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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Torchy As A Pa

S >> Sewell Ford >> Torchy As A Pa

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"I expect I have," says I, "but just how does he fit into this--"

"I am coming to that," says Dowd. "It was a remarkable experience.
Weird, you might say. You see, it was the last day of our stay in
Florida; our last foursome of the season. We had been losing steadily
for several days, Ellins and I. Not that the stakes were high. Trivial.
Dollar Nassau, with side bets. I'd been off my drive again and Ellins
had been putting atrociously. Anyway, we had settled regularly.

"And Rutter had been particularly obnoxious in his manner. Offered to
increase my handicap to five bisque, advised me to get my wrists into
the stroke and keep my body out. That sort of thing. And from a man who
lunges at every shot and makes a 75-yard approach with a brassie--Well,
it was nothing short of maddening. I kept my temper, though. Can't say
that my friend Ellins did. He had sliced into a trap on his drive, while
I had topped mine short. We started the first hole with our heads down.
Rutter and Staples were a trifle ostentatious with their cheerfulness.

"I will admit that I played the first four holes very badly. A ten on
the long third. Wretched golf, even for a duffer. Ellins managed to hold
low ball on the short fourth, but we were seven points down. I could
have bitten a piece out of my niblick. Perhaps you don't know, young
man, but there is no deeper humiliation than that which comes to a dub
golfer who is playing his worst. I was in the depths.

"At the fifth tee I was last up. I'd begun waggling as usual, body
swaying, shoulders rigid, muscles tense, dreading to swing and wondering
whether the result would be a schlaff or a top, when--well, I simply
cannot describe the sensation. Something came over me; I don't know
what. As if someone had waved a magic wand above my head. I stopped
swaying, relaxed, felt the weight of the club head in my fingers, knew
the rhythm of the swing, heard the sharp crack as the ivory facing met
the ball. If you'll believe it, I put out such a drive as I'd never
before made in all my 12 years of golf. Straight and clean and true past
the direction flag and on and on.

"The others didn't seem to notice. Rutter had hooked into the scrub
palmettos, Staples had sliced into a pit, Ellins had topped short
somewhere in the rough. I waited until they were all out on the fairway.
Some had played three, some four shots. 'How many do you lie?' asked
Rutter. I told him that was my drive. He just stared skeptical. I could
scarcely blame him. As a rule I need a fair drive and two screaming
brassies on this long fifth before I am in position to approach across
the ravine. But this time, with a carry of some 160 yards ahead of me, I
picked my mid-iron from the bag, took a three-quarter swing, bit a
small divot from the turf as I went through, and landed the ball fairly
on the green with a back-spin that held it as though I'd had a string
tied to it. And when the others had climbed out of the ravine or
otherwise reached the green I putted in my four. A par four, mind you,
on a 420-yard hole that I'd never had better than a lucky 5 on, and
usually a 7 or an 8!

"Rutter asked me to count my strokes for him and then had the insolence
to ask how I got that way. I couldn't tell him. I did feel queer. As if
I was in some sort of trance. But my next drive was even better. A
screamer with a slight hook on the end that gave the ball an added roll.
For my second I played a jigger to the green. Another par four. Rutter
hadn't a word to say.

"Well, that's the way it went. Never had any one in our foursome played
such golf as I did for nine consecutive holes. Nothing over 5 and one
birdie 3. I think that Staples and Rutter were too stunned to make any
comment. As for Ellins, he failed to appreciate what I was doing.
Somewhat self-centered, Ellins. He's always counting his own score and
seldom notices what others are making.

"Not until we had finished the 12th, which I won with an easy 3, did
Staples, who was keeping score, seem to realize what had happened.
'Hello!' he calls to Rutter. 'They've got us beaten.' 'No,' says Rutter.
'Can't be possible!' 'But we are,'insists Staples. 'Thirteen points
down and twelve to go. It's all over. Dowd, here, is playing like a
crazy man.'

"And then the spell, or whatever it was, broke. I flubbed my drive,
smothered my brassie shot, and heeled my third into the woods. I
finished the round in my usual style, mostly sevens and eights. But
there was the score to prove that for nine straight holes I had played
par golf; professional golf, if you please. Do you think either Rutter
or Staples gave me credit for that? No. They paid up and walked off to
the shower baths.

"I couldn't account for my performance. It was little short of a
miracle. Actually it was so unusual that I hardly felt like talking
about it. I know that may sound improbable to a golfer, but it is a
fact. Except that I did want to tell Alexander McQuade. But I couldn't
find him. They said at the shop he was laid up with a cold and hadn't
been around for several days. So I took the train north that night
without having said a word to a soul about those wonderful nine holes.
But I've thought a lot about 'em since. I've tried to figure out just
what happened to me that I could make such a record. No use. It was all
beginning to be as unreal as if it was something I had dreamed of doing.

"And then yesterday, while reading a recent golf magazine, I ran across
this item of news which gave me such a shock. It told of the sudden
death from pneumonia of Alexander McQuade. At first I was simply
grieved over this loss to myself and to the golfing profession in
general. Then I noticed the date. McQuade died the very morning of the
day of our last match. Do you see?"

I shook my head. All I could see was a moonfaced, owl-eyed old party who
was starin' at me with an eager, batty look. "No," says I. "I don't get
the connection. McQuade had checked out and you won your foursome."

"Precisely," says Dowd. "The mantle of Elijah."

"Who?" says I.

"To make it plainer," says Dowd, "the mantle of Sandy the Great. It fell
on my shoulders."

"That may be clear enough to you, Mr. Dowd," says I, "but I'll have to
pass it up."

He sighs disappointed. "I wish Ellins would have the patience to let me
tell him about it myself," says he. "He'll not, though, so I must make
you understand in order that you may give him the facts. I want him to
know. Of course, I can't pretend to explain the thing. It was psychic,
that's all; supernatural, if you please. Must have been. For there I
was, a confirmed duffer, playing that course exactly as Alexander
McQuade would have played it had he been in my shoes. And he was, for
the time being. At least, I claim that I was being controlled, or
whatever you want to call it, by the recently departed spirit of Sandy
the Great."

I expect I was gawpin' at him with a full open-face expression. Say, I
thought I'd heard these golf nuts ravin' before, but I'd never been up
against anything quite like this. Honest, it gave me a creepy feelin'
along the spine. And yet, come to look him over close, he's just a
wide-beamed old party with bags under his eyes and heavy common-place
features.

"You grasp the idea now, don't you?" he asks.

"I think so," says I. "Ghost stuff, eh?"

"I'm merely suggesting that as the only explanation which occurs to me,"
says he. "I would like to have it put before Ellins and get his opinion.
That is, if you think you can make it clear."

"I'll make a stab at it, Mr. Dowd," says I.

And of course I did, though Old Hickory aint such an easy listener. He
comes in with snorts and grunts all through the tale, and when I
finishes he simply shrugs his shoulders.

"There's a warning for you, young man," says he. "Keep away from the
fool game. Anyway, if you ever do play, don't let it get to be a disease
with you. Look at Dowd. Five years ago he was a sane, normal person; the
best iron ore expert in the country. He could sniff a handful of red
earth and tell you how much it would run to a ton within a dime's worth.
Knew the game from A to Izzard--deep mining, open pit, low grade
washing, transportation, smelting. He lived with it. Never happier than
when he was in his mining rig following a chief engineer through new
cross-cuts on the twenty-sixth level trying to locate a fault in the
deposit or testing some modern method of hoisting. Those were things he
understood. Then he retired. Said he'd made money enough. And now look
at him. Getting cracked over a sport that must have been invented by
some Scotchman who had a grudge against the whole human race. As though
any game could be a substitute for business. Bah!"

"Then you don't think, Mr. Ellins," says I, "that we ought to have the
boy page Sir Oliver Lodge?"

"Eh?" says he.

"I mean," says I, "that you don't take any stock in that mantle of Sandy
the Great yarn?"

"Tommyrot!" says he. "For once in his life the old fool played his head
off, that's all. Nine holes in par. Huh! I'm liable to do that myself
one of these days, and without the aid of any departed spirits. Yes,
sir. The fact is, Torchy, I am practicing a new swing that ought to have
me playing in the low 90's before the middle of the next season. You
see, it all depends on taking an open stance and keeping a stiff right
knee. Here' pass me that umbrella and I'll show you."

And for the next ten minutes he kept a bank president, two directors and
a general manager waiting while he swats a ball of paper around the
private office with me for an audience. Uh-huh. And being a high ace
private sec. I aint even supposed to grin. Say, why don't some genius
get up an anti-golf serum so that when one of these old plutes found
himself slippin' he could rush to a clinic and get a shot in the arm?




CHAPTER XIV

TORCHY SHUNTS A WIZARD


I'd hardly noticed when Mr. Robert blew in late from lunch until I hears
him chuckle. Then I glances over my shoulder and sees that he's lookin'
my way. Course, that gets me curious, for Mr. Robert ain't the kind of
boss that goes around chucklin' casual, 'specially at a busy private
sec.

"Yes, sir?" says I, shoving back a tray full of correspondence I'm
sortin'.

"I heard something rather good, at luncheon, Torchy," says he.

"On red hair, I expect," says I.

"It wasn't quite so personal as that," says he. "Still, I think you'll
be interested."

"It's part of my job to look so, anyway," says I, givin' him the grin.

"And another item on which you specialize, I believe," he goes on, "is
the detection of book agents. At least, you used to do so when you were
head office boy. Held a record, didn't you?"

"Oh, I don't know," says I tryin' to register modesty. "One got past the
gate; one in five years. That was durin' my first month."

"Almost an unblemished career," says Mr. Robert. "What about your
successor, Vincent?"

"Oh, he's doing fairly well," says I. "Gets stung now and then. Like
last week when that flossy blonde with the Southern accent had him
buffaloed with a tale about having met dear Mr. Ellins at French Lick
and wantin' to show him something she knew he'd be just crazy about. She
did, too. 'Lordly Homes of England,' four volumes, full morocco, at
fifty a volume. And I must say she was nearly right. He wasn't far from
being crazy for the next hour or so. Vincent got it, and then I got it,
although I was downtown at the time it happened. But I'm coachin'
Vincent, and I don't think another one of 'em will get by very soon."

"You don't eh?" says Mr. Robert, indulgin' in another chuckle.

Then he spills what he overheard at lunch. Seems he was out with a
friend who took him to the Papyrus Club, which is where a lot of these
young hicks from the different book publishin' houses get together
noon-times; not Mr. Harper, or Mr. Scribner, or Mr. Dutton, but the
heads of departments, assistant editors, floor salesmen and so on.

And at the next table to Mr. Robert the guest of honor was a loud
talkin' young gent who'd just come in from a tour of the Middle West
with a bunch of orders big enough, if you let him tell it, to keep his
firm's presses on night shifts for a year. He was some hero, I take it,
and for the benefit of the rest of the bunch he was sketchin' out his
methods.

"As I understood the young man," says Mr. Robert, "his plan was to go
after the big ones; the difficult proposition, men of wealth and
prominence whom other agents had either failed to reach or had not dared
to approach. 'The bigger the better,' was his motto, and he referred to
himself, I think, as 'the wizard of the dotted line.'"

"Not what you'd exactly call a shrinkin' violet, eh?" I suggests.

"Rather a shrieking sunflower," says Mr. Robert. "And he concluded by
announcing that nothing would suit him better than to be told the name
of the most difficult subject in the metropolitan district--'the hardest
nut' was his phrase, I believe. He guaranteed to land the said person
within a week. In fact, he was willing to bet $100 that he could."

"Huh," says I.

"Precisely the remark of one of his hearers," says Mr. Robert. "The
wager was promptly made. And who do you suppose, Torchy, was named as
the most aloof and difficult man in New York for a book agent to--"

"Mr. Ellins," says I.

Mr. Robert nods. "My respected governor, none other," says he. "I fancy
he would be rather amused to know that he had achieved such a
reputation, although he would undoubtedly give you most of the credit."

"Or the blame," says I.

"Yes," admits Mr. Robert, "if he happened to be in the blaming mood.
Anyway, young man, there you have a direct challenge. Within the next
week the inner sanctum of the Corrugated Trust is to be assailed by one
who claims that he can penetrate the impenetrable, know the unknowable,
and unscrew the inscrutable."

"Well, that's cute of him," says I. "I'm bettin', though, he never gets
to his man."

"That's the spirit!" says Mr. Robert. "As the French said at Verdun,
'Ils ne passeront pas.' Eh?"

"Meaning 'No Gangway', I expect!" says I.

"That's the idea," says he.

"But say, Mr. Robert, what's he look like, this king of the dotted
line!" says I.

Mr. Robert shakes his head. "I was sitting back to him," says he.
"Besides, to give you his description would be taking rather an unfair
advantage. That would tend to spoil what now stands as quite a neat
sporting proposition. Of course, if you insist--"

"No," says I. "He don't know me and I don't know him. It's fifty-fifty.
Let him come."

I never have asked any odds of book agents, so why begin now? But, you
can bet I didn't lose any time havin' a heart to heart talk with
Vincent.

"Listen, son," says I, "from this on you want to watch this gate like
you was a terrier standin' over a rat hole. It's up to you to see that
no stranger gets through, no matter who he says he is; and that goes for
anybody, from first cousins of the boss to the Angel Gabriel himself.
Also, it includes stray window cleaners, buildin' inspectors and parties
who come to test the burglar alarm system. They might be in disguise. If
their faces ain't as familiar to you as the back of your hand give 'em
the sudden snub and tell 'em 'Boom boom, outside!' In case of doubt keep
'em there until you can send for me. Do you get it?"

Vincent says he does. "I shouldn't care to let in another book agent,"
says he.

"You might just as well resign your portfolio if you do," says I.
"Remember the callin' down, you got from Old Hickory last week."

Vincent shudders. "I'll do my best, sir," says he.

And he's a thorough goin', conscientious youth. Within the next few
hours I had to rescue one of our directors, our first assistant Western
manager, and a personal friend of Mr. Robert's, all of whom Vincent had
parked on the bench in the anteroom and was eyein' cold, and suspicious.
He even holds up the Greek who came luggin' in the fresh towels, and
Tony the spring water boy.

"I feel like old Horatius," says Vincent.

"Never met him," says I, "but whoever he was I'll bet you got him
lookin' like one of the seven sleepers. That's the stuff, though. Keep
it up."

I expect I was some wakeful myself, too. I worked with my eyes ready to
roll over my shoulder and my right ear stretched. I was playin' the part
of right worthy inside guard, and nobody came within ten feet of the
private office door but what I'd sized 'em up before they could reach
the knob. Still, two whole days passed without any attack on the first
line trenches. The third day Vincent and I had a little skirmish with a
mild-eyed young gent who claimed he wanted to see Mr. Ellins urgent, but
he turns out to be only a law clerk from the office of our general
solicitors bringin' up some private papers to be signed.

Then here Friday--and it was Friday the 13th, too--Vincent comes
sleuthin' in to my desk and shows me a card.

"Well," says I, "who does this H. Munson Schott party say he is?"

"That's just it," says Vincent. "He doesn't say. But he has a letter of
introduction to Mr. Ellins from the Belgian Consul General. Rather an
important looking person, too."

"H-m-m-m!" says I, runnin' my fingers through my red hair thoughtful.

You see, we'd been figurin' on some big reconstruction contracts with
the Belgian government, and while I hadn't heard how far the deal had
gone, there was a chance that this might be an agent from the royal
commission.

"If it is," says I, "we can't afford to treat him rough. Let's see, the
Hon. Matt. Dowd, the golf addict, is still in the private office givin'
Old Hickory another earful about the Scotch plague, ain't he?"

"No, sir," says Vincent. "Mr. Ellins asked him to wait half an hour or
so. He's in the director's room."

"Maybe I'd better take a look at your Mr. Schott first then," says I.

But after I'd gone out and given him the north and south careful I was
right where I started. I didn't quite agree with Vincent that he looked
important, but he acted it. He's pacin' up and down outside the brass
rail kind of impatient, and as I appears he's just consultin' his watch.
A nifty tailored young gent with slick putty-colored hair and
Maeterlinck blue eyes. Nothing suspicious in the way of packages about
him. Not even a pigskin document case or an overcoat with bulgy pockets.
He's grippin' a French line steamship pamphlet in one hand, a letter in
the other, and from the crook of his right elbow hangs a heavy
silver-mounted walkin' stick. Also he's wearin' gray spats. Nothing book
agenty about any of them signs.

"Mr. Schott?" says I, springin' my official smile. "To see Mr. Ellins, I
understand. I'm his private secretary. Could I--"

"I wish to see Mr. Ellins personally," breaks in Mr. Schott, wavin' me
off with a yellow-gloved hand.

"Of course," says I. "One moment, please. I'll find out if he's in. And
if you have any letters, or anything like that--"

"I prefer to present my credentials in person," says he.

"Sorry," says I. "Rules of the office. Saves time, you know. If you
don't mind--" and I holds out my hand for the letter.

He gives it up reluctant and I backs out. Another minute and I've shoved
in where Old Hickory is chewin' a cigar butt savage while he pencils a
joker clause into a million-dollar contract.

"Excuse me, sir," says I, "but you were expectin' a party from the
Belgian Commission, were you?"

"No," snaps Old Hickory. "Nor from the Persian Shah, or the Sultan of
Sulu, or the Ahkoond of Swat. All I'm expecting, young man, is a half
hour of comparative peace, and I don't get it. There's Matt. Dowd in the
next room waiting like the Ancient Mariner to grip me by the sleeve and
pour out a long tale about what he calls his discovery of psychic golf.
Say, son, couldn't you----"

"I've heard it, you know, sir," says I.

Old Hickory groans. "That's so," says he. "Well then, why don't you find
me a substitute? Suffering Cicero, has that inventive brain of yours
gone into a coma!"

"Not quite, sir," says I. "You don't happen to know a Mr. Schott, do
you?"

"Gr-r-r!" says Old Hickory, as gentle as a grizzly with a sore ear. "Get
out!"

I took the hint and trickled through the door. I was just framin' up
something polite to feed Mr. Schott when it strikes me I might take a
peek at this little note from the Belgian consul. It wasn't much, merely
suggests that he hopes Mr. Ellins will be interested in what Mr. Schott
has to say. There's the consul general's signature at the bottom, too.
Yes. And I was foldin' it up to tuck it back into the envelope
when--well, that's what comes of my early trainin' on the Sunday edition
when the proof readers used to work me in now and then to hold copy.
It's a funny thing, but I notice that the Consul General doesn't spell
his name when he writes it the way he has it printed at the top of his
letterhead.

"Might be a slip by the fool engraver," thinks I. "I'll look it up in
the directory."

And the directory agreed with the letterhead.

"Oh, ho!" says I. "Pullin' the old stuff, eh? Easy enough to drop into
the Consul's office and dash off a note to anybody. Say, lemme at this
Schott person."

No, I didn't call in Pat, the porter, and have him give Mr. Schott a
flyin' start down the stairs. No finesse about that. Besides, I needed a
party about his size just then. I steps back into the directors' room
and rouses Mr. Dowd from his trance by tappin' him on the shoulder.

"Maybe you'd be willin', Mr. Dowd," says I, "to sketch out some of that
psychic golf experience of yours to a young gent who claims to be
something of a wizard himself."

Would he? Say, I had to push him back in the chair to keep him from
followin' me right out.

"Just a minute," says I, "and I'll bring him in. There's only one thing.
He's quite a talker himself. Might want to unload a line of his own
first, but after that--"

"Yes, yes," says Dowd. "I shall be delighted to meet him."

"It's goin' to be mutual," says I.

Why, I kind of enjoyed my little part, which consists in hurryin' out to
the gate with my right forefinger up and a confidential smirk wreathin'
my more or less classic features.

"Right this way, Mr. Schott," says I.

He shrugs his shoulders, shoots over a glance of scornful contempt, like
a room clerk in a tourist hotel would give to a guest who's payin' only
$20 or $30 a day, and shoves past Vincent with his chin up. Judgin' by
the name and complexion and all there must have been a lot of noble
Prussian blood in this Schott person, for the Clown Prince himself
couldn't have done the triumphal entry any better. And I expect I put
considerable flourish into the business when I announces him to Dowd,
omittin' careful to call the Hon. Matt, by name.

Schott aint wastin' any precious minutes. Before Dowd can say a word
he's started in on his spiel. As I'm makin' a slow exit I manages to get
the openin' lines. They was good, too.

"As you may know," begins Schott, "I represent the International
Historical Committee. Owing to the recent death of prominent members we
have decided to fill those vacancies by appointment and your name has
been mentioned as----"

Well, you know how it goes. Only this was smooth stuff. It was a shame
to have it all spilled for the benefit of Matthew Dowd, who can only
think of one thing these days--250-yard tee shots and marvelous mid-iron
pokes that always sail toward the pin. Besides, I kind of wanted to see
how a super-book agent would work.

Openin' the private office door easy I finds Old Hickory has settled
back in his swing chair and is lightin' a fresh Fumadora satisfied. So I
slips in, salutes respectful and jerks my thumb toward the directors'
room.

"I've put a sub. on the job, sir," says I.

"Eh?" says he. "Oh, yes. Who did you find?"

"A suspicious young stranger," says I. "I sicced him and Mr. Dowd on
each other. They're at it now. It's likely to be entertainin'."

Old Hickory nods approvin' and a humorous flicker flashes under them
bushy eyebrows of his. "Let's hear how they're getting along," says he.

So I steps over sleuthy and swings the connectin' door half way open,
which not only gives us a good view but brings within hearin' range this
throaty conversation which Mr. Schott is unreelin' at high speed.

"You see, sir," he's sayin', "this monumental work covers all the great
crises of history, from the tragedy on Calvary to the signing of the
peace treaty at Versailles. Each epoch is handled by an acknowledged
master of that period, as you may see by this table of contents."

Here Mr. Schott produces from somewhere inside his coat a half pound or
so of printed pages and shoves them on Dowd.

"The illustrations," he goes on, "are all reproduced in colors by our
new process, and are copies of famous paintings by the world's greatest
artists. There are to be more than three hundred, but I have here a few
prints of these priceless works of art which will give you an idea."

At that he reaches into the port side of his coat, unbuttons the lining,
and hauls out another sheaf of leaves.

"Then we are able to offer you," says Schott, "a choice of bindings
which includes samples of work from the most skilful artisans in that
line. At tremendous expense we have reproduced twelve celebrated
bindings. I have them here."

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