J. W. Powell - "Canyons of the Colorado"

Horatio Alger and Arthur M. Winfield - "Young Captain Jack"

Frances (Fanny) Burney (Madame d'Arblay) - "Cecilia vol. 2"

DAVID GRAHAM PHILLIPS - "The Deluge"

Editorial
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Golden Calf

M >> M. E. Braddon >> The Golden Calf



Produced by Jonathan Ingram, Mary Meehan and Distributed Proofreaders




THE GOLDEN CALF


_A Novel_

BY M.E. BRADDON


AUTHOR OF

'LADY AUDLEY'S SECRET,' 'AURORA FLOYD,'
'VIXEN,' 'ISHMAEL,' ETC., ETC.



[Illustration: "Ida stood with clasped hands, and lips moving dumbly in
prayer."]




CONTENTS

CHAP.

I. THE ARTICLED PUPIL

II. 'I AM GOING TO MARRY FOR MONEY'

III. AT THE KNOLL

IV. WENDOVER ABBEY

V. DR. RYLANCE ASSERTS HIMSELF

VI. A BIRTHDAY FEAST

VII. IN THE RIVER-MEADOW

VIII. AT THE LOCK-HOUSE

IX. A SOLEMN LEAGUE AND COVENANT

X. A BAD PENNY

XI. ACCOMPLISHMENTS AT A DISCOUNT

XII. THE SWORD OF DAMOCLES

XIII. KINGTHORPE SOCIETY

XIV. THE TRUE KNIGHT

XV. MR. WENDOVER PLANS AN EXCURSION

XVI. THICKER THAN WATER

XVII. OUGHT SHE TO STAY?

XVIII. AFTER A STORM COMES A CALM

XIX. AFTER A CALM A STORM

XX. WAS THIS THE MOTIVE?

XXI. TAKING LIFE QUIETLY

XXII. LADY PALLISER STUDIES THE UPPER TEN

XXIII. 'ALL OUR LIFE is MIXED WITH DEATH'

XXIV. 'FRUITS FAIL AND LOVE DIES AND TIME RANGES'

XXV. 'MY SEED WAS YOUTH, MY CROP WAS ENDLESS CARE'

XXVI. 'AND, IF I DIE, NO SOUL WILL PITY ME'

XXVII. JOHN JARDINE SOLVES THE MYSTERY

XXVIII. AN ENGLISHMAN'S HOUSE IS HIS CASTLE

XXIX. 'AS ONE DEAD IN THE BOTTOM OF A TOMB'

XXX. A FIERY DAWN

XXXI. 'SOLE PARTNER AND SOLE PART OF ALL THESE JOYS'




THE GOLDEN CALF




CHAPTER I.


THE ARTICLED PUPIL.

'Where is Miss Palliser?' inquired Miss Pew, in that awful voice of hers,
at which the class-room trembled, as at unexpected thunder. A murmur ran
along the desks, from girl to girl, and then some one, near that end of
the long room which was sacred to Miss Pew and her lieutenants, said that
Miss Palliser was not in the class-room.

'I think she is taking her music lesson, ma'am,' faltered the girl who
had ventured diffidently to impart this information to the
schoolmistress.

'Think?' exclaimed Miss Pew, in her stentorian voice. 'How can you think
about an absolute fact? Either she is taking her lesson, or she is not
taking her lesson. There is no room for thought. Let Miss Palliser be
sent for this moment.'

At this command, as at the behest of the Homeric Jove himself, half a
dozen Irises started up to carry the ruler's message; but again Miss
Pew's mighty tones resounded in the echoing class-room.

'I don't want twenty girls to carry one message. Let Miss Rylance go.'

There was a grim smile on the principal's coarsely-featured countenance
as she gave this order. Miss Rylance was not one of the six who had
started up to do the schoolmistress's bidding. She was a young lady who
considered her mission in life anything rather than to carry a message--a
young lady who thought herself quite the most refined and elegant thing
at Mauleverer Manor, and so entirely superior to her surroundings as to
be absolved from the necessity of being obliging. But Miss Pew's voice,
when fortified by anger, was too much even for Miss Rylance's calm sense
of her own merits, and she rose at the lady's bidding, laid down her
ivory penholder on the neatly written exercise, and walked out of the
room quietly, with the slow and stately deportment imparted by a long
course of instruction from Madame Rigolette, the fashionable
dancing-mistress.

'Rylance won't much like being sent on a message,' whispered Miss
Cobb, the Kentish brewer's daughter, to Miss Mullins, the Northampton
carriage-builder's heiress.

'And old Pew delights in taking her down a peg,' said Miss Cobb, who was
short, plump, and ruddy, a picture of rude health and unrefined good
looks--a girl who bore 'beer' written in unmistakable characters across
her forehead, Miss Rylance had observed to her own particular circle. 'I
will say that for the old lady,' added Miss Cobb, 'she never cottons to
stuckupishness.'

Vulgarity of speech is the peculiar delight of a schoolgirl off duty. She
spends so much of her life under the all-pervading eye of authority, she
is so drilled, and lectured, and ruled and regulated, that, when the eye
of authority is off her, she seems naturally to degenerate into licence.
No speech so interwoven with slang as the speech of a schoolgirl--except
that of a schoolboy.

There came a sudden hush upon the class-room after Miss Rylance had
departed on her errand. It was a sultry afternoon in late June, and the
four rows of girls seated at the two long desks in the long bare room,
with its four tall windows facing a hot blue sky, felt almost as
exhausted by the heat as if they had been placed under an air-pump. Miss
Pew had a horror of draughts, so the upper sashes were only lowered a
couple of inches, to let out the used atmosphere. There was no chance of
a gentle west wind blowing in to ruffle the loose hair upon the foreheads
of those weary students.

Thursday afternoons were devoted to the study of German. The sandy-haired
young woman at the end of the room furthest from Miss Pew's throne was
Fraeulein Wolf, from Frankfort, and it was Fraeulein Wolf's mission to go
on eternally explaining the difficulties of her native language to the
pupils at Mauleverer Manor, and to correct those interesting exercises of
Ollendorff's which ascend from the primitive simplicity of golden
candlesticks and bakers' dogs, to the loftiest themes in romantic
literature.

For five minutes there was no sound save the scratching of pens, and the
placid voice of the Fraeulein demonstrating to Miss Mullins that in an
exercise of twenty lines, ten words out of every twenty were wrong, and
then the door was opened suddenly--not at all in the manner so carefully
instilled by the teacher of deportment. It was flung back, rather, as if
with an angry hand, and a young woman, taller than the generality of her
sex, walked quickly up the room to Miss Pew's desk, and stood before that
bar of justice, with head erect, and dark flashing eyes, the incarnation
of defiance.

_'Was fuer ein Maedchen.'_ muttered the Fraeulein, blinking at that distant
figure, with her pale gray-green eyes.

Miss Pew pretended not to see the challenge in the girl's angry eyes. She
turned to her subordinate, Miss Pillby, the useful drudge who did a
little indifferent teaching in English grammar and geography, looked
after the younger girls' wardrobes, and toadied the mistress of the
house.

'Miss Pillby, will you be kind enough to show Ida Palliser the state of
her desk?' asked Miss Pew, with awe-inspiring politeness.

'She needn't do anything of the kind, 'said Ida coolly. 'I know the state
of my desk quite as well as she does. I daresay it's untidy. I haven't
had time to put things straight.'

'Untidy!' exclaimed Miss Pew, in her appalling baritone; 'untidy is not
the word. It's degrading. Miss Pillby, be good enough to call over the
various articles which you have found in Ida Palliser's desk.'

Miss Pillby rose to do her employer's bidding. She was a dull piece of
human machinery to which the idea of resistance to authority was
impossible. There was no dirty work she would not have done meekly,
willingly even, at Miss Pew's bidding. The girls were never tired of
expatiating upon Miss Pillby's meanness; but the lady herself did not
even know that she was mean. She had been born so.

She went to the locker, lifted the wooden lid, and proceeded in a flat,
drawling voice to call over the items which she found in that receptacle.

'A novel, "The Children of the Abbey," without a cover.'

'Ah!' sighed Miss Pew.

'One stocking with a rusty darning-needle sticking in it. Five apples,
two mouldy. A square of hardbake. An old neck-ribbon. An odd cuff. Seven
letters. A knife, with the blade broken. A bundle of pen-and-ink--well, I
suppose they are meant for sketches.'

'Hand them over to me,' commanded Miss Pew.

She had seen some of Ida Palliser's pen-and-ink sketches before
to-day--had seen herself represented in every ridiculous guise and
attitude by that young person's facile pen. Her large cheeks reddened in
anticipation of her pupil's insolence. She took the sheaf of crumpled
paper and thrust it hastily into her pocket.

A ripple of laughter swept over Miss Palliser's resolute face; but she
said not a word.

'Half a New Testament--the margins shamefully scribbled over,' pursued
Miss Pillby, with implacable monotony. 'Three Brazil nuts. A piece of
slate-pencil. The photograph of a little boy--'

'My brother,' cried Ida hastily. 'I hope you are not going to confiscate
that, Miss Pew, as you have confiscated my sketches.'

'It would be no more than you deserve if I were to burn everything in
your locker, Miss Palliser,' said the schoolmistress.

'Burn everything except my brother's portrait. I might never get another.
Papa is so thoughtless. Oh, please, Miss Pillby, give me back the photo.'

'Give her the photograph,' said Miss Pew, who was not all inhuman,
although she kept a school, a hardening process which is supposed to
deaden the instincts of womanhood. 'And now, pray, Miss Palliser, what
excuse have you to offer for your untidiness?'

'None,' said Ida, 'except that I have no time to be tidy. You can't
expect tidiness from a drudge like me.'

And with this cool retort Miss Palliser turned her back upon her mistress
and left the room.

'Did you ever see such cheek?' murmured the irrepressible Miss Cobb to
her neighbour.

'She can afford to be cheeky,' retorted the neighbour. 'She has nothing
to lose. Old Pew couldn't possibly treat her any worse than she does. If
she did, it would be a police case.'

When Ida Palliser was in the little lobby outside the class room, she
took the little boy's photograph from her pocket, and kissed it
passionately. Then she ran upstairs to a small room on the landing, where
there was nothing but emptiness and a worn-out old square piano, and sat
down for her hour's practice. She was always told off to the worst pianos
in the house. She took out a book of five-finger exercises, by a Leipsic
professor, placed it on the desk, and then, just as she was beginning to
play, her whole frame was shaken like a bulrush in a sudden gust of wind;
she let her head fall forward on the desk, and burst into tears, hot,
passionate tears, that came like a flood, in spite of her determination
not to cry.

What was the matter with Ida Palliser? Not much, perhaps. Only poverty,
and poverty's natural corollary, a lack of friends. She was the
handsomest girl in the school, and one of the cleverest--clever in an
exceptional way, which claimed admiration even from the coldest. She
occupied the anomalous position of a pupil teacher, or an articled pupil.
Her father, a military man, living abroad on his half pay, with a young
second wife, and a five-year old son, had paid Miss Pew a lump sum of
fifty pounds, and for those fifty pounds Miss Pew had agreed to maintain
and educate Ida Palliser during the space of three years, to give her the
benefit of instruction from the masters who attended the school, and to
befit her for the brilliant and lucrative career of governess in a
gentleman's family. As a set-off against these advantages, Miss Pew had
full liberty to exact what services she pleased from Miss Palliser,
stopping short, as Miss Green had suggested, of a police case.

Miss Pew had not shown herself narrow in her ideas of the articled
pupil's capacity. It was her theory that no amount of intellectual
labour, including some manual duties in the way of assisting in the
lavatory on tub-nights, washing hair-brushes, and mending clothes, could
be too much for a healthy young woman of nineteen. She always talked of
Ida as a young woman. The other pupils of the same age she called girls;
but of Ida she spoke uncompromisingly as a 'young woman.'

'Oh, how I hate them all!' said Ida, in the midst of her sobs. 'I hate
everybody, myself most of all!'

Then she pulled herself together with an effort, dried her tears
hurriedly, and began her five-finger exercises, _tum, tum, tum,_ with the
little finger, all the other fingers pinned resolutely down upon the
keys.

'I wonder whether, if I had been ugly and stupid, they would have been a
little more merciful to me?' she said to herself.

Miss Palliser's ability had been a disadvantage to her at Mauleverer
Manor. When Miss Pew discovered that the girl had a knack of teaching she
enlarged her sphere of tuition, and from taking the lowest class only, as
former articled pupils had done, Miss Palliser was allowed to preside
over the second and third classes, and thereby saved her employers forty
pounds a year.

To teach two classes, each consisting of from fifteen to twenty girls,
was in itself no trifling labour. But besides this Ida had to give music
lessons to that lowest class which she had ceased to instruct in English
and French, and whose studies were now conducted by Miss Pillby. She had
her own studies, and she was eager to improve herself, for that career of
governess in a gentleman's family was the only future open to her. She
used to read the advertisements in the governess column of the _Times_
supplement, and it comforted her to see that an all-accomplished teacher
demanded from eighty to a hundred a year for her services. A hundred a
year was Ida's idea of illimitable wealth. How much she might do with
such a sum! She could dress herself handsomely, she could save enough
money for a summer holiday in Normandy with her neglectful father and her
weak little vulgar step-mother, and the half-brother, whom she loved
better than anyone else in the world.

The thought of this avenue to fortune gave her fortitude. She braced
herself up, and set herself valourously to unriddle the perplexities of a
nocturne by Chopin.

'After all I have only to work on steadily,' she told herself; 'there
will come an end to my slavery.'

Presently she began to laugh to herself softly:

'I wonder whether old Pew has looked at my caricatures,' she thought,
'and whether she'll treat me any worse on account of them?'

She finished her hour's practice, put her music back into her portfolio,
which lived in an ancient canterbury under the ancient piano, and went to
the room where she slept, in company with seven other spirits, as
mischievous and altogether evilly disposed as her own.

Mauleverer Manor had not been built for a school, or it would hardly have
been called a manor. There were none of those bleak, bare dormitories,
specially planned for the accommodation of thirty sleepers--none of those
barrack-like rooms which strike desolation to the soul. With the
exception of the large classroom which had been added at one end of the
house, the manor was very much as it had been in the days of the
Mauleverers, a race now as extinct as the Dodo. It was a roomy, rambling
old house of the time of the Stuarts, and bore the date of its erection
in many unmistakable peculiarities. There were fine rooms on the ground
floor, with handsome chimney-pieces and oak panelling. There were small
low rooms above, curious old passages, turns and twists, a short flight
of steps here, and another flight there, various levels, irregularities
of all kinds, and, in the opinion of every servant who had ever lived in
the house, an unimpeachable ghost. All Miss Pew's young ladies believed
firmly in that ghost; and there was a legend of a frizzy-haired girl
from Barbados who had seen the ghost, and had incontinently gone out
of one epileptic fit into another, until her father had come in a
fly--presumably from Barbados--and carried her away for ever, epileptic
to the last.

Nobody at present located at Mauleverer Manor remembered that young lady
from Barbados, nor had any of the existing pupils ever seen the ghost.
But the general faith in him was unshaken. He was described as an elderly
man in a snuff-coloured, square-cut coat, knee-breeches, and silk
stockings rolled up over his knees. He was supposed to be one of the
extinct Mauleverers; harmless and even benevolently disposed; given
to plucking flowers in the garden at dusk; and to gliding along
passages, and loitering on the stairs in a somewhat inane manner. The
bolder-spirited among the girls would have given a twelve-month's
pocket money to see him. Miss Pillby declared that the sight of that
snuff-coloured stranger would be her death.

'I've a weak 'art, you know,' said Miss Pillby, who was not mistress
of her aspirates,--she managed them sometimes, but they often evaded
her,--'the doctor said so when I was quite a little thing.'

'Were you ever a little thing, Pillby?' asked Miss Rylance with superb
disdain, the present Pillby being long and gaunt.

And the group of listeners laughed, with that frank laughter of school
girls keenly alive to the ridiculous in other people. There was as much
difference in the standing of the various bedrooms at Mauleverer Manor as
in that of the London squares, but in this case it was the inhabitants
who gave character to the locality. The five-bedded room off the front
landing was occupied by the stiffest and best behaved of the first
division, and might be ranked with Grosvenor Square or Lancaster Gate.
There were rooms on the second floor where girls of the second and third
division herded in inelegant obscurity, the Bloomsbury and Camden Town
of the mansion. On this story, too, slept the rabble of girls under
twelve--creatures utterly despicable in the minds of girls in their
teens, and the rooms they inhabited ranked as low as St. Giles's.

Ida Palliser was fortunate enough to have a bed in the butterfly-room, so
called on account of a gaudy wall paper, whereon Camberwell Beauties
disported themselves among roses and lilies in a strictly conventional
style of art. The butterfly-room was the most fashionable and altogether
popular dormitory at the Manor. It was the May Fair--a district not
without a shade of Bohemianism, a certain fastness of tone. The wildest
girls in the school were to be found in the butterfly-room.

It was a pleasant enough room in itself, even apart from its association
with pleasant people. The bow window looked out upon the garden and
across the garden to the Thames, which at this point took a wide curve
between banks shaded by old pollard willows. The landscape was purely
pastoral. Beyond the level meadows came an undulating line of low hill
and woodland, with here and there a village spire dark against the blue.

Mauleverer Manor lay midway between Hampton and Chertsey, in a land of
meadows and gardens which the speculating builder had not yet invaded.

The butterfly-room was furnished a little better than the common run of
boarding-school bedchambers. Miss Pew had taken a good deal of the
Mauleverer furniture at a valuation when she bought the old house; and
the Mauleverer furniture being of a _rococo_ and exploded style, the
valuation had been ridiculously low. Thus it happened that a big wainscot
wardrobe, with doors substantial enough for a church, projected its
enormous bulk upon one side of the butterfly-room, while a tall narrow
cheval glass stood in front of a window. That cheval was the glory of the
butterfly-room. The girls could see how their skirts hung, and if the
backs of their dresses fitted. On Sunday mornings there used to be an
incursion of outsiders, eager to test the effect of their Sabbath
bonnets, and the sets of their jackets, by the cheval.

And now Ida Palliser came into the butterfly-room, yawning wearily, to
brush herself up a little before tea, knowing that Miss Pew and her
younger sister, Miss Dulcibella--who devoted herself to dress and the
amenities of life generally--would scrutinize her with eyes only too
ready to see anything amiss.

The butterfly-room was not empty. Miss Rylance was plaiting her long
flaxen hair in front of the toilet table, and another girl, a plump
little sixteen-year-old, with nut-brown hair, and a fresh complexion, was
advancing and retiring before the cheval, studying the effect of a
cherry-coloured neck-ribbon with a gray gown.

'Cherry's a lovely colour in the abstract,' said this damsel, 'but it
reminds one too dreadfully of barmaids.'

'Did you ever see a barmaid?' asked Miss Rylance, languidly, slowly
winding the long flaxen plait into a shining knob at the back of her
head, and contemplating her reflection placidly with large calm blue eyes
which saw no fault in the face they belonged to.

With features so correctly modelled, and a complexion so delicately
tinted, Miss Rylance ought to have been lovely. But she had escaped
loveliness by a long way. There was something wanting, and that something
was very big.

'Good gracious, yes; I've seen dozens of barmaids,' answered Bessie
Wendover, with her frank voice. 'Do you suppose I've never been into an
hotel, or even into a tavern? When I go for a long drive with papa he
generally wants brandy and soda, and that's how I get taken into the bar
and introduced to the barmaid.'

'When you say introduced, of course you don't mean it,' said Miss
Rylance, fastening her brooch. 'Calling things by their wrong names is
your idea of wit.'

'I would rather have a mistaken idea of wit than none at all,' retorted
Miss Wendover, and then she pirouetted on the tips of her toes, and
surveyed her image in the glass from head to foot, with an aggravated
air. 'I hope I'm not vulgar-looking, but I'm rather afraid I am,' she
said. 'What's the good of belonging to an old Saxon family if one has a
thick waist and large hands?'

'What's the good of anything at Mauleverer Manor?' asked Ida, coming into
the room, and seating herself on the ground with a dejected air.

Bessie Wendover ran across the room and sat down beside her.

'So you were in for it again this afternoon, you poor dear thing,' she
murmured, in a cooing voice. 'I wish I had been there. It would have been
"Up, guards, and at 'em!" if I had. I'm sure I should have said something
cheeky to old Pew. The idea of overhauling your locker! I should just
like her to see the inside of mine. It would make her blood run cold.'

'Ah!' sighed Ida, 'she can't afford to make an example of you. You mean a
hundred and fifty pounds a year. I am of no more account in her eyes than
an artist's lay figure, which is put away in a dark closet when it isn't
in use. She wanted to give you girls a lesson in tidiness, so she put me
into her pillory. Fortunately I'm used to the pillory.'

'But you are looking white and worried, you dear lovely thing,' exclaimed
Bessie, who was Ida Palliser's bosom friend. 'It's too bad the way they
use you. Have this neck-ribbon,' suddenly untying the bow so carefully
elaborated five minutes ago. 'You must, you shall; I don't want it; I
hate it. Do, dear.'

And for consolation Miss Wendover tied the cherry-coloured ribbon under
her friend's collar, patted Ida's pale cheeks, and kissed and hugged her.

'Be happy, darling, do,' she said, in her loving half-childish way, while
Miss Rylance looked on with ineffable contempt. 'You are so clever and so
beautiful; you were born to be happy.'

'Do you think so, pet?' asked Ida, with cold scorn; 'then I ought to have
been born with a little more money.'

'What does money matter?' cried Bessie.

'Not very much to a girl like you, who has never known the want of it.'

'That's not true, darling. I never go home for the holidays that I don't
hear father grumble about his poverty. The rents are so slow to come in;
the tenants are always wanting drain-pipes and barns and things. Last
Christmas his howls were awful. We are positive paupers. Mother has to
wait ages for a cheque.'

'Ah, my pet, that's a very different kind of poverty from mine. You have
never known what it is to have only three pairs of wearable stockings.'

Bessie looked as if she were going to cry.

'If you were not so disgustingly proud, you horrid thing, you need never
feel the want of stockings,' she said discontentedly.

'If it were not for what you call my disgusting pride, I should
degenerate into that loathsome animal a sponge,' said Ida, rising
suddenly from her dejected attitude, and standing up before her admiring
little friend,

'A daughter of the gods, divinely tall And most divinely fair.'

That fatal dower of beauty had been given to Ida Palliser in fullest
measure. She had the form of a goddess, a head proudly set upon shoulders
that were sloping but not narrow, the walk of a Moorish girl, accustomed
to carrying a water-jug on her head, eyes dark as night, hair of a deep
warm brown rippling naturally across her broad forehead, a complexion
of creamiest white and richest carnation. These were but the sensual
parts of beauty which can be catalogued. But it was in the glorious
light and variety of expression that Ida shone above all compeers. It
was by the intellectual part of her beauty that she commanded the
admiration--enthusiastic in some cases, in others grudging and
unwilling--of her schoolfellows, and reigned by right divine, despite her
shabby gowns and her cheap ready-made boots, the belle of the school.

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