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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Girl on the Boat

P >> Pelham Grenville Wodehouse >> The Girl on the Boat

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"Sam!"

"You angel!"

"You're rather a darling after all," said Billie. "But you want keeping
in order," she added severely.

"You will do that when we're married. When we're married!" he repeated
luxuriously. "How splendid it sounds!"

"The only trouble is," said Billie, "father won't hear of it."

"No, he won't. Not till it is all over," said Sam.

He started the car again.

"What are you going to do?" said Billie. "Where are you going?"

"To London," said Sam. "It may be news to you but the old lawyer like
myself knows that, by going to Doctors' Commons or the Court of Arches
or somewhere or by routing the Archbishop of Canterbury out of bed or
something, you can get a special licence and be married almost before
you know where you are. My scheme--roughly--is to dig this special
licence out of whoever keeps such things, have a bit of breakfast, and
then get married at our leisure before lunch at a registrar's."

"Oh, not a registrar's!" said Billie.

"No?"

"I should hate a registrar's."

"Very well, angel. Just as you say. We'll go to a church. There are
millions of churches in London. I've seen them all over the place." He
mused for a moment. "Yes, you're quite right," he said. "A church is the
thing. It'll please Webster."

"Webster?"

"Yes, he's rather keen on the church bells never having rung out so
blithe a peal before. And we must consider Webster's feelings. After
all, he brought us together."

"Webster? How?"

"Oh, I'll tell you all about that some other time," said Sam. "Just for
the moment I want to sit quite still and think. Are you comfortable?
Fine! Then off we go."

The birds in the trees fringing the road stirred and twittered grumpily
as the noise of the engine disturbed their slumbers. But, if they had
only known it, they were in luck. At any rate, the worst had not
befallen them, for Sam was too happy to sing.

THE END






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