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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Complete Poems of Sir Thomas Moore

T >> Thomas Moore et al >> The Complete Poems of Sir Thomas Moore

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SEE, THE DAWN FROM HEAVEN.

(TO AN AIR SUNG AT ROME, ON CHRISTMAS EVE.)


See, the dawn from Heaven is breaking
O'er our sight,
And Earth from sin awaking,
Hails the light!
See those groups of angels, winging
From the realms above,
On their brows, from Eden, bringing
Wreaths of Hope and Love.

Hark, their hymns of glory pealing
Thro' the air,
To mortal ears revealing
Who lies there!
In that dwelling, dark and lowly,
Sleeps the Heavenly Son,
He, whose home's above,--the Holy,
Ever Holy One!






NETS AND CAGES.[1]

(SWEDISH AIR.)


Come, listen to my story, while
Your needle task you ply:
At what I sing some maids will smile,
While some, perhaps, may sigh.
Though Love's the theme, and Wisdom blames
Such florid songs as ours,

Yet Truth sometimes, like eastern dames,
Can speak her thoughts by flowers.
Then listen, maids, come listen, while
Your needle's task you ply;
At what I sing there's some may smile,
While some, perhaps, will sigh.

Young Cloe, bent on catching Loves,
Such nets had learned to frame,
That none, in all our vales and groves,
E'er caught so much small game:
But gentle Sue, less given to roam,
While Cloe's nets were taking
Such lots of Loves, sat still at home,
One little Love-cage making.
Come, listen, maids, etc.

Much Cloe laughed at Susan's task;
But mark how things went on:
These light-caught Loves, ere you could ask
Their name and age, were gone!
So weak poor Cloe's nets were wove,
That, tho' she charm'd into them
New game each hour, the youngest Love
Was able to break thro' them.
Come, listen, maids, etc.

Meanwhile, young Sue, whose cage was wrought
Of bars too strong to sever,
One Love with golden pinions caught.
And caged him there for ever;
Instructing, thereby, all coquettes,
Whate'er their looks or ages,
That, tho 'tis pleasant weaving Nets,
'Tis wiser to make Cages.

Thus, maidens, thus do I beguile
The task your fingers ply.--
May all who hear like Susan smile,
And not, like Cloe, sigh!


[1] Suggested by the following remark of Swift's;--"The reason why so few
marriages are happy, is, because young ladies spend their time in making
nets, not in making cages."






WHEN THROUGH THE PIAZZETTA.

(VENETIAN AIR.)


When thro' the Piazzetta
Night breathes her cool air,
Then, dearest Ninetta,
I'll come to thee there.
Beneath thy mask shrouded,
I'll know thee afar,
As Love knows tho' clouded
His own Evening Star.

In garb, then, resembling
Some gay gondolier,
I'll whisper thee, trembling,
"Our bark, love, is near:
"Now, now, while there hover
"Those clouds o'er the moon,
"'Twill waft thee safe over
"Yon silent Lagoon."






GO, NOW, AND DREAM.

(SICILIAN AIR.)


Go, now, and dream o'er that joy in thy slumber--
Moments so sweet again ne'er shalt thou number.
Of Pain's bitter draught the flavor ne'er flies,
While Pleasure's scarce touches the lip ere it dies.
Go, then, and dream, etc.

That moon, which hung o'er your parting, so splendid,
Often will shine again, bright as she then did--
But, never more will the beam she saw burn
In those happy eyes, at your meeting, return.
Go, then, and dream, etc.






TAKE HENCE THE BOWL.

(NEAPOLITAN AIR.)


Take hence the bowl;--tho' beaming
Brightly as bowl e'er shone,
Oh, it but sets me dreaming
Of happy days now gone.
There, in its clear reflection,
As in a wizard's glass,
Lost hopes and dead affection,
Like shades, before me pass.

Each cup I drain brings hither
Some scene of bliss gone by;--
Bright lips too bright to wither,
Warm hearts too warm to die.
Till, as the dream comes o'er me
Of those long vanished years,
Alas, the wine before me
Seems turning all to tears!






FAREWELL, THERESA!

(VENETIAN AIR.)


Farewell, Theresa! yon cloud that over
Heaven's pale night-star gathering we see,
Will scarce from that pure orb have past ere thy lover
Swift o'er the wide wave shall wander from thee.

Long, like that dim cloud, I've hung around thee,
Darkening thy prospects, saddening thy brow;
With gay heart, Theresa, and bright cheek I found thee;
Oh, think how changed, love, how changed art thou now!

But here I free thee: like one awaking
From fearful slumber, thou break'st the spell;
'Tis over--the moon, too, her bondage is breaking--
Past are the dark clouds; Theresa, farewell!






HOW OFT, WHEN WATCHING STARS.

(SAVOYARD AIR.)


Oft, when the watching stars grow pale,
And round me sleeps the moonlight scene,
To hear a flute through yonder vale
I from my casement lean.
"Come, come, my love!" each note then seems to say,
"Oh, come, my love! the night wears fast away!"
Never to mortal ear
Could words, tho' warm they be,
Speak Passion's language half so clear
As do those notes to me!

Then quick my own light lute I seek,
And strike the chords with loudest swell;
And, tho' they naught to others speak,
_He_ knows their language well.
"I come, my love!" each note then seems to say,
"I come, my love!--thine, thine till break of day."
Oh, weak the power of words,
The hues of painting dim
Compared to what those simple chords
Then say and paint to him!






WHEN THE FIRST SUMMER BEE.

(GERMAN AIR.)


When the first summer bee
O'er the young rose shall hover,
Then, like that gay rover,
I'll come to thee.
He to flowers, I to lips, full of sweets to the brim--
What a meeting, what a meeting for me and for him!
When the first summer bee, etc.

Then, to every bright tree
In the garden he'll wander;
While I, oh, much fonder,
Will stay with thee.
In search of new sweetness thro' thousands he'll run,
While I find the sweetness of thousands in one.
Then, to every bright tree, etc.






THO' 'TIS ALL BUT A DREAM.

(FRENCH AIR.)


Tho' 'tis all but a dream at the best,
And still, when happiest, soonest o'er,
Yet, even in a dream, to be blest
Is so sweet, that I ask for no more.
The bosom that opes
With earliest hopes,
The soonest finds those hopes untrue:
As flowers that first
In spring-time burst
The earliest wither too!
Ay--'tis all but a dream, etc.

Tho' by friendship we oft are deceived,
And find love's sunshine soon o'ercast,
Yet friendship will still be believed.
And love trusted on to the last.
The web 'mong the leaves
The spider weaves
Is like the charm Hope hangs o'er men;
Tho' often she sees
'Tis broke by the breeze,
She spins the bright tissue again.
Ay--'tis all but a dream, etc.






WHEN THE WINE-CUP IS SMILING.

(ITALIAN AIR.)


When the wine-cup is smiling before us,
And we pledge round to hearts that are true, boy, true,
Then the sky of this life opens o'er us,
And Heaven gives a glimpse of its blue.
Talk of Adam in Eden reclining,
We are better, far better off thus, boy, thus;
For _him_ but _two_ bright eyes were shining--
See, what numbers are sparkling for us!

When on _one_ side the grape-juice is dancing,
While on t'other a blue eye beams, boy, beams,
'Tis enough, 'twixt the wine and the glancing,
To disturb even a saint from his dreams.
Yet, tho' life like a river is flowing,
I care not how fast it goes on, boy, on,
So the grape on its bank is still growing,
And Love lights the waves as they run.






WHERE SHALL WE BURY OUR SHAME?

(NEAPOLITAN AIR.)


Where shall we bury our shame?
Where, in what desolate place,
Hide the last wreck of a name
Broken and stained by disgrace?
Death may dissever the chain,
Oppression will cease when we're gone;
But the dishonor, the stain,
Die as we may, will live on.

Was it for this we sent out
Liberty's cry from our shore?
Was it for this that her shout
Thrilled to the world's very core?
Thus to live cowards and slaves!--
Oh, ye free hearts that lie dead,
Do you not, even in your graves,
Shudder, as o'er you we tread?






NE'ER TALK OF WISDOM'S GLOOMY SCHOOLS.

(MAHRATTA AIR.)


Ne'er talk of Wisdom's gloomy schools;
Give me the sage who's able
To draw his moral thoughts and rules
From the study of the table;--
Who learns how lightly, fleetly pass
This world and all that's in it.
From the bumper that but crowns his glass,
And is gone again next minute!

The diamond sleeps within the mine,
The pearl beneath the water;
While Truth, more precious, dwells in wine.
The grape's own rosy daughter.
And none can prize her charms like him,
Oh, none like him obtain her,
Who thus can, like Leander, swim
Thro' sparkling floods to gain her!






HERE SLEEPS THE BARD.

(HIGHLAND AIR.)


Here sleeps the Bard who knew so well
All the sweet windings of Apollo's shell;
Whether its music rolled like torrents near.
Or died, like distant streamlets, on the ear.
Sleep, sleep, mute bard; alike unheeded now
The storm and zephyr sweep thy lifeless brow;--
That storm, whose rush is like thy martial lay;
That breeze which, like thy love-song, dies away!






DO NOT SAY THAT LIFE IS WANING.


Do not say that life is waning,
Or that hope's sweet day is set;
While I've thee and love remaining,
Life is in the horizon yet.

Do not think those charms are flying,
Tho' thy roses fade and fall;
Beauty hath a grace undying,
Which in thee survives them all.

Not for charms, the newest, brightest,
That on other cheeks may shine,
Would I change the least, the slightest.
That is lingering now o'er thine.






THE GAZELLE.


Dost thou not hear the silver bell,
Thro' yonder lime-trees ringing?
'Tis my lady's light gazelle;
To me her love thoughts bringing,--
All the while that silver bell
Around his dark neck ringing.

See, in his mouth he bears a wreath,
My love hath kist in tying;
Oh, what tender thoughts beneath
Those silent flowers are lying,--
Hid within the mystic wreath,
My love hath kist in trying!

Welcome, dear gazelle, to thee,
And joy to her, the fairest.
Who thus hath breathed her soul to me.
In every leaf thou bearest;
Welcome, dear gazelle, to thee,
And joy to her the fairest!

Hail ye living, speaking flowers,
That breathe of her who bound ye;
Oh, 'twas not in fields, or bowers;
'Twas on her lips, she found ye;--
Yes, ye blushing, speaking flowers,
'Twas on her lips she found ye.






NO--LEAVE MY HEART TO REST.


No--leave my heart to rest, if rest it may,
When youth, and love, and hope, have past away.
Couldst thou, when summer hours are fled,
To some poor leaf that's fallen and dead,
Bring back the hue it wore, the scent it shed?
No--leave this heart to rest, if rest it may,
When youth, and love, and hope, have past away.

Oh, had I met thee then, when life was bright,
Thy smile might still have fed its tranquil light;
But now thou comest like sunny skies,
Too late to cheer the seaman's eyes,
When wrecked and lost his bark before him lies!
No--leave this heart to rest, if rest it may,
Since youth, and love, and hope have past away.






WHERE ARE THE VISIONS.


"Where are the visions that round me once hovered,
"Forms that shed grace from their shadows alone;
"Looks fresh as light from a star just discovered,
"And voices that Music might take for her own?"
Time, while I spoke, with his wings resting o'er me,
Heard me say, "Where are those visions, oh where?"
And pointing his wand to the sunset before me,
Said, with a voice like the hollow wind, "There."

Fondly I looked, when the wizard had spoken,
And there, mid the dim-shining ruins of day,
Saw, by their light, like a talisman broken,
The last golden fragments of hope melt away.






WIND THY HORN, MY HUNTER BOY.


Wind thy horn, my hunter boy,
And leave thy lute's inglorious sighs;
Hunting is the hero's joy,
Till war his nobler game supplies.
Hark! the hound-bells ringing sweet,
While hunters shout and the, woods repeat,
Hilli-ho! Hilli-ho!

Wind again thy cheerful horn,
Till echo, faint with answering, dies:
Burn, bright torches, burn till morn,
And lead us where the wild boar lies.
Hark! the cry, "He's found, he's found,"
While hill and valley our shouts resound.
Hilli-ho! Hilli-ho!






OH, GUARD OUR AFFECTION.


Oh, guard our affection, nor e'er let it feel
The blight that this world o'er the warmest will steal:
While the faith of all round us is fading or past,
Let ours, ever green, keep its bloom to the last.

Far safer for Love 'tis to wake and to weep,
As he used in his prime, than go smiling to sleep;
For death on his slumber, cold death follows fast,
White the love that is wakeful lives on to the last.

And tho', as Time gathers his clouds o'er our head,
A shade somewhat darker o'er life they may spread,
Transparent, at least, be the shadow they cast,
So that Love's softened light may shine thro' to the last.






SLUMBER, OH SLUMBER.


"Slumber, oh slumber; if sleeping thou mak'st
"My heart beat so wildly, I'm lost if thou wak'st."
Thus sung I to a maiden,
Who slept one summer's day,
And, like a flower overladen
With too much sunshine, lay.
Slumber, oh slumber, etc.

"Breathe not, oh breathe not, ye winds, o'er her cheeks;
"If mute thus she charm me, I'm lost when she speaks."
Thus sing I, while, awaking,
She murmurs words that seem
As if her lips were taking
Farewell of some sweet dream.
Breathe not, oh breathe not, etc.






BRING THE BRIGHT GARLANDS HITHER.


Bring the bright garlands hither,
Ere yet a leaf is dying;
If so soon they must wither.
Ours be their last sweet sighing.
Hark, that low dismal chime!
'Tis the dreary voice of Time.
Oh, bring beauty, bring roses,
Bring all that yet is ours;
Let life's day, as it closes,
Shine to the last thro' flowers.

Haste, ere the bowl's declining,
Drink of it now or never;
Now, while Beauty is shining,
Love, or she's lost for ever.
Hark! again that dull chime,
'Tis the dreary voice of Time.
Oh, if life be a torrent,
Down to oblivion going,
Like this cup be its current,
Bright to the last drop flowing!






IF IN LOVING, SINGING.


If in loving, singing, night and day
We could trifle merrily life away,
Like atoms dancing in the beam,
Like day-flies skimming o'er the stream,
Or summer blossoms, born to sigh
Their sweetness out, and die--
How brilliant, thoughtless, side by side,
Thou and I could make our minutes glide!
No atoms ever glanced so bright,
No day-flies ever danced so light,
Nor summer blossoms mixt their sigh,
So close, as thou and I!






THOU LOVEST NO MORE.


Too plain, alas, my doom is spoken
Nor canst thou veil the sad truth o'er;
Thy heart is changed, thy vow is broken,
Thou lovest no more--thou lovest no more.

Tho' kindly still those eyes behold me,
The smile is gone, which once they wore;
Tho' fondly still those arms enfold me,
'Tis not the same--thou lovest no more.

Too long my dream of bliss believing,
I've thought thee all thou wert before;
But now--alas! there's no deceiving,
'Tis all too plain, thou lovest no more.

Oh, thou as soon the dead couldst waken,
As lost affection's life restore,
Give peace to her that is forsaken,
Or bring back him who loves no more.






WHEN ABROAD IN THE WORLD.


When abroad in the world thou appearest.
And the young and the lovely are there,
To my heart while of all thou'rt the dearest.
To my eyes thou'rt of all the most fair.
They pass, one by one,
Like waves of the sea,
That say to the Sun,
"See, how fair we can be."
But where's the light like thine,
In sun or shade to shine?
No--no, 'mong them all, there is nothing like thee,
Nothing like thee.

Oft, of old, without farewell or warning,
Beauty's self used to steal from the skies;
Fling a mist round her head, some fine morning,
And post down to earth in disguise;
But, no matter what shroud
Around her might be,
Men peeped through the cloud,
And whispered, "'Tis She."
So thou, where thousands are,
Shinest forth the only star,--
Yes, yes, 'mong them all, there is nothing like thee,
Nothing like thee.






KEEP THOSE EYES STILL PURELY MINE.


Keep those eyes still purely mine,
Tho' far off I be:
When on others most they shine,
Then think they're turned on me.

Should those lips as now respond
To sweet minstrelsy,
When their accents seem most fond,
Then think they're breathed for me.

Make what hearts thou wilt thy own,
If when all on thee
Fix their charmed thoughts alone,
Thou think'st the while on me.






HOPE COMES AGAIN.


Hope comes again, to this heart long a stranger,
Once more she sings me her flattering strain;
But hush, gentle syren--for, ah, there's less danger
In still suffering on, than in hoping again.

Long, long, in sorrow, too deep for repining,
Gloomy, but tranquil, this bosom hath lain:
And joy coming now, like a sudden light shining
O'er eyelids long darkened, would bring me but pain.

Fly then, ye visions, that Hope would shed o'er me;
Lost to the future, my sole chance of rest
Now lies not in dreaming of bliss that's before me.
But, ah--in forgetting how once I was blest.






O SAY, THOU BEST AND BRIGHTEST.


O say, thou best and brightest,
My first love and my last.
When he, whom now thou slightest,
From life's dark scene hath past,
Will kinder thoughts then move thee?
Will pity wake one thrill
For him who lived to love thee,
And dying loved thee still?

If when, that hour recalling
From which he dates his woes,
Thou feel'st a tear-drop falling,
Ah, blush not while it flows;
But, all the past forgiving,
Bend gently o'er his shrine,
And say, "This heart, when living,
"With all its faults, was mine."






WHEN NIGHT BRINGS THE HOUR.


When night brings the hour
Of starlight and joy,
There comes to my bower
A fairy-winged boy;
With eyes so bright,
So full of wild arts,
Like nets of light,
To tangle young hearts;
With lips, in whose keeping
Love's secret may dwell,
Like Zephyr asleep in
Some rosy sea-shell.
Guess who he is,
Name but his name,
And his best kiss
For reward you may claim.

Where'er o'er the ground
He prints his light feet.
The flowers there are found
Most shining and sweet:
His looks, as soft
As lightning in May,
Tho' dangerous oft,
Ne'er wound but in play:
And oh, when his wings
Have brushed o'er my lyre,
You'd fancy its strings
Were turning to fire.
Guess who he is,
Name but his name,
And his best kiss
For reward you may claim.






LIKE ONE WHO, DOOMED.


Like one who, doomed o'er distant seas
His weary path to measure,
When home at length, with favoring breeze,
He brings the far-sought treasure;

His ship, in sight of shore, goes down,
That shore to which he hasted;
And all the wealth he thought his own
Is o'er the waters wasted!

Like him, this heart, thro' many a track
Of toil and sorrow straying,
One hope alone brought fondly back,
Its toil and grief repaying.

Like him, alas, I see that ray
Of hope before me perish,
And one dark minute sweep away
What years were given to cherish.






FEAR NOT THAT, WHILE AROUND THEE.


Fear not that, while around thee
Life's varied blessings pour,
One sigh of hers shall wound thee,
Whose smile thou seek'st no more.
No, dead and cold for ever
Let our past love remain;
Once gone, its spirit never
Shall haunt thy rest again.

May the new ties that bind thee
Far sweeter, happier prove,
Nor e'er of me remind thee,
But by their truth and love.
Think how, asleep or waking,
Thy image haunts me yet;
But, how this heart is breaking
For thy own peace forget.






WHEN LOVE IS KIND.


When Love is kind,
Cheerful and free,
Love's sure to find
Welcome from me.

But when Love brings
Heartache or pang,
Tears, and such things--
Love may go hang!

If Love can sigh
For one alone,
Well pleased am I
To be that one,

But should I see
Love given to rove
To two or three,
Then--good by Love!

Love must, in short,
Keep fond and true,
Thro' good report,
And evil too.

Else, here I swear,
Young Love may go.
For aught I care--
To Jericho.






THE GARLAND I SEND THEE.


The Garland I send thee was culled from those bowers
Where thou and I wandered in long vanished hours;
Not a leaf or a blossom its bloom here displays,
But bears some remembrance of those happy days.

The roses were gathered by that garden gate,
Where our meetings, tho' early, seemed always too late;
Where lingering full oft thro' a summer-night's moon,
Our partings, tho' late, appeared always too soon.

The rest were all culled from the banks of that glade,
Where, watching the sunset, so often we've strayed,
And mourned, as the time went, that Love had no power
To bind in his chain even one happy hour.






HOW SHALL I WOO?


If I speak to thee in friendship's name,
Thou think'st I speak too coldly;
If I mention Love's devoted flame,
Thou say'st I speak too boldly.
Between these two unequal fires,
Why doom me thus to hover?
I'm a friend, if such thy heart requires,
If more thou seek'st, a lover.
Which shall it be? How shall I woo?
Fair one, choose between the two.

Tho' the wings of Love will brightly play,
When first he comes to woo thee,
There's a chance that he may fly away,
As fast as he flies _to_ thee.
While Friendship, tho' on foot she come,
No flights of fancy trying,
Will, therefore, oft be found at home,
When Love abroad is flying.
Which shall it be? How shall I woo?
Dear one, choose between the two.

If neither feeling suits thy heart
Let's see, to please thee, whether
We may not learn some precious art
To mix their charms together;
One feeling, still more sweet, to form
From two so sweet already--
A friendship that like love is warm,
A love like friendship steady.
Thus let it be, thus let me woo,
Dearest, thus we'll join the two.






SPRING AND AUTUMN.


Every season hath its pleasures;
Spring may boast her flowery prime,
Yet the vineyard's ruby treasures
Brighten Autumn's soberer time.
So Life's year begins and closes;
Days tho' shortening still can shine;
What tho' youth gave love and roses,
Age still leaves us friends and wine.

Phillis, when she might have caught me,
All the Spring looked coy and shy,
Yet herself in Autumn sought me,
When the flowers were all gone by.
Ah, too late;--she found her lover
Calm and free beneath his vine,
Drinking to the Spring-time over,
In his best autumnal wine.

Thus may we, as years are flying,
To their flight our pleasures suit,
Nor regret the blossoms dying,
While we still may taste the fruit,
Oh, while days like this are ours,
Where's the lip that dares repine?
Spring may take our loves and flowers,
So Autumn leaves us friends and wine.






LOVE ALONE.


If thou wouldst have thy charms enchant our eyes,
First win our hearts, for there thy empire lies:
Beauty in vain would mount a heartless throne,
Her Right Divine is given by Love alone.

What would the rose with all her pride be worth,
Were there no sun to call her brightness forth?
Maidens, unloved, like flowers in darkness thrown,
Wait but that light which comes from Love alone.

Fair as thy charms in yonder glass appear,
Trust not their bloom, they'll fade from year to year:
Wouldst thou they still should shine as first they shone,
Go, fix thy mirror in Love's eyes alone.








SACRED SONGS




TO

EDWARD TUITE DALTON, ESQ.

THE FIRST NUMBER

OF

SACRED SONGS

IS INSCRIBED,

BY HIS SINCERE AND AFFECTIONATE FRIEND,

THOMAS MOORE.

_Mayfield Cottage, Ashbourne_,
_May, 1816_






SACRED SONGS






THOU ART, O GOD.

(Air.--Unknown.)[1]


"The day is thine, the night is also thine: thou hast prepared the
light and the sun.

"Thou hast set all the borders of the earth: thou hast made summer and
winter."
--_Psalm_ lxxiv. 16, 17.


Thou art, O God, the life and light
Of all this wondrous world we see;
Its glow by day, its smile by night,
Are but reflections caught from Thee.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine!

When Day, with farewell beam, delays
Among the opening clouds of Even,
And we can almost think we gaze
Thro' golden vistas into Heaven--
Those hues, that make the Sun's decline
So soft, so radiant, LORD! are Thine.

When Night, with wings of starry gloom,
O'ershadows all the earth and skies,
Like some dark, beauteous bird, whose plume
Is sparkling with unnumbered eyes--
That sacred gloom, those fires divine,
So grand, so countless, LORD! are Thine.

When youthful Spring around us breathes,
Thy Spirit warms her fragrant sigh;
And every flower the Summer wreaths
Is born beneath that kindling eye.
Where'er we turn, thy glories shine,
And all things fair and bright are Thine.


[1] I have heard that this air is by the late Mrs. Sheridan. It is sung to
the beautiful old words, "I do confess thou'rt smooth and fair."






THE BIRD, LET LOOSE.

(AIR.--BEETHOVEN.)


The bird, let loose in eastern skies,[1]
When hastening fondly home,
Ne'er stoops to earth her wing, nor flies
Where idle warblers roam.
But high she shoots thro' air and light,
Above all low delay,
Where nothing earthly bounds her flight,
Nor shadow dims her way.

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