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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Prairie Folks

H >> Hamlin Garland >> Prairie Folks

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The old man at the table knitted his eyebrows, and a distorted,
quivering, ghastly smile broke out on his face. His chest heaved; then
he burst forth:

"Gal, yank them gloves off, an' git me something to eat--breakfus 'r
dinner, I don't care which. Lime, you infernal idiot, git out there and
gear up them horses. What in thunder you foolun' around about hyere in
seed'n'? Come, hustle, all o' ye!"

And then they shouted in laughter, while the cause of it all strode
unsteadily but resolutely out toward the barn, followed by the
bridegroom, who was laughing--silently.

-----------------------------------------------------------------------




PART IV.

SIM BURNS'S WIFE: A PRAIRIE HEROINE

A tale of toil that's never done I tell;
Of life where love's a fleeting wing
Above the woman's hopeless hell
Of ceaseless, year-round journeying.


SIM BURNS'S WIFE.

I.


Lucretia Burns had never been handsome, even in her days of early
girlhood, and now she was middle-aged, distorted with work and
child-bearing, and looking faded and worn as one of the boulders that
lay beside the pasture fence near where she sat milking a large white
cow.

She had no shawl or hat and no shoes, for it was still muddy in the
little yard, where the cattle stood patiently fighting the flies and
mosquitoes swarming into their skins, already wet with blood. The
evening was oppressive with its heat, and a ring of just-seen
thunder-heads gave premonitions of an approaching storm.

She rose from the cow's side at last, and, taking her pails of foaming
milk, staggered toward the gate. The two pails hung from her lean arms,
her bare feet slipped on the filthy ground, her greasy and faded calico
dress showed her tired, swollen ankles, and the mosquitoes swarmed
mercilessly on her neck and bedded themselves in her colorless hair.

The children were quarreling at the well, and the sound of blows could
be heard. Calves were querulously calling for their milk, and little
turkeys, lost in a tangle of grass, were piping plaintively.

The sun just setting struck through a long, low rift like a boy peeping
beneath the eaves of a huge roof. Its light brought out Lucretia's face
as she leaned her sallow forehead on the top bar of the gate and looked
toward the west.

It was a pitifully worn, almost tragic face--long, thin, sallow,
hollow-eyed. The mouth had long since lost the power to shape itself
into a kiss, and had a droop at the corners which seemed to announce a
breaking-down at any moment into a despairing wail. The collarless neck
and sharp shoulders showed painfully.

She felt vaguely that the night was beautiful. The setting sun, the
noise of frogs, the nocturnal insects beginning to pipe--all in some way
called her girlhood back to her, though there was little in her girlhood
to give her pleasure. Her large gray eyes grew round, deep and wistful
as she saw the illimitable craggy clouds grow crimson, roll slowly up,
and fire at the top. A childish scream recalled her.

"Oh, my soul!" she half groaned, half swore, as she lifted her milk and
hurried to the well. Arriving there, she cuffed the children right and
left with, all her remaining strength, saying in justification:

"My soul! can't you--you young 'uns give me a minute's peace? Land
knows, I'm almost gone up; washin', an' milkin' six cows, and tendin'
you, and cookin' f'r _him_, ought 'o be enough f'r one day! Sadie, you
let him drink now 'r I'll slap your head off, you hateful thing! Why
can't you behave, when you know I'm jest about dead?" She was weeping
now, with nervous weakness. "Where's y'r pa?" she asked after a moment,
wiping her eyes with her apron.

One of the group, the one cuffed last, sniffed out, in rage and grief:

"He's in the cornfield; where'd ye s'pose he was?"

"Good land! why don't the man work all night? Sile, you put that dipper
in that milk agin, an' I'll whack you till your head'll swim! Sadie, le'
go Pet, an' go 'n get them turkeys out of the grass 'fore it gits dark!
Bob, you go tell y'r dad if he wants the rest o' them cows milked he's
got 'o do it himself. I jest can't, and what's more, I _won't_," she
ended, rebelliously.

Having strained the milk and fed the children, she took some skimmed
milk from the cans and started to feed the calves bawling strenuously
behind the barn. The eager and unruly brutes pushed and struggled to get
into the pails all at once, and in consequence spilt nearly all of the
milk on the ground. This was the last trial; the woman fell down on the
damp grass and moaned and sobbed like a crazed thing. The children came
to seek her and stood around like little partridges, looking at her in
scared silence, till at last the little one began to wail. Then the
mother rose wearily to her feet, and walked slowly back toward the
house.

She heard Burns threshing his team at the well, with the sound of oaths.
He was tired, hungry and ill-tempered, but she was too desperate to
care. His poor, overworked team did not move quickly enough for him, and
his extra long turn in the corn had made him dangerous. His eyes gleamed
wrathfully from his dust-laid face.

"Supper ready?" he growled.

"Yes, two hours ago."

"Well, I can't help it!" he said, understanding her reproach. "That
devilish corn is gettin' too tall to plow again, and I've got 'o go
through it to-morrow or not at all. Cows milked?"

"Part of 'em."

"How many left?"

"Three."

"Hell! Which three?"

"Spot, and Brin, and Cherry."

"_Of_ course, left the three worst ones. I'll be damned if I milk a cow
to-night. I don't see why you play out jest the nights I need ye most."
Here he kicked a child out of the way. "Git out o' that! Hain't you got
no sense? I'll learn ye"----

"Stop that, Sim Burns," cried the woman, snatching up the child. "You're
a reg'lar ol' hyeny,--that's what you are," she added defiantly, roused
at last from her lethargy.

"You're a--beauty, that's what _you_ are," he said, pitilessly. "Keep
your brats out f'um under my feet." And he strode off to a barn after
his team, leaving her with a fierce hate in her heart. She heard him
yelling at his team in their stalls: "Git around there, damn yeh."

The children had had their supper; so she took them to bed. She was
unusually tender to them, for she wanted to make up in some way for her
previous harshness. The ferocity of her husband had shown up her own
petulant temper hideously, and she sat and sobbed in the darkness a long
time beside the cradle where little Pet slept.

She heard Burns come growling in and tramp about, but she did not rise.
The supper was on the table; he could wait on himself. There was an
awful feeling at her heart as she sat there and the house grew quiet.
She thought of suicide in a vague way; of somehow taking her children in
her arms and sinking into a lake somewhere, where she would never more
be troubled, where she could sleep forever, without toil or hunger.

Then she thought of the little turkeys wandering in the grass, of the
children sleeping at last, of the quiet, wonderful stars. Then she
thought of the cows left unmilked, and listened to them stirring
uneasily in the yard. She rose, at last, and stole forth. She could not
rid herself of the thought that they would suffer. She knew what the
dull ache in the full breasts of a mother was, and she could not let
them stand at the bars all night moaning for relief.

The mosquitoes had gone, but the frogs and katydids still sang, while
over in the west Venus shone. She was a long time milking the cows; her
hands were so tired she had often to stop and rest them, while the tears
fell unheeded into the pail. She saw and felt little of the external as
she sat there. She thought in vague retrospect of how sweet it seemed
the first time Sim came to see her; of the many rides to town with him
when he was an accepted lover; of the few things he had given her--a
coral breastpin and a ring.

She felt no shame at her present miserable appearance; she was past
personal pride. She hardly felt as if the tall, strong girl, attractive
with health and hope, could be the same soul as the woman who now sat in
utter despair listening to the heavy breathing of the happy cows,
grateful for the relief from their burden of milk.

She contrasted her lot with that of two or three women that she knew
(not a very high standard), who kept hired help, and who had fine houses
of four or five rooms. Even the neighbors were better off than she, for
they didn't have such quarrels. But she wasn't to blame--Sim didn't----
Then her mind changed to a dull resentment against "things." Everything
seemed against her.

She rose at last and carried her second load of milk to the well,
strained it, washed out the pails, and, after bathing her tired feet in
a tub that stood there, she put on a pair of horrible shoes, without
stockings, and crept stealthily into the house. Sim did not hear her as
she slipped up the stairs to the little low, unfinished chamber beside
her oldest children. She could not bear to sleep near _him_ that
night,--she wanted a chance to sob herself to quiet.

As for Sim, he was a little disturbed, but would as soon have cut off
his head as acknowledge himself in the wrong. As he went to bed, and
found her still away, he yelled up the stairway:

"Say, o' woman, ain't ye comin' to bed?" Upon receiving no answer he
rolled his aching body into the creaking bed. "Do as y' damn please
about it. If y' want to sulk y' can." And in such wise the family grew
quiet in sleep, while the moist, warm air pulsed with the ceaseless
chime of the crickets.




II.


When Sim Burns woke the next morning he felt a sharper twinge of
remorse. It was not a broad or well-defined feeling--just a sense that
ho had been unduly irritable, not that on the whole he was not in the
right. Little Pet lay with the warm June sunshine filling his baby eyes,
curiously content in striking at flies that buzzed around his little
mouth.

The man thrust his dirty, naked feet into his huge boots, and, without
washing his face or combing his hair, went out to the barn to do his
chores.

He was a type of the average prairie farmer, and his whole surrounding
was typical of the time. He had a quarter-section of fine level land,
bought with incredible toil, but his house was a little box-like
structure, costing, perhaps, five hundred dollars. It had three rooms
and the ever-present summer kitchen attached to the back. It was
unpainted and had no touch of beauty--a mere box.

His stable was built of slabs and banked and covered with straw. It
looked like a den, was low and long, and had but one door in the end.
The cow-yard held ten or fifteen cattle of various kinds, while a few
calves were bawling from a pen near by. Behind the barn, on the west and
north, was a fringe of willows forming a "wind-break." A few broken and
discouraged fruit trees standing here and there among the weeds formed
the garden. In short, he was spoken of by his neighbors as "a
hard-working cuss, and tol'ably well fixed."

No grace had come or ever could come into his life. Back of him were
generations of men like himself, whose main business had been to work
hard, live miserably, and beget children to take their places when they
died.

His courtship had been delayed so long on account of poverty that it
brought little of humanizing emotion into his life. He never mentioned
his love-life now, or if he did, it was only to sneer obscenely at it.
He had long since ceased to kiss his wife or even speak kindly to her.
There was no longer any sanctity to life or love. He chewed tobacco and
toiled on from year to year without any very clearly defined idea of the
future. His life was mainly regulated from without.

He was tall, dark and strong, in a flat-chested, slouching sort of way,
and had grown neglectful of even decency in his dress. He wore the
American farmer's customary outfit of rough brown pants, hickory shirt
and greasy wool hat. It differed from his neighbors' mainly in being a
little dirtier and more ragged. His grimy hands were broad and strong as
the clutch of a bear, and he was a "terrible feller to turn off work,"
as Councill said. "I 'druther have Sim Burns work for me one day than
some men three. He's a linger." He worked with unusual speed this
morning, and ended by milking all the cows himself as a sort of savage
penance for his misdeeds the previous evening, muttering in
self-defense:

"Seems 's if ever' cussid thing piles on to me at once. That corn, the
road-tax, and hayin' comin' on, and now _she_ gits her back up"----

When he went back to the well he sloshed himself thoroughly in the
horse-trough and went to the house. He found breakfast ready, but his
wife was not in sight. The older children were clamoring around the
uninviting breakfast table, spread with cheap ware and with boiled
potatoes and fried salt pork as the principal dishes.

"Where's y'r ma?" he asked, with a threatening note in his voice, as he
sat down by the table.

"She's in the bedroom."

He rose and pushed open the door. The mother sat with the babe in her
lap, looking out of the window down across the superb field of timothy,
moving like a lake of purple water. She did not look around. She only
grew rigid. Her thin neck throbbed with the pulsing of blood to her
head.

"What's got into you _now_?" he said, brutally. "Don't be a fool. Come
out and eat breakfast with me, an' take care o' y'r young ones."

She neither moved nor made a sound. With an oath he turned on his heel
and went out to the table. Eating his breakfast in his usual wolfish
fashion, he went out into the hot sun with his team and riding-plow, not
a little disturbed by this new phase of his wife's "cantankerousness."
He plowed steadily and sullenly all the forenoon, in the terrific heat
and dust. The air was full of tempestuous threats, still and sultry, one
of those days when work is a punishment. When he came in at noon he
found things the same--dinner on the table, but his wife out in the
garden with the youngest child.

"I c'n stand it as long as _she_ can," he said to himself, in the
hearing of the children, as he pushed back from the table and went back
to work.

When he had finished the field of corn it was after sundown, and he came
up to the house, hot, dusty, his shirt wringing wet with sweat, and his
neck aching with the work of looking down all day at the corn-rows. His
mood was still stern. The multitudinous lift, and stir, and sheen of the
wide, green field had been lost upon him.

"I wonder if she's milked them cows," he muttered to himself. He gave a
sigh of relief to find she had. But she had done so not for his sake,
but for the sake of the poor, patient dumb brutes.

When he went to the bedroom after supper, he found that the cradle and
his wife's few little boxes and parcels--poor, pathetic properties!--had
been removed to the garret, which they called a chamber, and he knew he
was to sleep alone again.

"She'll git over it, I guess." He was very tired, but he didn't feel
quite comfortable enough to sleep. The air was oppressive. His shirt,
wet in places, and stiff with dust in other places, oppressed him more
than usual; so he rose and removed it, getting a clean one out of a
drawer. This was an unusual thing for him, for he usually slept in the
same shirt which he wore in his day's work; but it was Saturday night,
and he felt justified in the extravagance.

In the meanwhile poor Lucretia was brooding over her life in a most
dangerous fashion. All she had done and suffered for Simeon Burns came
back to her till she wondered how she had endured it all. All day long
in the midst of the glorious summer landscape she brooded.

"I hate him," she thought, with a fierce blazing up through the murk of
her musing. "I hate t' live. But they ain't no hope. I'm tied down. I
can't leave the children, and I ain't got no money. I couldn't make a
living out in the world. I ain't never seen anything an' don't know
anything."

She was too simple and too unknowing to speculate on the loss of her
beauty, which would have brought her competency once--if sold in the
right market. As she lay in her little attic bed, she was still sullenly
thinking, wearily thinking of her life. She thought of a poor old horse
which Sim had bought once, years before, and put to the plough when it
was too old and weak to work. She could see her again as in a vision,
that poor old mare, with sad head drooping, toiling, toiling, till at
last she could no longer move, and lying down under the harness in the
furrow, groaned under the whip--and died.

Then she wondered if her own numbness and despair meant death, and she
held her breath to think harder upon it. She concluded at last, grimly,
that she didn't care--only for the children.

The air was frightfully close in the little attic, and she heard the low
mutter of the rising storm in the west. She forgot her troubles a
little, listening to the far-off gigantic footsteps of the tempest.

_Boom, boom, boom_, it broke nearer and nearer, as if a vast cordon of
cannon was being drawn around the horizon. Yet she was conscious only of
pleasure. She had no fear. At last came the sweep of cool, fragrant
storm-wind, a short and sudden dash of rain, and then, in the cool,
sweet hush which followed, the worn and weary woman fell into a deep
sleep.




III.


When she woke the younger children were playing about on the floor in
their night-clothes, and little Pet was sitting in a square of sunshine,
intent on one of his shoes. He was too young to know how poor and
squalid his surroundings were--the patch of sunshine flung on the floor
glorified it all. He--little animal--was happy.

The poor of the Western prairies lie almost as unhealthily close
together as do the poor of the city tenements. In the small hut of the
peasant there is as little chance to escape close and tainting contact
as in the coops and dens of the North End of proud Boston. In the midst
of oceans of land, floods of sunshine and gulfs of verdure, the farmer
lives in two or three small rooms. Poverty's eternal cordon is ever
round the poor.

"Ma, why didn't you sleep with Pap last night?" asked Bob, the
seven-year-old, when he saw she was awake at last. She flushed a dull
red.

"You hush, will yeh? Because--I--it was too warm--and there was a storm
comin'. You never mind askin' such questions. Is he gone out?"

"Yup. I heerd him callin' the pigs. It's Sunday, ain't it, ma?"

The fact seemed to startle her.

"Why, yes, so it is! Wal! Now, Sadie, you jump up an' dress quick 's
y'can, an' Bob an' Sile, you run down an' bring s'm' water," she
commanded, in nervous haste, beginning to dress. In the middle of the
room there was scarce space to stand beneath the rafters.

When Sim came in for his breakfast he found it on the table, but his
wife was absent.

"Where's y'r ma?" he asked, with a little less of the growl in his
voice.

"She's upstairs with Pet."

The man ate his breakfast in dead silence, till at last Bob ventured to
say:

"What makes ma ac' so?"

"Shut up!" was the brutal reply. The children began to take sides with
the mother--all but the oldest girl, who was ten years old. To her the
father turned now for certain things to be done, treating her in his
rough fashion as a housekeeper, and the girl felt flattered and docile
accordingly.

They wore pitiably clad; like many farm-children, indeed, they could
hardly be said to be clad at all. Sadie had on but two garments, a sort
of undershirt of cotton and a faded calico dress, out of which her bare,
yellow little legs protruded, lamentably dirty and covered with
scratches.

The boys also had two garments, a hickory shirt and a pair of pants like
their father's, made out of brown-denims by the mother's never-resting
hands--hands that in sleep still sewed, and skimmed, and baked, and
churned. The boys had gone to bed without washing their feet, which now
looked like toads, calloused, brown, and chapped.

Part of this the mother saw with her dull eyes as she came down, after
seeing the departure of Sim up the road with the cows. It was a
beautiful Sunday morning, and the woman might have sung like a bird if
men had been as kind to her as Nature. But she looked dully out upon the
seas of ripe grasses, tangled and flashing with dew, out of which the
bobolinks and larks sprang. The glorious winds brought her no melody, no
perfume, no respite from toil and care.

She thought of the children she saw in the town,--children of the
merchant and banker, clean as little dolls, the boys in knickerbocker
suits, the girls in dainty white dresses,--and a vengeful bitterness
sprang up in her heart. She soon put the dishes away, but felt too tired
and listless to do more.

"Taw-bay-wies! Pet want ta-aw-bay-wies!" cried the little one, tugging
at her dress.

Listlessly, mechanically she took him in her arms, and went out into the
garden, which was fragrant and sweet with dew and sun. After picking
some berries for him, she sat down on the grass under the row of
cottonwoods, and sank into a kind of lethargy. A kingbird chattered and
shrieked overhead, the grasshoppers buzzed in the grasses, strange
insects with ventriloquistic voices sang all about her--she could not
tell where.

"Ma, can't I put on my clean dress?" insisted Sadie.

"I don't care," said the brooding woman, darkly. "Leave me alone."

Oh, if she could only lie here forever, escaping all pain and weariness!
The wind sang in her ears; the great clouds, beautiful as heavenly
ships, floated far above in the vast, dazzling deeps of blue sky; the
birds rustled and chirped around her; leaping insects buzzed and
clattered in the grass and in the vines and bushes. The goodness and
glory of God was in the very air, the bitterness and oppression of man
in every line of her face.

But her quiet was broken by Sadie, who came leaping like a fawn down
through the grass.

"O ma, Aunt Maria and Uncle William are coming. They've jest turned in."

"I don't care if they be!" she answered in the same dully-irritated way.
"What're they comin' here to-day for, I wan' to know." She stayed there
immovably, till Mrs. Councill came down to see her, piloted by two or
three of the children. Mrs. Councill, a jolly, large-framed woman,
smiled brightly, and greeted her in a loud, jovial voice. She made the
mistake of taking the whole matter lightly; her tone amounted to
ridicule.

"Sim says you've been having a tantrum, Creeshy. Don't know what for, he
says."

"He don't," said the wife, with a sullen flash in her eyes." _He_ don't
know why! Well, then, you just tell him what I say. I've lived in hell
long enough. I'm done. I've slaved here day in and day out f'r twelve
years without pay--not even a decent word. I've worked like no nigger
ever worked 'r could work and live. I've given him all I had, 'r ever
expect to have. I'm wore out. My strength is gone, my patience is gone.
I'm done with it--that's a _part_ of what's the matter."

"My sakes, Lucreeshy! You mustn't talk that way."

"But I _will_," said the woman, as she supported herself on one palm and
raised the other. "I've _got_ to talk that way." She was ripe for an
explosion like this. She seized upon it with eagerness. "They ain't no
use o' livin' this way, anyway. I'd take poison if it wa'n't f'r the
young ones."

"Lucreeshy Burns!"

"Oh, I mean it."

"Land sakes alive, I b'lieve you're goin' crazy!"

"I shouldn't wonder if I was. I've had enough t' drive an Indian crazy.
Now you jest go off an' leave me 'lone. I ain't no mind to visit--they
ain't no way out of it, an' I'm tired o' tryin' to _find_ a way. Go off
an' let me be."

Her tone was so bitterly hopeless that the great, jolly face of Mrs.
Councill stiffened into a look of horror such as she had not known for
years. The children, in two separate groups, could be heard rioting.
Bees were humming around the clover in the grass, and the kingbird
chattered ceaselessly from the Lombardy poplar tip. Both women felt all
this peace and beauty of the morning dimly, and it disturbed Mrs.
Councill because the other was so impassive under it all. At last, after
a long and thoughtful pause, Mrs. Councill asked a question whose answer
she knew would decide it all--asked it very kindly and softly:

"Creeshy, are you comin' in?"

"No," was the short and sullenly decisive answer. Mrs. Councill knew
that was the end, and so rose, with a sigh, and went away.

"Wal, good-by," she said, simply.

Looking back, she saw Lucretia lying at length, with closed eyes and
hollow cheeks. She seemed to be sleeping, half-buried in the grass. She
did not look up nor reply to her sister-in-law, whose life was one of
toil and trouble, also, but not so hard and helpless as Lucretia's. By
contrast with most of her neighbors, she seemed comfortable.

"Sim Burns, what you ben doin' to that woman?" she burst out, as she
waddled up to where the two men were sitting under a cottonwood tree,
talking and whittling after the manner of farmers.

"Nawthin' 's fur 's I know," answered Burns, not quite honestly, and
looking uneasy.

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