance she stole
At AZIM, the sweet gravity of soul
She saw thro' all his features calmed her fear,
And like a half-tamed antelope more near,
Tho' shrinking still, she came;--then sat her down
Upon a musnud's[74] edge, and, bolder grown.
In the pathetic mode of ISFAHAN[75]
Touched a preluding strain and thus began:--

There's a bower of roses by BENDEMEER's[76] stream,
And the nightingale sings round it all the day long;
In the time of my childhood 'twas like a sweet dream,
To sit in the roses and hear the bird's song.

That bower and its music, I never forget,
But oft when alone in the bloom of the year
I think--is the nightingale singing there yet?
Are the roses still bright by the calm BENDEMEER?

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