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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Real Life In London, Volumes I. and II.

P >> Pierce Egan >> Real Life In London, Volumes I. and II.

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"As this was an interview of signs, the Ambassador began with Geordy,
by holding up one of his fingers; Geordy replied, by holding up two. The
Ambassador then held up three; Geordy answered, by clenching his fist,
and looking sternly. The Ambassador then took an orange from his pocket,
and held it up; Geordy returned the compliment, by taking from his
pocket a ~264~~ piece of a barley cake, which he exhibited in a similar
manner. The ambassador, satisfied with the vast attainments of the
learned Professor, then bowed before him with profound reverence, and
retired. On rejoining the agitated Professors, they fearfully began to
enquire what his Excellency thought of their learned brother? 'He is
a perfect miracle,' replied the Ambassador, 'his worth is not to be
purchased by the wealth of half the Indies.' 'May we presume to descend
to particulars?' returned the Professors, who now began to think
themselves somewhat out of danger. 'Gentlemen,' said the Ambassador,
'when I first entered into his presence, I held up one finger, to denote
that there is one God. He then held up two, signifying that the Father
should not be divided from the Son. I then held up three, intimating,
that I believed in Father, Son, and Holy Ghost. He then clenched his
fist, and, looking sternly at me, signified, that these three are
one; and that he would defy me, either to separate them, or to make
additions. I then took out an orange from my pocket, and held it up, to
show the goodness of God, and to signify that he gives to his creatures
not only the necessaries, but even the luxuries of life. Then, to my
utter astonishment, this wonderful man took from his pocket a piece of
bread, thus assuring me, that this was the staff of life, and was to be
preferred to all the luxuries in the world. Being thus satisfied with
his proficiency and great attainments in this science, I silently
withdrew, to reflect upon what I had witnessed.' "Diverted with the
success of their stratagem, the Professors continued to entertain their
visitor, until he thought prudent to withdraw. No sooner had he retired,
than the opportunity was seized to learn from Geordy, in what manner he
had proceeded to give the Ambassador such wonderful satisfaction; they
being at a loss to conceive how he could have caught his ideas with
so much promptitude, and have replied to them with proportionable
readiness. But, that one story might not borrow any features from
the other, they concealed from Geordy all they had learned from the
Ambassador; and desiring him to begin with his relation, he proceeded in
the following manner:--'When the rascal came into the room, after gazing
at me a little, what do you think, gentlemen, that he did? He held up
one finger, as much as to say, you have only one eye. I then held up
two, to ~265~~ let him know that my one eye was as good as both of
his. He then held up three, as much as to say, we have only three eyes
between us. This was so provoking, that I bent my fist at the scoundrel,
and had it not been for your sakes, I should certainly have risen from
the chair, pulled off my wig and gown, and taught him how to insult a
man, because he had the misfortune to lose one eye. The impudence of
the fellow, however, did not stop here; for he then pulled out an orange
from his pocket, and held it up, as much as to say, Your poor beggarly
country cannot produce this. I then pulled out a piece of good cake, and
held it up, giving him to understand, that I did not care a farthing for
his trash. Neither do I; and I only regret, that I did not thrash the
scoundrel's hide, that he might remember how he insulted me, and abused
my country.' We may learn from hence, that if there are not two ways of
telling a story, there are at least two ways of understanding Signs, and
also of interpreting them."

This story, which was told with considerable effect by their merry
companion, alternately called forth loud bursts of laughter, induced
profound silence, and particularly interested and delighted young
Mortimer and Tallyho; while Merrywell kept the glass in circulation,
insisting on _no day-light_{1} nor _heel-taps_,{2} and the lads began
to feel themselves all in high feather. Time was passing in fearless
enjoyment, and Frank Harry being called on by Merrywell for a song,
declared he had no objection to tip 'em a rum chant, provided it was
agreed that it should go round.

This proposal was instantly acceded to, a promise made that he should
not be at a loss for a good _coal-box_;{3} and after a little more
rosin, without which, he said, he could not pitch the key-note, he sung
the following~266~~

SONG.

Oh, London! dear London! magnanimous City,
Say where is thy likeness again to be found?

Here pleasures abundant, delightful and pretty,
All whisk us and frisk us in magical round;

1 No day-light--That is to leave no space in the glass; or,
in other words, to take a bumper.

2 Heel-taps--To leave no wine at the bottom.

3 Coal-box--A very common corruption of chorus.

Here we have all that in life can merry be,
Looking and laughing with friends Hob and Nob,

More frolic and fun than there's bloom on the cherry-tree,
While we can muster a _Sovereign Bob_.

(Spoken)--Yes, yes, London is the large world in a small compass: it
contains all the comforts and pleasures of human life--"Aye aye, (says a Bumpkin to his more accomplished
Kinsman) Ye mun brag o' yer Lunnun fare; if smoak, smother, mud, and
makeshift be the comforts and pleasures, gie me free air, health and
a cottage."--Ha, ha, ha, Hark at the just-catch'd Johnny Rata, (says a
bang-up Lad in a lily-shallow and upper toggery) where the devil did
you come from? who let you loose upon society? d------e, you ought to
be coop'd up at Exeter 'Change among the wild beasts, the Kangaroos and
Catabaws, and shewn as the eighth wonder of the world! Shew 'em in! Shew
'em in! stir him up with a long pole; the like never seen before;
here's the head of an owl with the tail of an ass--all alive, alive O!
D------me how the fellow stares; what a marvellous piece of a mop-stick
without thrums.--"By gum (says the Bumpkin) you looks more like an ape,
and Ise a great mind to gie thee a douse o' the chops."--You'd soon find
yourself chop-fallen there, my nabs, (replies his antagonist)--you are
not up to the gammon--you must go to College and learn to sing

Oh, London! dear London! &c.

Here the streets are so gay, and the features so smiling,

With uproar and noise, bustle, bother, and gig;
The lasses (dear creatures! ) each sorrow beguiling,

The Duke and the Dustman, the Peer and the Prig;
Here is his Lordship from gay Piccadilly,

There an ould Clothesman from Rosemary Lane;
Here is a Dandy in search of a filly,

And there is a Blood, ripe for milling a pane.

(Spoken)--All higgledy-piggledy, pigs in the straw--Lawyers, Lapidaries,
Lamplighters, and Lap-dogs--Men-milliners, Money-lenders, and Fancy
Millers, Mouse-trap Mongers, and Matchmen, in one eternal round of
variety! Paradise is a pail of cold water in comparison with its
unparalleled pleasures--and the wishing cap of Fortunatus could not
produce a greater abundance of delight--Cat's Meat--Dog's Meat--Here
they are all four a penny, hot hot hot, smoking hot, piping hot
hot Chelsea Buns--Clothes sale, clothes--Sweep, sweep--while a poor
bare-footed Ballad Singer with a hoarse discordant voice at intervals
chimes in with

"They led me like a pilgrim thro' the labyrinth of care,
You may know me by my sign and the robe that I wear;"

~267~~ so that the concatenation of sounds mingling all at once into
one undistinguished concert of harmony, induces me to add mine to the
number, by singing--

Oh, London! dear London! &c.

The Butcher, whose tray meets the dough of the Baker,

And bundles his bread-basket out of his hand;
The Exquisite Lad, and the dingy Flue Faker,{1}

And coaches to go that are all on the stand:
Here you may see the lean sons of Parnassus,

The puffing Perfumer, so spruce and so neat;
While Ladies, who flock to the fam'd Bonassus,

Are boning our hearts as we walk thro' the street.

(Spoken)--"In gude truth," says a brawney Scotchman, "I'se ne'er see'd
sic bonny work in a' my liefe--there's nae walking up the streets
without being knock'd doon, and nae walking doon the streets without
being tripp'd up."--"Blood-an-oons, (says an Irishman) don't be after
blowing away your breath in blarney, my dear, when you'll want it
presently to cool your barley broth."--"By a leaf," cries a Porter with
a chest of drawers on his knot, and, passing between them, capsizes
both at once, then makes the best of his way on a jog-trot, humming
to himself, Ally Croaker, or Hey diddle Ho diddle de; and leaving
the fallen heroes to console themselves with broken heads, while
some officious friends are carefully placing them on their legs, and
genteelly easing their pockets of the possibles; after which they
toddle off at leisure, to sing

Oh, London! dear London! &c.

Then for buildings so various, ah, who would conceive it,

Unless up to London they'd certainly been?
'Tis a truth, I aver, tho' you'd scarcely believe it,

That at the Court end not a Court's to be seen;
Then for grandeur or style, pray where is the nation

For fashion or folly can equal our own?
Or fit out a fete like the grand Coronation?

I defy the whole world, there is certainly none.

(Spoken)--Talk of sights and sounds--is not there the Parliament
House, the King's Palace, and the Regent's Bomb--The Horse-guards,
the Body-guards, and the Black-guards--The Black-legs, and the
Bluestockings--The Horn-blower, and the Flying Pie-man--The Indian
Juggler--Punch and Judy--(imitating the well-known Show-man)--The young
and the old, the grave and the gay--The modest Maid and the willing
Cyprian--The Theatres--The Fives Court and the Court of Chancery--~268~~

1 Flue Faker--A cant term for Chimney-sweep.

The Giants in Guildhall, to be seen by great and small, and,
what's more than all, the Coronation Ball--

Mirth, fun, frolic, and frivolity,
To please the folks of quality:

For all that can please the eye, the ear, the taste, the touch,
the smell,

Whether bang-up in life, unfriended or undone,

No place has such charms as the gay town of London.

Oh, Loudon! dear London! &c.

The quaint peculiarities of the Singer gave indescribable interest to
this song, as he altered his voice to give effect to the various cries
of the inhabitants, and it was knock'd down with three times three
rounds of applause; when Merrywell, being named for the next, sung,
accompanied with Dashall and Frank Harry, the following

GLEE.

"Wine, bring me wine--come fill the sparkling glass,
Brisk let the bottle circulate;
Name, quickly name each one his fav'rite lass,
Drive from your brows the clouds of fate:
Fill the sparkling bumper high,
Let us drain the bottom dry.

Come, thou grape-encircled Boy!
From thy blissful seats above,
Crown the present hours with joy,
Bring me wine and bring me love:
Fill the sparkling bumper high,
Let us drain the bottom dry.

Bacchus, o'er my yielding lip
Spread the produce of thy vine;
Love, thy arrows gently dip,
Temp'ring them with generous wine:
Fill the sparkling bumper high,
Let us drain the bottom dry."

In the mean time, the enemy of life was making rapid strides upon them
unheeded, till Dashall reminded Merrywell of their intended visit to
the East; and that as he expected a large portion of amusement in that
quarter, he proposed a move.

They were by this time all well primed--ripe for a rumpus--bang-up for a
lark or spree, any where, any how, or with any body; they therefore took
leave of their present scene of gaiety.~269~~




CHAPTER XVIII

"Wand'ring with listless gait and spirits gay,
They Eastward next pursued their jocund way;
With story, joke, smart repartee and pun,
Their business pleasure, and their object fun."

IT was a fine moonlight evening, and upon leaving the Globe, they again
found themselves in the hurry, bustle, and noise of the world. The glare
of the gas-lights, and the rattling of coaches, carts and vehicles of
various-descriptions, mingled with

"The busy hum of men,"

attracted the attention of their eyes and ears, while the exhilarating
juice of the bottle had given a circulation to the blood which
enlivened imagination and invigorated fancy. Bob conceived himself in
Elysium, and Frank Harry was as frisky as a kitten. The first object
that arrested their progress was the house of Mr. Hone, whose political
Parodies, and whose trials on their account, have given him so much
celebrity. His window at the moment exhibited his recent satirical
publication entitled a Slap at Slop and the Bridge Street Gang.{1}

1 The great wit and humour displayed in this publication
have deservedly entitled it to rank high among the jeu
desprit productions of this lively age--to describe it were
impossible--to enjoy it must be to possess it; but for the
information of such of our readers as are remote from the
Metropolis, it may perhaps be necessary to give something
like a key of explanation to its title. A certain learned
Gentleman, formerly the Editor of the Times, said now to be
the Conductor of the New Times, who has by his writings
rendered himself obnoxious to a numerous class of readers,
has been long known by the title of Dr. Slop; in his
publication, denominated the mock Times, and the Slop Pail,
he has been strenuous in his endeavours to support and
uphold a Society said to mis-call themselves The
Constitutional Society, but now denominated The Bridge
Street Gang; and the publication alluded to, contains
humorous and satirical parodies, and sketches of the usual
contents of his Slop Pail; with a Life of the learned
Doctor, and an account of the origin of the Gang.

~270~~ "Here," said Tom, "we are introduced at once into a fine field
of observation. The inhabitant of this house defended himself in three
different trials for the publication of alleged impious, profane, and
scandalous libels on the Catechism, the Litany, and the Creed of St.
Athanasius, with a boldness, intrepidity, and perseverance, almost
unparalleled, as they followed in immediate succession, without even an
allowance of time for bodily rest or mental refreshment."

"Yes," continued Frank Harry, "and gained a verdict on each occasion,
notwithstanding the combined efforts of men in power, and those whose
constant practice in our Courts of Law, with learning and information at
their fingers ends, rendered his enemies fearful antagonists."

"It was a noble struggle," said Tallyho; "I remember we had accounts
of it in the country, and we did not fail to express our opinions by
subscriptions to remunerate the dauntless defender of the rights and
privileges of the British subject."

"_Tip us your flipper_"{1} said Harry---"then I see you are a true bit
of the bull breed--one of us, as I may say. Well, now you see the spot
of earth he inhabits--zounds, man, in his shop you will find amusement
for a month--see here is The House that Jack Built--there is the Queen's
Matrimonial Ladder, do you mark?--What think you of these qualifications
for a Gentleman?

"In love, and in liquor, and o'ertoppled with debt, With women, with
wine, and with duns on the fret."

There you have the Nondescript--

"A something, a nothing--what none understand,
Be-mitred, be-crowned, but without heart or hand;
There's Jack in the Green too, and Noodles, alas!
"Who doodle John Bull of gold, silver, and brass.

"Come," said Dashall, "you must cut your story short; I know if you
begin to preach, we shall have a sermon as long as from here to South
America, so allons;" and with this impelling his Cousin forward, they

1 Tip us your Flipper--your mawley--your daddle, or your
thieving hook; are terms made use of as occasions may suit
the company in which they are introduced, to signify a desire
to shake hands.

~271~~ approached towards Saint Paul's, chiefly occupied in conversation
on the great merit displayed in the excellent designs of Mr. Cruikshank,
which embellish the work they had just been viewing; nor did they
discover any thing further worthy of notice, till Bob's ears were
suddenly attracted by a noise somewhat like that of a rattle, and
turning sharply round to discover from whence it came, was amused with
the sight of several small busts of great men, apparently dancing to the
music of a weaver's shuttle.{1}

"What the devil do you call this?" said he--"is it an exhibition of
wax-work, or a model academy?"

"Neither," replied Dashall; "this is no other than the shop of a
well-known dealer in stockings and nightcaps, who takes this ingenious
mode of making himself popular, and informing the passengers that

"Here you may be served with all patterns and sizes,
From the foot to the head, at moderate prices;"

with woolens for winter, and cottons for summer--Let us move on, for
there generally is a crowd at the door, and there is little doubt but he
profits by those who are induced to gaze, as most people do in London,
if they can but entrap attention. Romanis is one of those gentlemen who
has contrived to make some noise in the world by puffing advertisements,
and the circulation of poetical handbills. He formerly kept a very small
shop for the sale of hosiery nearly opposite the East-India House, where
he supplied the Sailors after receiving their pay for a long voyage, as
well as their Doxies, with the articles in which he deals, by obtaining
permission to style himself "Hosier to the Rt. Hon. East India Company."
Since which, finding his trade increase and his purse extended, he has
extended his patriotic views of clothing the whole population of London
by opening shops in various parts, and has at almost all times two or
three depositories for

1 Romanis, the eccentric Hosier, generally places a loom near the door
of his shops decorated with small busts; some of which being attached
to the upper movements of the machinery, and grotesquely attired in
patchwork and feathers, bend backwards and forwards with the motion of
the works, apparently to salute the spectators, and present to the idea
persons dancing; while every passing of the shuttle produces a noise
which may be assimilated to that of the Rattlesnake, accompanied with
sounds something like those of a dancing-master beating time to his
scholars. ~272~~ his stock. At this moment, besides what we have just
seen, there is one in Gracechurch Street, and another in Shoreditch,
where the passengers are constantly assailed by a little boy, who stands
at the door with some bills in his hand, vociferating--Cheap, cheap."

"Then," said Bob, "wherever he resides I suppose may really be called
Cheapside?"

"With quite as much propriety," continued Ton, "as the place we are now
in; for, as the Irishman says in his song,

"At a place called Cheapside they sell every thing dear."

During this conversation, Mortimer, Merrywell, and Harry were amusing
themselves by occasionally addressing the numerous Ladies who were
passing, and taking a peep at the shops--giggling with girls, or
admiring the taste and elegance displayed in the sale of fashionable and
useful articles--justled and impeded every now and then by the throng.
Approaching Bow Church, they made a dead stop for a moment.

"What a beautiful steeple!" exclaimed Bob; "I should, though no
architect, prefer this to any I have yet seen in London."

"Your remark," replied Dashall, "does credit to your taste; it is
considered the finest in the Metropolis. St. Paul's displays the grand
effort of Sir Christopher Wren; but there are many other fine specimens
of his genius to be seen in the City. His Latin Epitaph in St. Paul's
may be translated thus: 'If you seek his monument, look around you;' and
we may say of this steeple, 'If you wish a pillar to his fame, look
up.' The interior of the little church, Walbrook,{1} (St. Stephen's) is
likewise considered a

1 This church is perhaps unrivalled, for the beauty of the
architecture of its interior. For harmony of proportion,
grace, airiness, variety, and elegance, it is not to be
surpassed. It is a small church, built in the form of a
cross. The roof is supported by Corinthian columns, so
disposed as to raise an idea of grandeur, which the
dimensions of the structure do not seem to promise. Over the
centre, at which the principal aisles cross, is a dome
divided into compartments, the roof being partitioned in a
similar manner, and the whole finely decorated. The effect
of this build-ing is inexpressibly delightful; the eye at
one glance embracing a plan full and distinct, and
afterwards are seen a greater number of parts than the
spectator was prepared to expect. It is known and admired on
the Continent, as a master-piece of art. Over the altar is a
fine painting of the martyrdom of St. Stephen, by West.

~273~~ _chef d'ouvre_ of the same artist, and serves to display the
versatility of his genius."

Instead however of looking up, Bob was looking over the way, where a
number of people, collected round a bookseller's window, had attracted
his attention.

"Apropos," cried Dashall,--"The Temple of Apollo--we should have
overlook'd a fine subject, but for your remark--yonder is Tegg's Evening
Book Auction, let us cross and see what's going on. He is a fellow of
'infinite mirth and good humour,' and many an evening have I passed at
his Auction, better amused than by a farce at the Theatre."

They now attempted to cross, but the intervening crowd of carriages,
three or four deep, and in a line as far as the eye could reach, for the
present opposed an obstacle.

"If I could think of it," said Sparkle, "I'd give you the Ode on his
Birth-day, which I once saw in MS.--it is the _jeu d'esprit_ of a very
clever young Poet, and who perhaps one of these days may be better
known; but poets, like anatomical subjects, are worth but little till
dead."

"And for this reason, I suppose," says Tom, "their friends and patrons
are anxious they should rather be starved than die a natural death."

"Oh! now I have it--let us remain in the Church-yard a few minutes,
while the carriages pass, and you shall hear it."~274~~

"Ye hackney-coaches, and ye carts,
That oft so well perform your parts
For those who choose to ride,
Now louder let your music grow--
Your heated axles fiery glow--
Whether you travel quick or slow-
In Cheapside.

For know, "ye ragged rascals all,"
(As H----- would in his pulpit bawl
With cheeks extended wide)
Know, as you pass the crowded way,
This is the happy natal day
Of Him whose books demand your stay
In Cheapside.

'Twas on the bright propitious morn
When the facetious Tegcy was born,
Of mirth and fun the pride,
That Nature said "good Fortune follow,
Bear him thro' life o'er hill and hollow,
Give him the Temple of Apollo
In Cheapside."

Then, O ye sons of Literature!
Shew your regard for Mother Nature,
Nor let her be denied:
Hail! hail the man whose happy birth
May tell the world of mental worth;
They'll find the best books on the earth
In Cheapside.

"Good!" exclaimed Bob; "but we will now endeavour to make our way
across, and take a peep at the subject of the Ode."

Finding the auction had not yet commenced, Sparkle proposed adjourning
to the Burton Coffee House in the adjacent passage, taking a nip of ale
by way of refreshment and exhilaration, and returning in half an hour.
This proposition was cordially agreed to by all, except Tallyho, whose
attention was engrossed by a large collection of Caricatures which
lay exposed in a portfolio on the table beneath the rostrum. The
irresistible broad humour of the subjects had taken fast hold of his
risible muscles, and in turning them over one after the other, he found
it difficult to part with such a rich fund of humour, and still more so
to stifle the violent emotion it excited. At length, clapping his hands
to his sides, he gave full vent to the impulse in a horse-laugh from a
pair of truly Stentorian lungs, and was by main force dragged out by his
companions.

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