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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Early Poems of Alfred Lord Tennyson

T >> Tennyson >> The Early Poems of Alfred Lord Tennyson

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II

I would dwell with thee,
Merry grasshopper,
Thou art so glad and free,
And as light as air;
Thou hast no sorrow or tears,
Thou hast no compt of years,
No withered immortality,
But a short youth sunny and free.
Carol clearly, bound along,
Soon thy joy is over,
A summer of loud song,
And slumbers in the clover.
What hast thou to do with evil
In thine hour of love and revel,
In thy heat of summerpride,
Pushing the thick roots aside
Of the singing flowered grasses,
That brush thee with their silken tresses?
What hast thou to do with evil,
Shooting, singing, ever springing
In and out the emerald glooms,
Ever leaping, ever singing,
Lighting on the golden blooms?






LOVE, PRIDE AND FORGETFULNESS

Ere yet my heart was sweet Love's tomb,
Love laboured honey busily.
I was the hive and Love the bee,
My heart the honey-comb.
One very dark and chilly night
Pride came beneath and held a light.

The cruel vapours went through all,
Sweet Love was withered in his cell;
Pride took Love's sweets, and by a spell,
Did change them into gall;
And Memory tho' fed by Pride
Did wax so thin on gall,
Awhile she scarcely lived at all,
What marvel that she died?







CHORUS

In an unpublished drama written very early.

The varied earth, the moving heaven,
The rapid waste of roving sea,
The fountainpregnant mountains riven
To shapes of wildest anarchy,
By secret fire and midnight storms
That wander round their windy cones,
The subtle life, the countless forms
Of living things, the wondrous tones
Of man and beast are full of strange
Astonishment and boundless change.

The day, the diamonded light,
The echo, feeble child of sound,
The heavy thunder's griding might,
The herald lightning's starry bound,
The vocal spring of bursting bloom,
The naked summer's glowing birth,
The troublous autumn's sallow gloom,
The hoarhead winter paving earth
With sheeny white, are full of strange
Astonishment and boundless change.

Each sun which from the centre flings
Grand music and redundant fire,
The burning belts, the mighty rings,
The murmurous planets' rolling choir,
The globefilled arch that, cleaving air,
Lost in its effulgence sleeps,
The lawless comets as they glare,
And thunder thro' the sapphire deeps
In wayward strength, are full of strange
Astonishment and boundless change.






LOST HOPE

You cast to ground the hope which once was mine,
But did the while your harsh decree deplore,
Embalming with sweet tears the vacant shrine,
My heart, where Hope had been and was no more.

So on an oaken sprout
A goodly acorn grew;
But winds from heaven shook the acorn out,
And filled the cup with dew.





THE TEARS OF HEAVEN

Heaven weeps above the earth all night till morn,
In darkness weeps, as all ashamed to weep,
Because the earth hath made her state forlorn
With selfwrought evils of unnumbered years,
And doth the fruit of her dishonour reap.
And all the day heaven gathers back her tears
Into her own blue eyes so clear and deep,
And showering down the glory of lightsome day,
Smiles on the earth's worn brow to win her if she may.






LOVE AND SORROW

O Maiden, fresher than the first green leaf
With which the fearful springtide flecks the lea,
Weep not, Almeida, that I said to thee
That thou hast half my heart, for bitter grief
Doth hold the other half in sovranty.
Thou art my heart's sun in love's crystalline:
Yet on both sides at once thou canst not shine:
Thine is the bright side of my heart, and thine
My heart's day, but the shadow of my heart,
Issue of its own substance, my heart's night
Thou canst not lighten even with 'thy' light,
All powerful in beauty as thou art.
Almeida, it my heart were substanceless,
Then might thy rays pass thro' to the other side,
So swiftly, that they nowhere would abide,
But lose themselves in utter emptiness.
Half-light, half-shadow, let my spirit sleep;
They never learnt to love who never knew to weep.







TO A LADY SLEEPING

O Thou whose fringed lids I gaze upon,
Through whose dim brain the winged dreams are borne,
Unroof the shrines of clearest vision,
In honour of the silverflecked morn:
Long hath the white wave of the virgin light
Driven back the billow of the dreamful dark.
Thou all unwittingly prolongest night,
Though long ago listening the poised lark,
With eyes dropt downward through the blue serene,
Over heaven's parapets the angels lean.







SONNET

Could I outwear my present state of woe
With one brief winter, and indue i' the spring
Hues of fresh youth, and mightily outgrow
The wan dark coil of faded suffering--
Forth in the pride of beauty issuing
A sheeny snake, the light of vernal bowers,
Moving his crest to all sweet plots of flowers
And watered vallies where the young birds sing;
Could I thus hope my lost delights renewing,
I straightly would commend the tears to creep
From my charged lids; but inwardly I weep:
Some vital heat as yet my heart is wooing:
This to itself hath drawn the frozen rain
From my cold eyes and melted it again.







SONNET

Though Night hath climbed her peak of highest noon,
And bitter blasts the screaming autumn whirl,
All night through archways of the bridged pearl
And portals of pure silver walks the moon.
Wake on, my soul, nor crouch to agony,
Turn cloud to light, and bitterness to joy,
And dross to gold with glorious alchemy,
Basing thy throne above the world's annoy.
Reign thou above the storms of sorrow and ruth
That roar beneath; unshaken peace hath won thee:
So shalt thou pierce the woven glooms of truth;
So shall the blessing of the meek be on thee;
So in thine hour of dawn, the body's youth,
An honourable old shall come upon thee.






SONNET

Shall the hag Evil die with child of Good,
Or propagate again her loathed kind,
Thronging the cells of the diseased mind,
Hateful with hanging cheeks, a withered brood,
Though hourly pastured on the salient blood?
Oh! that the wind which bloweth cold or heat
Would shatter and o'erbear the brazen beat
Of their broad vans, and in the solitude
Of middle space confound them, and blow back
Their wild cries down their cavernthroats, and slake
With points of blastborne hail their heated eyne!
So their wan limbs no more might come between
The moon and the moon's reflex in the night;
Nor blot with floating shades the solar light.







SONNET

The pallid thunderstricken sigh for gain,
Down an ideal stream they ever float,
And sailing on Pactolus in a boat,
Drown soul and sense, while wistfully they strain
Weak eyes upon the glistering sands that robe
The understream. The wise could he behold
Cathedralled caverns of thick-ribbed gold
And branching silvers of the central globe,
Would marvel from so beautiful a sight
How scorn and ruin, pain and hate could flow:
But Hatred in a gold cave sits below,
Pleached with her hair, in mail of argent light
Shot into gold, a snake her forehead clips
And skins the colour from her trembling lips.







LOVE


I

Thou, from the first, unborn, undying love,
Albeit we gaze not on thy glories near,
Before the face of God didst breathe and move,
Though night and pain and ruin and death reign here.
Thou foldest, like a golden atmosphere,
The very throne of the eternal God:
Passing through thee the edicts of his fear
Are mellowed into music, borne abroad
By the loud winds, though they uprend the sea,
Even from his central deeps: thine empery
Is over all: thou wilt not brook eclipse;
Thou goest and returnest to His Lips
Like lightning: thou dost ever brood above
The silence of all hearts, unutterable Love.


II

To know thee is all wisdom, and old age
Is but to know thee: dimly we behold thee
Athwart the veils of evil which enfold thee.
We beat upon our aching hearts with rage;
We cry for thee: we deem the world thy tomb.
As dwellers in lone planets look upon
The mighty disk of their majestic sun,
Hollowed in awful chasms of wheeling gloom,
Making their day dim, so we gaze on thee.
Come, thou of many crowns, white-robed love,
Oh! rend the veil in twain: all men adore thee;
Heaven crieth after thee; earth waileth for thee:
Breathe on thy winged throne, and it shall move
In music and in light o'er land and sea.


III

And now--methinks I gaze upon thee now,
As on a serpent in his agonies
Awestricken Indians; what time laid low
And crushing the thick fragrant reeds he lies,
When the new year warm breathed on the earth,
Waiting to light him with his purple skies,
Calls to him by the fountain to uprise.
Already with the pangs of a new birth
Strain the hot spheres of his convulsed eyes,
And in his writhings awful hues begin
To wander down his sable sheeny sides,
Like light on troubled waters: from within
Anon he rusheth forth with merry din,
And in him light and joy and strength abides;
And from his brows a crown of living light
Looks through the thickstemmed woods by day and night.





THE KRAKEN

Reprinted without alteration, except in the spelling of "antient," among
'Juvenilia' in 1871 and onward.

Below the thunders of the upper deep;
Far, far beneath in the abysmal sea,
His antient, dreamless, uninvaded sleep
The Kraken sleepeth: faintest sunlights flee
About his shadowy sides: above him swell
Huge sponges of millennial growth and height;
And far away into the sickly light,
From many a wondrous grot and secret cell
Unnumber'd and enormous polypi
Winnow with giant arms the slumbering green.
There hath he lain for ages and will lie
Battening upon huge seaworms in his sleep,
Until the latter fire shall heat the deep;
Then once by man and angels to be seen,
In roaring he shall rise and on the surface die.






ENGLISH WAR SONG

Who fears to die? Who fears to die?
Is there any here who fears to die
He shall find what he fears, and none shall grieve
For the man who fears to die;
But the withering scorn of the many shall cleave
To the man who fears to die.

Chorus.--
Shout for England!
Ho! for England!
George for England!
Merry England!
England for aye!

The hollow at heart shall crouch forlorn,
He shall eat the bread of common scorn;
It shall be steeped in the salt, salt tear,
Shall be steeped in his own salt tear:
Far better, far better he never were born
Than to shame merry England here.

Chorus.--Shout for England! etc.

There standeth our ancient enemy;
Hark! he shouteth--the ancient enemy!
On the ridge of the hill his banners rise;
They stream like fire in the skies;
Hold up the Lion of England on high
Till it dazzle and blind his eyes.

Chorus.--Shout for England! etc.

Come along! we alone of the earth are free;
The child in our cradles is bolder than he;
For where is the heart and strength of slaves?
Oh! where is the strength of slaves?
He is weak! we are strong; he a slave, we are free;
Come along! we will dig their graves.

Chorus.--Shout for England! etc.

There standeth our ancient enemy;
Will he dare to battle with the free?
Spur along! spur amain! charge to the fight:
Charge! charge to the fight!
Hold up the Lion of England on high!
Shout for God and our right!

Chorus.-Shout for England! etc.







NATIONAL SONG

There is no land like England
Where'er the light of day be;
There are no hearts like English hearts,
Such hearts of oak as they be.
There is no land like England
Where'er the light of day be;
There are no men like Englishmen,
So tall and bold as they be.

Chorus. For the French the Pope may shrive 'em,
For the devil a whit we heed 'em,
As for the French, God speed 'em
Unto their hearts' desire,
And the merry devil drive 'em
Through the water and the fire.

Our glory is our freedom,
We lord it o'er the sea;
We are the sons of freedom,
We are free.

There is no land like England,
Where'er the light of day be;
There are no wives like English wives,
So fair and chaste as they be.
There is no land like England,
Where'er the light of day be;
There are no maids like English maids,
So beautiful as they be.

Chorus.--For the French, etc.






DUALISMS

Two bees within a chrystal flowerbell rocked
Hum a lovelay to the westwind at noontide.
Both alike, they buzz together,
Both alike, they hum together
Through and through the flowered heather.

Where in a creeping cove the wave unshocked
Lays itself calm and wide,
Over a stream two birds of glancing feather
Do woo each other, carolling together.
Both alike, they glide together
Side by side;
Both alike, they sing together,
Arching blue-glossed necks beneath the purple weather.

Two children lovelier than Love, adown the lea are singing,
As they gambol, lilygarlands ever stringing:
Both in blosmwhite silk are frocked:
Like, unlike, they roam together
Under a summervault of golden weather;
Like, unlike, they sing together
Side by side,
Mid May's darling goldenlocked,
Summer's tanling diamondeyed.






WE ARE FREE

Reprinted among 'Juvenilia' in 1871 and onward without alteration,
except that it is printed as two stanzas.

The winds, as at their hour of birth,
Leaning upon the ridged sea,
Breathed low around the rolling earth
With mellow preludes, "We are Free";
The streams through many a lilied row,
Down-carolling to the crisped sea,
Low-tinkled with a bell-like flow
Atween the blossoms, "We are free".



[Greek: Oi Rheontes]

I

All thoughts, all creeds, all dreams are true,
All visions wild and strange;
Man is the measure of all truth
Unto himself. All truth is change:
All men do walk in sleep, and all
Have faith in that they dream:
For all things are as they seem to all,
And all things flow like a stream.


II

There is no rest, no calm, no pause,
Nor good nor ill, nor light nor shade,
Nor essence nor eternal laws:
For nothing is, but all is made.
But if I dream that all these are,
They are to me for that I dream;
For all things are as they seem to all,
And all things flow like a stream.


Argal--This very opinion is only true relatively to the flowing
philosophers. (Tennyson's note.)







POEMS OF MDCCCXXXIII



"MINE BE THE STRENGTH OF SPIRIT..."

Reprinted without any alteration, except that Power is spelt with a
small p, among the _Juvenilia_ in 1871 and onward.


Mine be the strength of spirit, full and free,
Like some broad river rushing down alone,
With the selfsame impulse wherewith he was thrown
From his loud fount upon the echoing lea:--
Which with increasing might doth forward flee
By town, and tower, and hill, and cape, and isle,
And in the middle of the green salt sea
Keeps his blue waters fresh for many a mile.
Mine be the Power which ever to its sway
Will win the wise at once, and by degrees
May into uncongenial spirits flow;
Even as the great gulfstream of Florida
Floats far away into the Northern Seas
The lavish growths of Southern Mexico.







TO--

When this poem was republished among the _Juvenilia_ in 1871 several
alterations were made in it. For the first stanza was substituted the
following:--

My life is full of weary days,
But good things have not kept aloof,
Nor wander'd into other ways:
I have not lack'd thy mild reproof,
Nor golden largess of thy praise.

The second began "And now shake hands". In the fourth stanza for "sudden
laughters" of the jay was substituted the felicitous "sudden scritches,"
and the sixth and seventh stanzas were suppressed.


I

All good things have not kept aloof
Nor wandered into other ways:
I have not lacked thy mild reproof,
Nor golden largess of thy praise.
But life is full of weary days.


II

Shake hands, my friend, across the brink
Of that deep grave to which I go:
Shake hands once more: I cannot sink
So far--far down, but I shall know
Thy voice, and answer from below.


III

When in the darkness over me
The fourhanded mole shall scrape,
Plant thou no dusky cypresstree,
Nor wreathe thy cap with doleful crape,
But pledge me in the flowing grape.


IV

And when the sappy field and wood
Grow green beneath the showery gray,
And rugged barks begin to bud,
And through damp holts newflushed with May,
Ring sudden laughters of the Jay,


V

Then let wise Nature work her will,
And on my clay her darnels grow;
Come only, when the days are still,
And at my headstone whisper low,
And tell me if the woodbines blow.

VI

If thou art blest, my mother's smile
Undimmed, if bees are on the wing:
Then cease, my friend, a little while,
That I may hear the throstle sing
His bridal song, the boast of spring.


VII

Sweet as the noise in parched plains
Of bubbling wells that fret the stones,
(If any sense in me remains)
Thy words will be: thy cheerful tones
As welcome to my crumbling bones.






BUONAPARTE

Reprinted without any alteration among 'Early Sonnets' in 1872, and
unaltered since.


He thought to quell the stubborn hearts of oak,
Madman!--to chain with chains, and bind with bands
That island queen who sways the floods and lands
From Ind to Ind, but in fair daylight woke,
When from her wooden walls, lit by sure hands,
With thunders and with lightnings and with smoke,
Peal after peal, the British battle broke,
Lulling the brine against the Coptic sands.
We taught him lowlier moods, when Elsinore
Heard the war moan along the distant sea,
Rocking with shatter'd spars, with sudden fires
Flamed over: at Trafalgar yet once more
We taught him: late he learned humility
Perforce, like those whom Gideon school'd with briers.







SONNET

I

Oh, Beauty, passing beauty! sweetest Sweet!
How canst thou let me waste my youth in sighs?
I only ask to sit beside thy feet.
Thou knowest I dare not look into thine eyes,
Might I but kiss thy hand! I dare not fold
My arms about thee--scarcely dare to speak.
And nothing seems to me so wild and bold,
As with one kiss to touch thy blessed cheek.
Methinks if I should kiss thee, no control
Within the thrilling brain could keep afloat
The subtle spirit. Even while I spoke,
The bare word KISS hath made my inner soul
To tremble like a lutestring, ere the note
Hath melted in the silence that it broke.


II

Reprinted in 1872 among 'Early Sonnets' with two alterations, "If I
were loved" for "But were I loved," and "tho'" for "though".

But were I loved, as I desire to be,
What is there in the great sphere of the earth,
And range of evil between death and birth,
That I should fear--if I were loved by thee?
All the inner, all the outer world of pain
Clear Love would pierce and cleave, if thou wert mine,
As I have heard that, somewhere in the main,
Fresh water-springs come up through bitter brine.
'Twere joy, not fear, clasped hand in hand with thee,
To wait for death--mute--careless of all ills,
Apart upon a mountain, though the surge
Of some new deluge from a thousand hills
Flung leagues of roaring foam into the gorge
Below us, as far on as eye could see.






THE HESPERIDES

Hesperus and his daughters three
That sing about the golden tree.

(Comus).


The Northwind fall'n, in the newstarred night
Zidonian Hanno, voyaging beyond
The hoary promontory of Soloe
Past Thymiaterion, in calmed bays,
Between the Southern and the Western Horn,
Heard neither warbling of the nightingale,
Nor melody o' the Lybian lotusflute
Blown seaward from the shore; but from a slope
That ran bloombright into the Atlantic blue,
Beneath a highland leaning down a weight
Of cliffs, and zoned below with cedarshade,
Came voices, like the voices in a dream,
Continuous, till he reached the other sea.






SONG


I

The golden apple, the golden apple, the hallowed fruit,
Guard it well, guard it warily,
Singing airily,
Standing about the charmed root.
Round about all is mute,
As the snowfield on the mountain-peaks,
As the sandfield at the mountain-foot.
Crocodiles in briny creeks
Sleep and stir not: all is mute.
If ye sing not, if ye make false measure,
We shall lose eternal pleasure,
Worth eternal want of rest.
Laugh not loudly: watch the treasure
Of the wisdom of the West.
In a corner wisdom whispers.
Five and three
(Let it not be preached abroad) make an awful mystery.
For the blossom unto three-fold music bloweth;
Evermore it is born anew;
And the sap to three-fold music floweth,
From the root
Drawn in the dark,
Up to the fruit,
Creeping under the fragrant bark,
Liquid gold, honeysweet thro' and thro'.
Keen-eyed Sisters, singing airily,
Looking warily
Every way,
Guard the apple night and day,
Lest one from the East come and take it away.


II

Father Hesper, Father Hesper, watch, watch, ever and aye,
Looking under silver hair with a silver eye.
Father, twinkle not thy stedfast sight;
Kingdoms lapse, and climates change, and races die;
Honour comes with mystery;
Hoarded wisdom brings delight.
Number, tell them over and number
How many the mystic fruittree holds,
Lest the redcombed dragon slumber
Rolled together in purple folds.
Look to him, father, lest he wink, and the golden apple be stol'n away,
For his ancient heart is drunk with over-watchings night and day,
Round about the hallowed fruit tree curled--
Sing away, sing aloud evermore in the wind, without stop,
Lest his scaled eyelid drop, For he is older than the world.
If he waken, we waken,
Rapidly levelling eager eyes.
If he sleep, we sleep,
Dropping the eyelid over the eyes.
If the golden apple be taken
The world will be overwise.
Five links, a golden chain, are we,
Hesper, the dragon, and sisters three,
Bound about the golden tree.


III

Father Hesper, Father Hesper, watch, watch, night and day,
Lest the old wound of the world be healed,
The glory unsealed,
The golden apple stol'n away,
And the ancient secret revealed.
Look from west to east along:
Father, old Himala weakens,
Caucasus is bold and strong.
Wandering waters unto wandering waters call;
Let them clash together, foam and fall.
Out of watchings, out of wiles,
Comes the bliss of secret smiles.
All things are not told to all,
Half-round the mantling night is drawn,
Purplefringed with even and dawn.
Hesper hateth Phosphor, evening hateth morn.


IV

Every flower and every fruit the redolent breath
Of this warm seawind ripeneth,
Arching the billow in his sleep;
But the landwind wandereth,
Broken by the highland-steep,
Two streams upon the violet deep:
For the western sun and the western star,
And the low west wind, breathing afar,
The end of day and beginning of night
Make the apple holy and bright,
Holy and bright, round and full, bright and blest,
Mellowed in a land of rest;
Watch it warily day and night;
All good things are in the west,
Till midnoon the cool east light
Is shut out by the round of the tall hillbrow;
But when the fullfaced sunset yellowly
Stays on the flowering arch of the bough,
The luscious fruitage clustereth mellowly,
Goldenkernelled, goldencored,
Sunset-ripened, above on the tree,
The world is wasted with fire and sword,
But the apple of gold hangs over the sea,
Five links, a golden chain, are we,
Hesper, the dragon, and sisters three,
Daughters three,
Bound about
All round about
The gnarled bole of the charmed tree,
The golden apple, the golden apple, the hallowed fruit,
Guard it well, guard it warily,
Watch it warily,
Singing airily,
Standing about the charmed root.






ROSALIND

Not reprinted till 1884 when it was unaltered, as it has remained since:
but the poem appended and printed by Tennyson (in the footnote) has not
been reprinted.

My Rosalind, my Rosalind,
My frolic falcon, with bright eyes,
Whose free delight, from any height of rapid flight,
Stoops at all game that wing the skies,
My Rosalind, my Rosalind,
My bright-eyed, wild-eyed falcon, whither,
Careless both of wind and weather,
Whither fly ye, what game spy ye,
Up or down the streaming wind?


II

The quick lark's closest-carolled strains,
The shadow rushing up the sea,
The lightningflash atween the rain,
The sunlight driving down the lea,
The leaping stream, the very wind,
That will not stay, upon his way,
To stoop the cowslip to the plains,
Is not so clear and bold and free
As you, my falcon Rosalind.
You care not for another's pains,
Because you are the soul of joy,
Bright metal all without alloy.
Life shoots and glances thro' your veins,
And flashes off a thousand ways,
Through lips and eyes in subtle rays.
Your hawkeyes are keen and bright,
Keen with triumph, watching still
To pierce me through with pointed light;
And oftentimes they flash and glitter
Like sunshine on a dancing rill,
And your words are seeming-bitter,
Sharp and few, but seeming-bitter
From excess of swift delight.

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