A / B / C / D / E /  F / G / H / I / J /  K / L / M / N / O /  P / R / S / T / UV / W / Z

Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Complete Poems of Sir Thomas Moore

T >> Thomas Moore et al >> The Complete Poems of Sir Thomas Moore

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84








I SAW THY FORM IN YOUTHFUL PRIME.


I saw thy form in youthful prime,
Nor thought that pale decay
Would steal before the steps of Time,
And waste its bloom away, Mary!

Yet still thy features wore that light,
Which fleets not with the breath;
And life ne'er looked more truly bright
Than in thy smile of death, Mary!

As streams that run o'er golden mines,
Yet humbly, calmly glide,
Nor seem to know the wealth that shines
Within their gentle tide, Mary!
So veiled beneath the simplest guise,
Thy radiant genius shone,
And that, which charmed all other eyes,
Seemed worthless in thy own, Mary!

If souls could always dwell above,
Thou ne'er hadst left that sphere;
Or could we keep the souls we love,
We ne'er had lost thee here, Mary!
Though many a gifted mind we meet,
Though fairest forms we see,
To live with them is far less sweet,
Than to remember thee, Mary!






BY THAT LAKE, WHOSE GLOOMY SHORE.[1]


By that Lake, whose gloomy shore
Sky-lark never warbles o'er,[2]
Where the cliff hangs high and steep,
Young St. Kevin stole to sleep.
"Here, at least," he calmly said,
"Woman ne'er shall find my bed."
Ah! the good Saint little knew
What that wily sex can do."

'Twas from Kathleen's eyes he flew,--
Eyes of most unholy blue!
She had loved him well and long
Wished him hers, nor thought it wrong.
Wheresoe'er the Saint would fly,
Still he heard her light foot nigh;
East or west, where'er he turned,
Still her eyes before him burned.

On the bold cliff's bosom cast,
Tranquil now, he sleeps at last;
Dreams of heaven, nor thinks that e'er
Woman's smile can haunt him there.
But nor earth nor heaven is free,
From her power, if fond she be:
Even now, while calm he sleeps,
Kathleen o'er him leans and weeps.

Fearless she had tracked his feet
To this rocky, wild retreat;
And when morning met his view,
Her mild glances met it, too.
Ah, your Saints have cruel hearts!
Sternly from his bed he starts,
And with rude, repulsive shock,
Hurls her from the beetling rock.

Glendalough, thy gloomy wave
Soon was gentle Kathleen's grave!
Soon the Saint (yet ah! too late,)
Felt her love, and mourned her fate.
When he said, "Heaven rest her soul!"
Round the Lake light music stole;
And her ghost was seen to glide,
Smiling o'er the fatal tide.


[1] This ballad is founded upon one of the many stories related of St.
Kevin, whose bed in the rock is to be seen at Glendalough, a most gloomy
and romantic spot in the county of Wicklow.

[2] There are many other curious traditions concerning this Lake, which
may be found in Giraldus, Colgan, etc.






SHE IS FAR FROM THE LAND.


She is far from the land where her young hero sleeps,
And lovers are round her, sighing:
But coldly she turns from their gaze, and weeps,
For her heart in his grave is lying.

She sings the wild song of her dear native plains,
Every note which he loved awaking;--
Ah! little they think who delight in her strains,
How the heart of the Minstrel is breaking.

He had lived for his love, for his country he died,
They were all that to life had entwined him;
Nor soon shall the tears of his country be dried,
Nor long will his love stay behind him.

Oh! make her a grave where the sunbeams rest,
When they promise a glorious morrow;
They'll shine o'er her sleep, like a smile from the West,
From her own loved island of sorrow.






NAY, TELL ME NOT, DEAR.


Nay, tell me not, dear, that the goblet drowns
One charm of feeling, one fond regret;
Believe me, a few of thy angry frowns
Are all I've sunk in its bright wave yet.
Ne'er hath a beam
Been lost in the stream
That ever was shed from thy form or soul;
The spell of those eyes,
The balm of thy sighs,
Still float on the surface, and hallow my bowl,
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts that awaken the pilgrim's zeal,
The bowl but brightens my love for thee.

They tell us that love in his fairy bower,
Had two blush-roses of birth divine;
He sprinkled the one with a rainbow shower,
But bathed the other with mantling wine.
Soon did the buds,
That drank of the floods
Distilled by the rainbow, decline and fade;
While those which the tide
Of ruby had dyed
All blushed into beauty, like thee, sweet maid!
Then fancy not, dearest, that wine can steal
One blissful dream of the heart from me;
Like founts, that awaken the pilgrim's zeal,
The bowl but brightens my love for thee.






AVENGING AND BRIGHT.


Avenging and bright fall the swift sword of Erin[1]
On him who the brave sons of Usna betrayed!
For every fond eye he hath wakened a tear in,
A drop from his heart-wounds shall weep o'er her blade.

By the red cloud that hung over Conor's dark dwelling,[2]
When Ulad's[3] three champions lay sleeping in gore--
By the billows of war, which so often, high swelling,
Have wafted these heroes to victory's shore--

We swear to revenge them!--no joy shall be tasted,
The harp shall be silent, the maiden unwed,
Our halls shall be mute and our fields shall lie wasted,
Till vengeance is wreaked on the murderer's head.

Yes, monarch! tho' sweet are our home recollections,
Tho' sweet are the tears that from tenderness fall;
Tho' sweet are our friendships, our hopes, our affections,
Revenge on a tyrant is sweetest of all!


[1] The words of this song were suggested by the very ancient Irish story
called "Deirdri, or the Lamentable Fate of the Sons of Usnach." The
treachery of Conor, King of Ulster, in putting to death the three sons of
Usna, was the cause of a desolating war against Ulster, which terminated
in the destruction of Eman.

[2] "Oh Nasi! view that cloud that I here see in the sky! I see over
Eman-green a chilling cloud of blood-tinged red."--_Deirdri's Song_.

[3] Ulster.






WHAT THE BEE IS TO THE FLOWERET.


HE.

What the bee is to the floweret,
When he looks for honey-dew,
Thro' the leaves that close embower it,
That, my love, I'll be to you.

SHE.

What the bank, with verdure glowing,
Is to waves that wander near,
Whispering kisses, while they're going,
That I'll be to you, my dear.

SHE.

But they say, the bee's a rover,
Who will fly, when sweets are gone;
And, when once the kiss is over,
Faithless brooks will wander on.

HE.

Nay, if flowers _will_ lose their looks,
If sunny banks _will_ wear away,
Tis but right that bees and brooks
Should sip and kiss them while they may.






LOVE AND THE NOVICE.


"Here we dwell, in holiest bowers,
"Where angels of light o'er our orisons bend;
"Where sighs of devotion and breathings of flowers
"To heaven in mingled odor ascend.
"Do not disturb our calm, oh Love!
"So like is thy form to the cherubs above,
"It well might deceive such hearts as ours."

Love stood near the Novice and listened,
And Love is no novice in taking a hint;
His laughing blue eyes soon with piety glistened;
His rosy wing turned to heaven's own tint.
"Who would have thought," the urchin cries,
"That Love could so well, so gravely disguise
"His wandering wings and wounding eyes?"

Love now warms thee, waking and sleeping,
Young Novice, to him all thy orisons rise.
_He_ tinges the heavenly fount with his weeping,
_He_ brightens the censer's flame with his sighs.
Love is the Saint enshrined in thy breast,
And angels themselves would admit such a guest,
If he came to them clothed in Piety's vest.






THIS LIFE IS ALL CHECKERED WITH PLEASURES AND WOES


This life is all checkered with pleasures and woes,
That chase one another like waves of the deep,--
Each brightly or darkly, as onward it flows,
Reflecting our eyes, as they sparkle or weep.
So closely our whims on our miseries tread,
That the laugh is awaked ere the tear can be dried;
And, as fast as the rain-drop of Pity is shed.
The goose-plumage of Folly can turn it aside.
But pledge me the cup--if existence would cloy,
With hearts ever happy, and heads ever wise,
Be ours the light Sorrow, half-sister to Joy,
And the light, brilliant Folly that flashes and dies.
When Hylas was sent with his urn to the fount,
Thro' fields full of light, and with heart full of play,
Light rambled the boy, over meadow and mount,
And neglected his task for the flowers on the way.
Thus many, like me, who in youth should have tasted
The fountain that runs by Philosophy's shrine,
Their time with the flowers on the margin have wasted,
And left their light urns all as empty as mine.
But pledge me the goblet;--while Idleness weaves
These flowerets together, should Wisdom but see
One bright drop or two that has fallen on the leaves
From her fountain divine, 'tis sufficient for me.






OH THE SHAMROCK.


Thro' Erin's Isle,
To sport awhile,
As Love and Valor wandered,
With Wit, the sprite,
Whose quiver bright
A thousand arrows squandered.
Where'er they pass,
A triple grass[1]
Shoots up, with dew-drops streaming.
As softly green
As emeralds seen
Thro' purest crystal gleaming.
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf.
Of Bard and Chief,
Old Erin's native Shamrock!

Says Valor, "See,
"They spring for me,
"Those leafy gems of morning!"--
Says Love, "No, no,
"For _me_ they grow,
"My fragrant path adorning."
But Wit perceives
The triple leaves,
And cries, "Oh! do not sever
"A type, that blends
"Three godlike friends,
"Love, Valor, Wit, for ever!"
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin's native Shamrock!

So firmly fond
May last the bond,
They wove that morn together,
And ne'er may fall
One drop of gall
On Wit's celestial feather.
May Love, as twine
His flowers divine.
Of thorny falsehood weed 'em;
May Valor ne'er
His standard rear
Against the cause of Freedom!
Oh the Shamrock, the green, immortal Shamrock!
Chosen leaf
Of Bard and Chief,
Old Erin's native Shamrock!


[1] It is said that St. Patrick, when preaching the Trinity to the Pagan
Irish, used to illustrate his subject by reference to that species of
trefoil called in Ireland by the name of the Shamrock; and hence, perhaps,
the Island of Saints adopted this plant as her national emblem. Hope,
among the ancients, was sometimes represented as a beautiful child,
standing upon tiptoes, and a trefoil or three-colored grass in her hand.






AT THE MID HOUR OF NIGHT


At the mid hour of night, when stars are weeping, I fly
To the lone vale we loved, when life shone warm in thine eye;
And I think oft, if spirits can steal from the regions of air,
To revisit past scenes of delight, thou wilt come to me there,
And tell me our love is remembered, even in the sky.

Then I sing the wild song 'twas once such pleasure to hear
When our voices commingling breathed, like one, on the ear;
And, as Echo far off thro' the vale my sad orison rolls,
I think, oh my love! 'tis thy voice from the Kingdom of Souls,[1]
Faintly answering still the notes that once were so dear.


[1] "There are countries." says Montaigne, "where they believe the souls
of the happy live in all manner of liberty, in delightful fields; and
there it is those souls, repeating the words we utter, which we call
Echo."






ONE BUMPER AT PARTING.


One bumper at parting!--tho' many
Have circled the board since we met,
The fullest, the saddest of any
Remains to be crowned by us yet.
The sweetness that pleasure hath in it,
Is always so slow to come forth,
That seldom, alas, till the minute
It dies, do we know half its worth.
But come,--may our life's happy measure
Be all of such moments made up;
They're born on the bosom of Pleasure,
They die midst the tears of the cup.

'Tis onward we journey, how pleasant
To pause and inhabit awhile
Those few sunny spots, like the present,
That mid the dull wilderness smile!
But Time, like a pitiless master,
Cries "Onward!" and spurs the gay hours--
Ah, never doth Time travel faster,
Than when his way lies among flowers.
But come--may our life's happy measure
Be all of such moments made up;
They're born on the bosom of Pleasure,
They die midst the tears of the cup.

We saw how the sun looked in sinking,
The waters beneath him how bright;
And now, let our farewell of drinking
Resemble that farewell of light.
You saw how he finished, by darting
His beam o'er a deep billow's brim--
So, fill up, let's shine at our parting,
In full liquid glory, like him.
And oh! may our life's happy measure
Of moments like this be made up,
'Twas born on the bosom of Pleasure,
It dies mid the tears of the cup.






'TIS THE LAST ROSE OF SUMMER.


'Tis the last rose of summer
Left blooming alone;
All her lovely companions
Are faded and gone;
No flower of her kindred,
No rose-bud is nigh,
To reflect back her blushes,
Or give sigh for sigh.

I'll not leave thee, thou lone one!
To pine on the stem;
Since the lovely are sleeping.
Go, sleep thou with them.
Thus kindly I scatter
Thy leaves o'er the bed,
Where thy mates of the garden
Lie scentless and dead.

So soon may _I_ follow,
When friendships decay,
And from Love's shining circle
The gems drop away.
When true hearts lie withered,
And fond ones are flown,
Oh! who would inhabit
This bleak world alone?






THE YOUNG MAY MOON.


The young May moon is beaming, love,
The glow-worm's lamp is gleaming, love,
How sweet to rove
Through Morna's grove,
When the drowsy world is dreaming, love!
Then awake!--the heavens look bright, my dear,
'Tis never too late for delight, my dear,
And the best of all ways
To lengthen our days,
Is to steal a few hours from the night, my dear!

Now all the world is sleeping, love,
But the Sage, his star-watch keeping, love,
And I, whose star,
More glorious far,
Is the eye from that casement peeping, love.
Then awake!--till rise of sun, my dear,
The Sage's glass we'll shun, my dear,
Or, in watching the flight
Of bodies of light,
He might happen to take thee for one, my dear.






THE MINSTREL-BOY.


The Minstrel-Boy to the war is gone,
In the ranks of death you'll find him;
His father's sword he has girded on.
And his wild harp slung behind him.
"Land of song!" said the warrior-bard,
"Tho' all the world betrays thee,
"_One_ sword, at least, thy rights shall guard,
"_One_ faithful harp shall praise thee!"

The Minstrel fell!--but the foeman's chain
Could not bring his proud soul under;
The harp he loved ne'er spoke again,
For he tore its chords asunder;
And said, "No chains shall sully thee,
"Thou soul of love and bravery!
"Thy songs were made for the pure and free,
"They shall never sound in slavery."






THE SONG OF O'RUARK,

PRINCE OF BREFFNI.[1]


The valley lay smiling before me,
Where lately I left her behind;
Yet I trembled, and something hung o'er me,
That saddened the joy of my mind.
I looked for the lamp which, she told me,
Should shine, when her Pilgrim returned;
But, tho' darkness began to infold me,
No lamp from the battlements burned!

I flew to her chamber--'twas lonely,
As if the loved tenant lay dead;--
Ah, would it were death, and death only!
But no, the young false one had fled.
And there hung the lute that could soften
My very worst pains into bliss;
While the hand, that had waked it so often,
Now throbbed to a proud rival's kiss.

There _was_ a time, falsest of women,
When Breffni's good sword would have sought
That man, thro' a million of foe-men,
Who dared but to wrong thee _in thought_!
While now--oh degenerate daughter
Of Erin, how fallen is thy fame!
And thro' ages of bondage and slaughter,
Our country shall bleed for thy shame.

Already, the curse is upon her,
And strangers her valleys profane;
They come to divide, to dishonor,
And tyrants they long will remain.
But onward!--the green banner rearing,
Go, flesh every sword to the hilt;
On _our_ side is Virtue and Erin,
On _theirs_ is the Saxon and Guilt.


[1] These stanzas are founded upon an event of most melancholy importance
to Ireland; if, as we are told by our Irish historians, it gave England
the first opportunity of profiting by our divisions and subduing us. The
following are the circumstances, as related by O'Halloran:--"The king of
Leinster had long conceived a violent affection for Dearbhorgil, daughter
to the king of Meath, and though she had been for some time married to
O'Ruark, prince of Breffni, yet it could not restrain his passion. They
carried on a private correspondence, and she informed him that O'Ruark,
intended soon to go on a pilgrimage (an act of piety frequent in those
days), and conjured him to embrace that opportunity of conveying her from
a husband she detested to a lover she adored. MacMurchad too punctually
obeyed the summons, and had the lady conveyed to his capital of Ferns."--
The monarch Roderick espoused the cause of O'Ruark, while MacMurchad fled
to England, and obtained the assistance of Henry II.

"Such," adds Giraldus Cambrensis (as I find him in an old translation)
"is the variable and fickle nature of woman, by whom all mischief in the
world (for the most part) do happen and come, as may appear by Marcus
Antonius, and by the destruction of Troy."






OH! HAD WE SOME BRIGHT LITTLE ISLE OF OUR OWN.


Oh! had we some bright little isle of our own,
In a blue summer ocean, far off and alone,
Where a leaf never dies in the still blooming bowers,
And the bee banquets on thro' a whole year of flowers;
Where the sun loves to pause
With so fond a delay,
That the night only draws
A thin veil o'er the day;
Where simply to feel that we breathe, that we live,
Is worth the best joy that life elsewhere can give.

There, with souls ever ardent and pure as the clime,
We should love, as they loved in the first golden time;
The glow of the sunshine, the balm of the air,
Would steal to our hearts, and make all summer there.
With affection as free
From decline as the bowers,
And, with hope, like the bee,
Living always on flowers,
Our life should resemble a long day of light,
And our death come on, holy and calm as the night.






FAREWELL!--BUT WHENEVER YOU WELCOME THE HOUR.


Farewell!--but whenever you welcome the hour.
That awakens the night-song of mirth in your bower,
Then think of the friend who once welcomed it too,
And forgot his own griefs to be happy with you.
His griefs may return, not a hope may remain
Of the few that have brightened his pathway of pain.
But he ne'er will forget the short vision, that threw
Its enchantment around him, while lingering with you.
And still on that evening, when pleasure fills up
To the highest top sparkle each heart and each cup,
Where'er my path lies, be it gloomy or bright,
My soul, happy friends, shall be with you that night;


Shall join in your revels, your sports, and your wiles,
And return to me, beaming all o'er with your smiles--
Too blest, if it tells me that, mid the gay cheer
Some kind voice had murmured, "I wish he were here!"

Let Fate do her worst, there are relics of joy,
Bright dreams of the past, which she cannot destroy;
Which come in the night-time of sorrow and care,
And bring back the features that joy used to wear.
Long, long be my heart with such memories filled!
Like the vase, in which roses have once been distilled--
You may break, you may shatter the vase, if you will,
But the scent of the roses will hang round it still.






OH! DOUBT ME NOT.


Oh! doubt me not--the season
Is o'er, when Folly made me rove,
And now the vestal, Reason,
Shall watch the fire awaked by love.
Altho' this heart was early blown,
And fairest hands disturbed the tree,
They only shook some blossoms down,
Its fruit has all been kept for thee.
Then doubt me not--the season
Is o'er, when Folly made me rove,
And now the vestal, Reason,
Shall watch the fire awaked by Love.

And tho' my lute no longer
May sing of Passion's ardent spell,
Yet, trust me, all the stronger
I feel the bliss I do not tell.
The bee thro' many a garden roves,
And hums his lay of courtship o'er,
But when he finds the flower he loves,
He settles there, and hums no more.
Then doubt me not--the season
Is o'er, when Folly kept me free,
And now the vestal, Reason,
Shall guard the flame awaked by thee.






YOU REMEMBER ELLEN.


You remember Ellen, our hamlet's pride,
How meekly she blest her humble lot,
When the stranger, William, had made her his bride,
And love was the light of their lowly cot.
Together they toiled through winds and rains,
Till William, at length, in sadness said,
"We must seek our fortune on other plains;"--
Then, sighing, she left her lowly shed.

They roamed a long and a weary way,
Nor much was the maiden's heart at ease,
When now, at close of one stormy day,
They see a proud castle among the trees.
"To-night," said the youth, "we'll shelter there;
"The wind blows cold, the hour is late:"
So he blew the horn with a chieftain's air,
And the Porter bowed, as they past the gate.

"Now, welcome, Lady," exclaimed the youth,--
"This castle is thine, and these dark woods all!"
She believed him crazed, but his words were truth,
For Ellen is Lady of Rosna Hall!
And dearly the Lord of Rosna loves
What William the stranger wooed and wed;
And the light of bliss, in these lordly groves,
Shines pure as it did in the lowly shed.






I'D MOURN THE HOPES.


I'd mourn the hopes that leave me,
If thy smiles had left me too;
I'd weep when friends deceive me,
If thou wert, like them, untrue.
But while I've thee before me,
With heart so warm and eyes so bright,
No clouds can linger o'er me,
That smile turns them all to light.

'Tis not in fate to harm me,
While fate leaves thy love to me;
'Tis not in joy to charm me,
Unless joy be shared with thee.
One minute's dream about thee
Were worth a long, an endless year
Of waking bliss without thee,
My own love, my only dear!

And tho' the hope be gone, love,
That long sparkled o'er our way,
Oh! we shall journey on, love,
More safely, without its ray.
Far better lights shall win me
Along the path I've yet to roam:--
The mind that burns within me,
And pure smiles from thee at home.

Thus, when the lamp that lighted
The traveller at first goes out,
He feels awhile benighted.
And looks round in fear and doubt.
But soon, the prospect clearing,
By cloudless starlight on he treads,
And thinks no lamp so cheering
As that light which Heaven sheds.






COME O'ER THE SEA.


Come o'er the sea,
Maiden, with me,
Mine thro' sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.
Let fate frown on, so we love and part not;
'Tis life where _thou_ art, 'tis death where thou art not.
Then come o'er the sea,
Maiden, with me,
Come wherever the wild wind blows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.

Was not the sea
Made for the Free,
Land for courts and chains alone?
Here we are slaves,
But, on the waves,
Love and Liberty's all our own.
No eye to watch, and no tongue to wound us,
All earth forgot, and all heaven around us--
Then come o'er the sea,
Maiden, with me,
Mine thro' sunshine, storm, and snows;
Seasons may roll,
But the true soul
Burns the same, where'er it goes.






HAS SORROW THY YOUNG DAYS SHADED.


Has sorrow thy young days shaded,
As clouds o'er the morning fleet?
Too fast have those young days faded,
That, even in sorrow, were sweet?
Does Time with his cold wing wither
Each feeling that once was dear?--
Then, child of misfortune, come hither,
I'll weep with thee, tear for tear.

Has love to that soul, so tender,
Been like our Lagenian mine,[1]
Where sparkles of golden splendor
All over the surface shine--
But, if in pursuit we go deeper,
Allured by the gleam that shone,
Ah! false as the dream of the sleeper,
Like Love, the bright ore is gone.

Has Hope, like the bird in the story,[2]
That flitted from tree to tree
With the talisman's glittering glory--
Has Hope been that bird to thee?
On branch after branch alighting,
The gem did she still display,
And, when nearest and most inviting.
Then waft the fair gem away?

If thus the young hours have fleeted,
When sorrow itself looked bright;
If thus the fair hope hath cheated,
That led thee along so light;
If thus the cold world now wither
Each feeling that once was dear:--
Come, child of misfortune, come hither,
I'll weep with thee, tear for tear.


[1] Our Wicklow Gold Mines, to which this verse alludes, deserve, I fear,
but too well the character here given of them.

[2] "The bird, having got its prize, settled not far off, with the
talisman in his mouth. The prince drew near it, hoping it would drop it:
but as he approached, the bird took wing, and settled again,"
etc.--"_Arabian Nights_."






NO, NOT MORE WELCOME.


No, not more welcome the fairy numbers
Of music fall on the sleeper's ear,
When half-awaking from fearful slumbers,
He thinks the full choir of heaven is near,--
Than came that voice, when, all forsaken.
This heart long had sleeping lain,
Nor thought its cold pulse would ever waken
To such benign, blessed sounds again.

Pages:
1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | 63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84
Copyright (c) 2007. topboookz.com. All rights reserved.