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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Encyclopedia of Needlework

T >> Therese de Dillmont >> Encyclopedia of Needlework

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To avoid mistakes the public is urgently requested to designate the
colours by the number, never by name.

The colours whose numbers begin with 3 or 4 are the fastest.


* * * * *


Further information respecting mode of execution, materials and so forth
may be had by applying to the firm of

TH. DE DILLMONT, DORNACH (ALSACE).

FOOTNOTES:

[3] The D.M.C colour-card consists of 450 shades about half of which are
fast dyes. See the list of names on pp. 572 and 573.

[4] By fast (bon-teint) colours are meant those which will bear ordinary
and repeated washing. There are only very few which are really fast, or
grand-teint, that is to say, which will resist the action of chemical
agents, amongst of these, the black, Noir 310, is quite indestructible.




TABLE OF CONTENTS.


PREFACE. Page

PLAIN SEWING
Stitches
Seams
Gathering
Sewing on cord and flaps 10
Button-holes 11
Sewing on buttons 12
Binding slits 13
Sewing on piping 13
Fixing whale-bones--Herring-boning 14

MENDING 15
Linen darning 16
Satin or twill darning 17
Damask darning 18
Fine-drawing 20
Patching 20

SINGLE AND CUT OPEN-WORK 23
Hem-stitching 24
Open-work patterns 27
Cutting out threads at the corners 39
Cut open-work 40
Patterns for cut open-work 42

NET AND DAMASK STITCHES 51
Net embroidery 51
Net patterns 52
Net darning 62
Damask stitches 63

WHITE EMBROIDERY 76
Stitches 77
Different kinds of scallops 79
Eyelet holes 80
Six ways of making dots 81
Venetian embroidery 82
Patterns and alphabets 83

FLAT STITCH AND GOLD EMBROIDERY 105
Encroaching satin stitch 105
Oriental stitch 106
Plaited stitch and mosaic stitch 108
Persian stitch 109
Straight and encroaching flat stitch patterns 110
Chinese embroidery 111
Raised embroidery 113
Turkish embroidery 113
Implements and materials for gold embroidery 115
Stitches used in gold embroidery 119
Patterns for gold embroidery 120

TAPESTRY AND LINEN EMBROIDERY 127
Marking out the embroidery ground 128
Tapestry stitches 129
Tapestry patterns 138
Stitches for linen embroidery 143
Patterns for linen embroidery 152

KNITTING 171
Position of the hands 172
Casting on 173
Stitches 178
Stocking knitting 182
Scalloped edge 183
Heels 184
Toes 189
Mending knitting 190
Pique patterns 195
Patent knitting 201
Turkish stitch 201
Knitting patterns 203

CROCHET WORK 221
Position of the hands 223
Stitches 223
Method for copying tapestry patterns in crochet 238
Crochet with soutache or lacet 239
Crochet square, hexagon and star 240
Tunisian crochet 241
Hairpin crochet 243
Patterns for hairpin crochet 245
Crochet lace patterns 249
Crochet counterpanes 284
Crochet stars 300
Crochet collar 304
Crochet chair-back 316

TATTING 325
Position of the hands 326
Knots 328
Patterns of scallops and medallions 331

MACRAME 343
Materials and implements 344
Formation of the knots 345
Macrame shuttles 360
Macrame patterns 361

NETTING 395
Implements and materials 395
Stitches 397
Patterns produced in netting 400
Mounting the netting on the frame 410
Stars and wheels 414
Grounds and lace 423
Embroidery on netting 434
Netted insertion 438

IRISH LACE 439
Materials 439
Tacking down the braids 440
Bars of different kinds 442
Insertion stitches 445
Lace stitches 450
Needle-made picots 467
Irish lace patterns 468

LACES OF DIFFERENT KINDS 473
Pillow lace and the implements for its manufacture 474
"Stitches" or passings 481
Patterns or grounds 481
Armenian lace 503
Laces in knotted stitch 505
Reticella-lace 508
Venetian-lace 510
Brussels-lace 515

MISCELLANEOUS FANCY WORK 517
Knotted cord 518
Balls for trimmings 519
Tambour work 521
Smyrna stitch 523
Malta stitch 525
Triangular Turkish stitch 526
Turkish embroidery 530
Applique-work 531
Morocco embroidery 535

Spanish embroidery 536
Different kinds of linen stitches 540
Pattern for linen stitches 541
Pattern for Roumanian stitch 544
Pattern for Pique embroidery 546
Embroideries with Soutache 546
Chinese subject 551

PRACTICAL DIRECTIONS 553
Tracing and drawing the designs 553
The preparation of the stuffs and the subdivision of the patterns 557
To transpose and repeat patterns by means of looking glasses 559
To alter the proportions of a pattern by dividing the ground into
squares 560
To prepare the paste for applique work 564
To stiffen new needlework 565
To wash ordinary lace 565
To wash real lace 566
To stiffen lace 566
To iron lace 566
To pin out lace 567
To wash coloured cottons and work done with the same 568
Materials 569




By the same Author

ALBUM DE BRODERIES

AU POINT DE CROIX.

(Album of cross-stitch embroidery)

BY TH. DE DILLMONT

32 Plates with 278 Designs, and a complete treatise on the embroidery
itself.

Quarto; artistic boards, price 1_s._ 6_d._

[Illustration: FIG. 153.]

_To be had by applying to the Author and Editor TH. DE DILLMONT,
DORNACH, Alsace, and at all the leading booksellers and Embroidery
shops._




[Illustration]

PRINTED BY BRUSTLEIN & Co.,

MULHOUSE (Alsace)







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