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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Alone

N >> Norman Douglas >> Alone

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Thus arrayed in snowy hue, like the lilies of the field, he perambulates
during the hot season the wildest parts of South Italy, strangely
unprejudiced, heedless of bugs and brigands--a real danger in 1828: did
he not find the large place Rossano actually blocked by them?--sleeping
in stables and execrable inns, viewing sites of antiquity and natural
beauty, interrogating everybody about everything and, in general,
"satisfying his curiosity." That curiosity took a great deal to satisfy.
It is a positive relief to come upon a sentence in this book, a sentence
unique, which betrays a relaxing or waning of this terrible curiosity.
"It requires a strong mania for antiquities to persevere examining such
remains as Alife furnishes, and I was soon satisfied with what I had
seen." Nor did he climb to the summit of Mount Vulture, as he would have
done if the view had not been obscured by a haze.

His chief concern could not be better summed up than in the sub-title he
has chosen for this volume: Wanderings in search of ancient remains and
modern superstitions. To any one who knows the country it appears
astonishing how much he contrived to see, and in how brief a space of
time. He accomplished wonders. For it was no mean task he had proposed
to himself, namely, "to visit every spot in Italy which classic writers
had rendered famous."

To visit every spot--what a Gargantuan undertaking! None but a quite
young man could have conceived such a project, and even Ramage, with all
his good health and zest, might have spent half a lifetime over the
business but for his habit of breathless hustle, which leaves the reader
panting behind. He is always on the move. He reminds one of Mr. Phineas
Fogg in that old tale. The moment he has "satisfied his curiosity" there
is no holding him; off he goes; the smiles of the girls whom he adores,
the entreaties of some gentle scholar who fain would keep him as guest
for the night--they are vain; he is tired to death, but "time is
precious" and he "tears himself away from his intelligent host" and
scampers into the wilderness once more, as if the Furies were at his
heels. He thinks nothing of rushing from Catanzaro to Cotrone, from
Manduria to Brindisi, in a single day--at a time when there was hardly a
respectable road in the country. Up to the final paragraph of the book
he is "hurrying" because time is "fast running out."

This sense of fateful hustle--this, and the umbrella--they impart quite
a peculiar flavour to his pages.

One would like to learn more about so lovable a type--for such he was,
unquestionably; one would like to know, above all things, why his
descriptions of other parts of Italy have never been printed. Was the
enterprise interrupted by his death? He tells us that the diaries of his
tours through the central and northern regions were written; that he
visited "every celebrated spot in Umbria and Etruria" and wandered "as
far as the valley of the Po." Where are these notes? Those on Etruria,
especially, would make good reading at this distance of time, when even
Dennis has acquired an old-world aroma. The Dictionary of National
Biography might tell us something about him, but that handy little
volume is not here; moreover, it has a knack of telling you everything
about people save what you ought to know.

So, for example, I had occasion not long ago to look up the account of
Charles Waterton the naturalist. [3] He did good work in his line, but
nothing is more peculiar to the man than his waywardness. It was
impossible for him to do anything after the manner of other folks. In
all his words and actions he was a freak, a curiosity, the prince of
eccentrics. Yet this, the essence of the man, the fundamental trait of
his character which shines out of every page of his writing and every
detail of his daily life--this, the feature by which he was known to his
fellows and ought to be known to posterity--it is intelligible from that
account only if you read between the lines. Is that the way to write
"biography"?

Fortunately he has written himself down; so has Ramage; and it is
instructive to compare the wayside reflections of these two
contemporaries as they rove about the ruins of Italy; the first, ardent
Catholic, his horizon close-bounded by what the good fathers of
Stonyhurst had seen fit to teach him; the other, less complacent, all
alive indeed with Calvinistic disputatiousness and ready to embark upon
bold speculations anent the origin of heathen gods and their modern
representatives in the Church of Rome; amiable scholars and gentlemen,
both of them; yet neither venturing to draw those plain conclusions
which the "classic remains of paganism" would have forced upon anybody
else--upon anybody, that is, who lacked their initial warp, whose mind
had not been twisted in youth or divided, rather, into watertight
compartments.

A long sentence....




Pisa

After a glacial journey--those English! They will not even give us coal
for steam-heating--I arrived here. It is warmer, appreciably warmer. Yet
I leave to-morrow or next day. The streets of the town, the distant
beach of San Rossore and its pine trees--they are fraught with sad
memories; memories of an autumn month in the early nineties. A city of
ghosts....

The old hotel had put on a new face; freshly decorated, it wears none
the less a poverty-stricken air. My dinner was bad and insufficient. One
grows sick of those vile maccheroni made with war-time flour. The place
is full of rigid officers taking themselves seriously. Odd, how a
uniform can fill a simpleton with self-importance. What does Bacon say?
I forget. Something apposite--something about the connection between
military costumes and vanity. For the worst of this career is that it is
liable to transform even a sensible man into a fool. I never see these
sinister-clanking marionettes without feelings of distrust. They are the
outward symbol of an atavistic striving: the modern infame. We have been
dying for sometime past from over-legislation. Now we are caught in the
noose. A bureaucracy is bad enough. A bureaucracy can at least be
bribed. Militarism dries up even that little fount of the imagination.

Another twenty years of this, and we may be living in caves again; they
came near it, at the end of the Thirty Years' War. Such a cataclysm as
ours may account for the extinction of the great Cro-Magnon
civilization--as fine a race, physically, as has yet appeared on earth;
they too may have been afflicted with the plague of nationalism, unless,
as is quite likely, that horrid work was accomplished by a microbe of
some kind....

In the hour of evening, under a wintry sky amid whose darkly massed
vapours a young moon is peering down upon this maddened world, I wander
alone through deserted roadways towards that old solitary brick-tower.
Here I stand, and watch the Arno rolling its sullen waves. In Pisa, at
such an hour, the Arno is the emblem of Despair. Swollen with melted
snow from the mountains, it has gnawed its miserable clay banks and now
creeps along, leaden and inert, half solid, like a torrent of liquid
mud--irresolute whether to be earth or water; whether to stagnate here
for ever at my feet, or crawl onward yet another sluggish league into
the sea. So may Lethe look, or Styx: the nightmare of a flood.

There is dreary monotony in all Italian rivers, once they have reached
the plain. They are livelier in their upper reaches. At Florence--where
those citron-tinted houses are mirrored in the stream--you may study the
Arno in all its ever-changing moods. Seldom is its colour quite the
same. The hue of cafe-au-lait in full spate, it shifts at other times
between apple-green and jade, between celadon and chrysolite and
eau-de-Nil. In the weariness of summer the tints are prone to fade
altogether out of the waves. They grow bleached, devitalized; they are
spent, withering away like grass that has lain in the sun. [4] Yet with
every thunder-storm on yonder hills the colour-sprite leaps back into
the waters.

Your Florentine of the humbler sort loves to dawdle along the bank on a
bright afternoon, watching the play of the river and drawing a kind of
philosophic contentment out of its cool aquatic humours. Presently he
reaches that bridge--the jewellers' bridge. He thinks he must buy a
ring. Be sure the stone will reflect his Arno in one of its moods. I
will wager he selects a translucent chrysoprase set in silver, a cheap
and stubborn gem whose frigidly uncompromising hue appeals in mysterious
fashion to his own temperament.

Whoever suffers from insomnia will find himself puzzling at night over
questions which have no particular concern for him at other times. And
one seems to be more wide awake, during those moments, than by day. Yet
the promptings of the brain, which then appear so lucid, so novel and
convincing, will seldom bear examination in the light of the sun. To
test the truth of this, one has only to jot down one's thoughts at the
time, and peruse them after breakfast. How trite they read, those
brilliant imaginings!

For reasons which I cannot fathom, I pondered last night upon the
subject of heredity; a subject that had a certain fascination for me in
my biological days. The lacunae of science! We weigh the distant stars
and count up their ingredients. Yet here is a phenomenon which lies
under our very hand and to which is devoted the most passionate study:
what have we learnt of its laws? Be that as it may, there occurred to me
last night a new idea. It consisted in putting together two facts which
have struck me separately on many occasions, but never conjointly. Taken
together, I said to myself, and granted that both are correct, they may
help to elucidate a dark problem of national psychology.

The first one I state rather tentatively, having hardly sufficient
material to go upon. It is this. You will find it more common in Italy
than in England for the male offspring of a family to resemble the
father and the female the mother. I cannot suggest a reason for this. I
have observed the fact--that is all.

Let me say, in parenthesis, that it is well to confine oneself to adults
in such researches. Childhood and youth is a period of changing lights
and half-tones and temperamental interplay. Characteristics of body and
mind are held, as it were, in solution. We think a child takes after its
mother because of this or that feature. If we wait for twenty-five
years, we see the true state of affairs; the hair has grown dark like
the father's, the nose, the most telling item of the face, has also
approximated to his type, likewise the character--in fact the offspring
is clearly built on paternal lines. And vice-versa. To study children
for these purposes would be waste of time.

The second observation I regard as axiomatic. It is this. You will
nowhere find an adult offspring which reproduces in any marked degree
the physical features of one parent displaying in any marked degree the
mental features of the other. That man whose external build and
complexion is entirely modelled upon that of his hard materialistic
father and who yet possesses all the artistic idealism of his maternal
parent--such creatures do not exist in nature, though you may encounter
them as often as you please in the pages of novelists.

Let me insert another parenthesis to observe that I am speaking of the
broad mass, the average, in a general way. For it stands to reason that
the offspring may be vaguely intermediate between two parents, may
resemble one or both in certain particulars and not in others, may hark
back to ancestral types or bear no appreciable likeness to any one
discoverable. It is a theme admitting of endless combinations and
permutations. Or again, in reference to the first proposition, it would
be easy for any traveller in this country to point out, for example, a
woman who portrays the qualities of her father in the clearest manner. I
know a dozen such cases. Hundreds of them would not make them otherwise
than what I think they are--rarer here than in England.

Granting that both these propositions are correct, what should we expect
to find? That in Italy the male type of character and temperament is
more constant, more intimately associated with the male type of feature;
and the same with the female. In other words, that the categories into
which their men and women fall are fewer and more clearly defined, by
reason of the fact that their mental and moral sex-characteristics are
more closely correlated with their physical sex-characteristics. That
the Englishman, on the other hand, male or female, does not fall so
easily into categories; he is complex and difficult to "place," the
psychological sex-boundaries being more hazily demarcated. There is
iridescence and ambiguity here, whereas Italians of either sex, once the
rainbow period of youth is over, are relatively unambiguous; easily
"placed."

Is this what we find? I think so.

Speculations....

I never pass through Pisa without calling to mind certain rat-hunts in
company with J. O. M., who was carried out of the train at this very
station, dead, because he refused to follow my advice. He was my
neighbour at one time; he lived near the river Mole in relative
seclusion; coursing rats with Dandie Dinmonts was the only form of
exercise which entailed no strain on his weakened constitution. How he
loved it!

This O---- was a man of mystery and violence, who threw himself into
every kind of human activity with superhuman, Satanic, zest; traveller,
sportsman, financier, mining expert, lover of wine and women, of books
and prints; one of the founders, I believe, of the Rhodesia Company;
faultlessly dressed, infernally rich and, when he chose--which was
fairly often--preposterously brutal. Neither manner nor face were
winning. He was swarthy almost to blackness, quite un-English in looks,
with rather long hair, a most menacing moustache and the fiercest eyes
imaginable; a king of the gipsies, so far as features went. Something
sinister hung about his personality. A predatory type, unquestionably;
never so happy as when pitting his wits or strength against others,
tracking down this or that--by choice, living creatures. He had taken
life by the throat, and excesses of various kinds having shattered his
frame, there was an end, for the time being, of deer-stalking and
tigers; it was a tame period of rat-hunts with those terriers whose
murderous energies were a pis aller, yielding a sort of vicarious
pleasure. The neighbourhood was depopulated of such beasts, purchased at
fancy prices; when a sufficient quantity (say, half a hundred) had been
collected together, I used to receive a telegram containing the single
word "rats." Then the pony was saddled, and I rode down for the grand
field day.

We once gave the hugest of these destroyed rodents, I remember, to an
amiable old sow, a friend of the family. What was she going to do? She
ate it, as you would eat a pear. She engulfed the corpse methodically,
beginning at the head, working her way through breast and entrails while
her chops dripped with gore, and ending with the tail, which gave some
little trouble to masticate, on account of its length and tenuity.
Altogether, decidedly good sport....

Then O---- disappeared from my ken. Years went by. Improving health, in
the course of time, tempted him back into his former habits; he built
himself a shooting lodge in the Alps. We were neighbours again, having
no ridge worth mentioning save the Schadona pass between us. I joined
him once or twice--chamois, instead of rats. This place was constructed
on a pretentious scale, and he must have paid fantastic sums for the
transport of material to that remote region (you could watch the chamois
from the very windows) and for the rights over all the country round
about. [5] O---- told me that the superstitious Catholic peasants raised
every kind of difficulty and objection to his life there; it was a
regular conspiracy. I suggested a more friendly demeanour, especially
towards their priests. That was not his way. He merely said: "I'll be
even with them. Mark my words."....

There followed another long interval, during which he vanished
completely. Then, one April afternoon on the Posilipo, a sailor climbed
up with a note from him. The Consul-General said I lived here. If so,
would I come to Bertolini's hotel at once? He was seriously ill.

Neighbours once more!

I left then and there, and was appalled at the change in him. His skin
was drawn tight as parchment over a face the colour of earth, there was
no flesh on his hands, the voice was gone, though fire still gleamed
viciously in the hollows of his eyes. That raven-black hair was streaked
with grey and longer than ever, which gave him an incongruously devout
appearance. He had taken pitiful pains to look fresh and appetizing.

So we sat down to dinner on Bertolini's terrace, in the light of a full
moon. O---- ate nothing whatever.

He arrived from Egypt some time ago, on his way to England. The doctor
had forbidden further travelling or any other exertion on account of
various internal complications; among other things, his heart, he told
me, was as large as a child's head.

"I hope you can stand this food," he whispered, or rather croaked. "For
God's sake, order anything you fancy. As for me, I can't even eat like
you people. Asses' milk is what I get, and slops. Done for, this time.
I'm a dying man; anybody can see that. A dying man----"

"Something," I said, "is happening to that moon."

It was in eclipse. Half the bright surface had been ominously obscured
since we took our seats. O---- scowled at the satellite, and went on:

"But I won't be carried out of this dirty hole (Bertolini's)--not feet
first. Would you mind my gasping another day or two at your place? Rolfe
has told me about it."

We moved him, with infinite trouble. The journey woke his dormant
capacities for invective. He cursed at the way they jolted him about; he
cursed himself into a collapse that day, and we thought it was all over.
Then he rallied, and became more abusive than before. Nothing was right.
Stairs being forbidden, the whole lower floor of the house was placed at
his disposal; the establishment was dislocated, convulsed; and still he
swore. He swore at me for the better part of a week; at the servants,
and even at the good doctor Malbranc, who came every morning in a
specially hired steam-launch to make that examination which always ended
in his saying to me: "You must humour him. Heart-patients are apt to be
irritable." Irritable was a mild term for this particular patient. His
appetite, meanwhile, began to improve.

It was soon evident that my cook had not the common sense to prepare his
invalid dishes; a second one was engaged. Then, my gardener and
sailor-boy being manifest idiots, it became necessary to procure an
extra porter to fetch the numberless odd things he needed from town
every day, and every hour of the day. I wrote to the messenger people to
send the most capable lad on their books; we would engage him by the
week, at twice his ordinary pay. He arrived; a limp and lean nonentity,
with a face like a boiled codfish.

This miserable youth promptly became the object of O----'s bitterest
execration. I soon learnt to dread those conferences, those terrific
scenes which I was forced to witness in my capacity of interpreter.
O---- revelled in them with exceeding gusto. He used to gird his loins
for the effort of vituperation; I think he regarded the performance as a
legitimate kind of exercise--his last remaining one. As soon as the boy
returned from town and presented himself with his purchases, O---- would
glare at him for two or three minutes with such virulence, such
concentration of hatred and loathing, such a blaze of malignity in his
black eyes, that one fully expected to see the victim wither away; all
this in dead silence. Then he would address me in his usual whisper,
quite calmly, as though referring to the weather:

"Would you mind telling that double-distilled abortion that if he goes
on making such a face I shall have to shoot him. Tell him, will you;
there's a good fellow."

And I had to "humour" him.

"The gentleman"--I would say--"begs you will try to assume another
expression of countenance," or words to that effect; whereto he would
tearfully reply something about the will of God and the workmanship of
his father and mother, honest folks, both of them. I was then obliged to
add gravely:

"You had better try, all the same, or he may shoot you. He has a
revolver in his pocket, and a shooting licence from your government."

This generally led to the production of a most ghastly smile, calculated
to convey an ingratiating impression.

"Look at him," O---- would continue. "He is almost too good to be shot.
And now let's see. What does he call these things? Ask him, will you?"

"Asparagus."

"Tell him that when I order asparagus I mean asparagus and not
walking-sticks. Tell him that if he brings me such objects again, I'll
ram the whole bundle up--down his throat. What does he expect me to do
with them, eh? You might ask him, will you? And, God! what's this? Tell
him (accellerando) that when I send a prescription to be made up at the
Royal Pharmacy----"

"He explained about that. He went to the other place because he wanted
to hurry up."

"To hurry up? Tell him to hurry up and get to blazes. Oh, tell him----"

"You'll curse yourself into another collapse, at this rate."

To the doctor's intense surprise, he lingered on; he actually grew
stronger. Although never seeming to gain an ounce in weight, he could
eat a formidable breakfast and used to insist, to my horror and shame,
in importing his own wine, which he accused my German maid Bertha of
drinking on the sly. Callers cheered him up--Rolfe the Consul, Dr. Dohrn
of the Aquarium, and old Marquis Valiante, that perfect botanist--all of
them dead now! After a month and a half of painful experiences, we at
last learnt to handle him. The household machinery worked smoothly.

A final and excruciating interview ended in the dismissal of the
errand-boy, and I personally selected another one--a pretty little
rascal to whom he took a great fancy, over-tipping him scandalously. He
needed absolute rest; he got it; and I think was fairly happy or at
least tranquil (when not writhing in agony) at the end of that period. I
can still see him in the sunny garden, his clothes hanging about an
emaciated body--a skeleton in a deck-chair, a death's head among the
roses. Humiliated in this inactivity, he used to lie dumb for long
hours, watching the butterflies or gazing wistfully towards those
distant southern mountains which I proposed to visit later in the
season. Once a spark of that old throttling instinct flared up. It was
when a kestrel dashed overhead, bearing in its talons a captured lizard
whose tail fluttered in the air: the poor beast never made a faster
journey in its life. "Ha!" said O----. "That's sport."

At other times he related, always in that hoarse whisper, anecdotes of
his life, a life of reckless adventure, of fortunes made and fortunes
lost; or spoke of his old passion for art and books. He seemed to have
known, at one time or another, every artist and connoisseur on either
side of the Atlantic; he told me it had cost about L10,000 to acquire
his unique knowledge and taste in the matter of mezzotints, and that he
was concerned about the fate of his "Daphnis and Chloe" collection which
contained, he said, a copy of every edition in every language--all
except the unique Elizabethan version in the Huth library (now British
Museum). I happened to have one of the few modern reprints of that
stupid and ungainly book: would he accept it? Not likely! He was after
originals.

One day he suddenly announced:

"I am leaving you my small library of erotic literature, five or six
hundred pieces, worth a couple of thousand, I should say. Some wonderful
old French stuff, and as many Rops as you like, and Persian and Chinese
things--I can see you gloating over them! Don't thank me. And now I'm
off to England."

"To England?"

The doctor peremptorily forbade the journey; if he must go, let him wait
another couple of weeks and gain some more strength. But O---- was
obdurate; buoyed up, I imagine, with the prospect of movement and of
causing some little trouble at home. As the weather had grown unusually
hot, I booked at his own suggestion a luxurious cabin on a home-bound
liner and engaged a valet for the journey. On my handing him the
tickets, he said he had just changed his mind; he would travel overland;
there were some copper mines in Etruria of which he was director; he
meant to have a look at them en route and "give those people Hell" for
something or other. I tried to dissuade him, and all in vain. Finally I
said:

"You'll die, if you travel by land in this heat."

So he did. They carried him out of the train in the early days of June,
here at Pisa, feet first....

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