The Poems of Emma Lazarus, Vol.I, Narrative, Lyric, and Dramatic
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Emma Lazarus >> The Poems of Emma Lazarus, Vol.I, Narrative, Lyric, and Dramatic
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They sheltered me, not questioning the need
That led me to their cloistered solitude.
How rich, how freighted with pure influence,
With dear security of perfect peace,
Was the first day I passed within those walls!
The holy habit of perpetual prayer,
The gentle greetings, the rare temperate speech,
The chastening discipline, the atmosphere
Of settled and profound tranquillity,
Were even as living waters unto one
Who perisheth of thirst. Was this the world
That yesterday seemed one huge battlefield
For brutish passions? Could the soul of man
Withdraw so easily, and erect apart
Her own fair temple for her own high ends?
But this serene contentment slowly waned
As I discerned the broad disparity
Betwixt the form and spirit of the laws
That bound the order in strait brotherhood.
Yet when I sought to gain a larger love,
More rigid discipline, severer truth,
And more complete surrender of the soul
Unto her God, this was to my reproach,
And scoffs and gibes beset me on all sides.
In mine own cell I mortified my flesh,
I held aloof from all my brethren's feasts
To wrestle with my viewless enemies,
Till they should leave their blessing on my head;
For nightly was I haunted by that face,
White, bloodless, as I saw it 'midst the ferns,
Now staring out of darkness, and it held
Mine eyes from slumber and my brain from rest
And drove me from my straw to weep and pray.
Rebellious thoughts such subtle torture wrought
Upon my spirit that I lay day-long
In dumb despair, until the blessed hope
Of mercy dawned again upon my soul,
As gradual as the slow gold moon that mounts
The airy steps of heaven. My faith arose
With sure perception that disaster, wrong,
And every shadow of man's destiny
Are merely circumstance, and cannot touch
The soul's fine essence: they exist or die
Only as she affirms them or denies.
This faith sustain me even to the end:
It floods my heart with peace as surely now
As on that day the friars drove me forth,
Urging that my asceticism, too harsh,
Endured through pride, would bring into reproach
Their customs and their order. Then began
My exile in the mountains, where I bode
A hunted man. The elements conspired
Against me, and I was the seasons' sport,
Drenched, parched, and scorched and frozen alternately,
Burned with shrewd frosts, prostrated by fierce heats,
Shivering 'neath chilling dews and gusty rains,
And buffeted by all the winds of heaven.
Yet was this period my time of joy:
My daily thoughts perpetual converse held
With angels ministrant; mine ears were charmed
With sweet accordance of celestial sounds,
Song, harp and choir, clear ringing through the air.
And visions were revealed unto mine eyes
By night and day of Heaven's very courts,
In shadowless, undimmed magnificence.
I gave God thanks, not that He sheltered me,
And fed me as He feeds the fowls of air--
For had I perished, this too had been well--
But for the revelation of His truth,
The glory, the beatitude vouchsafed
To exalt, to heal, to quicken, to inspire;
So that the pinched, lean excommunicate
Was crowned with joy more solid, more secure,
Than all the comfort of the vales could bring.
Then the good Lord touched certain fervid hearts,
Aspiring toward His love, to come to me,
Timid and few at first; but as they heard
From mine own lips the precious oracles,
That soothed the trouble of their souls, appeased
Their spiritual hunger, and disclosed
All of the God within them to themselves,
They flocked about me, and they hailed me saint,
And sware to follow and to serve the good
Which my word published and my life declared.
Thus the lone hermit of the mountain-top
Descended leader of a band of saints,
And midway 'twixt the summit and the vale
I perched my convent. Yet I bated not
One whit of strict restraint and abstinence.
And they who love me and who serve the truth
Have learned to suffer with me, and have won
The supreme joy that is not of the flesh,
Foretasting the delights of Paradise.
This faith, to them imparted, will endure
After my tongue hath ceased to utter it,
And the great peace hath settled on my soul.
AFTERNOON.
Small, shapeless drifts of cloud
Sail slowly northward in the soft-hued sky,
With blur half-tints and rolling summits bright,
By the late sun caressed; slight hazes shroud
All things afar; shineth each leaf anigh
With its own warmth and light.
O'erblown by Southland airs,
The summer landscape basks in utter peace:
In lazy streams the lazy clouds are seen;
Low hills, broad meadows, and large, clear-cut squares
Of ripening corn-fields, rippled by the breeze,
With shifting shade and sheen.
Hark! and you may not hear
A sound less soothing than the rustle cool
Of swaying leaves, the steady wiry drone
Of unseen crickets, sudden chirpings clear
Of happy birds, the tinkle of the pool,
Chafed by a single stone.
What vague, delicious dreams,
Born of this golden hour of afternoon,
And air balm-freighted, fill the soul with bliss,
Transpierced like yonder clouds with lustrous gleams,
Fantastic, brief as they, and, like them, spun
Of gilded nothingness!
All things are well with her.
'T is good to be alive, to see the light
That plays upon the grass, to feel (and sigh
With perfect pleasure) the mild breezes stir
Among the garden roses, red and white,
With whiffs of fragrancy.
There is no troublous thought,
No painful memory, no grave regret,
To mar the sweet suggestions of the hour:
The soul, at peace, reflects the peace without,
Forgetting grief as sunset skies forget
The morning's transient shower.
PHANTASIES.
(After Robert Schumann).
I. Evening.
Rest, beauty, stillness: not a waif of a cloud
From gray-blue east sheer to the yellow west--
No film of mist the utmost slopes to shroud.
The earth lies grace, by quiet airs caressed,
And shepherdeth her shadows, but each stream,
Free to the sky, is by that glow possessed,
And traileth with the splendors of a dream
Athwart the dusky land. Uplift thine eyes!
Unbroken by a vapor or a gleam,
The vast clear reach of mild, wan twilight skies.
But look again, and lo, the evening star!
Against the pale tints black the slim elms rise,
The earth exhales sweet odors nigh and far,
And from the heavens fine influences fall.
Familiar things stand not for what they are:
What they suggest, foreshadow, or recall
The spirit is alert to apprehend,
Imparting somewhat of herself to all.
Labor and thought and care are at an end:
The soul is filled with gracious reveries,
And with her mood soft sounds and colors blend;
For simplest sounds ring forth like melodies
In this weird-lighted air--the monotone
Of some far bell, the distant farmyard cries,
A barking dog, the thin, persistent drone
Of crickets, and the lessening call of birds.
The apparition of yon star alone
Breaks on the sense like music. Beyond word
The peace that floods the soul, for night is here,
And Beauty still is guide and harbinger.
II. Aspiration.
Dark lies the earth, and bright with worlds the sky:
That soft, large, lustrous star, that first outshone,
Still holds us spelled with potent sorcery.
Dilating, shrinking, lightening, it hath won
Our spirit with its strange strong influence,
And sways it as the tides beneath the moon.
What impulse this, o'ermastering heart and sense?
Exalted, thrilled, the freed soul fain would soar
Unto that point of shining prominence,
Craving new fields and some unheard-of shore,
Yea, all the heavens, for her activity,
To mount with daring flight, to hover o'er
Low hills of earth, flat meadows, level sea,
And earthly joy and trouble. In this hour
Of waning light and sound, of mystery,
Of shadowed love and beauty-veiled power,
She feels her wings: she yearns to grasp her own,
Knowing the utmost good to be her dower.
A dream! a dream! for at a touch 't is gone.
O mocking spirit! thy mere fools are we,
Unto the depths from heights celestial thrown.
From these blind gropings toward reality,
This thirst for truth, this most pathetic need
Of something to uplift, to justify,
To help and comfort while we faint and bleed,
May we not draw, wrung from the last despair,
Some argument of hope, some blessed creed,
That we can trust the faith which whispers prayer,
The vanishings, the ecstasy, the gleam,
The nameless aspiration, and the dream?
III. Wherefore?
Deep languor overcometh mind and frame:
A listless, drowsy, utter weariness,
A trance wherein no thought finds speech or name,
The overstrained spirit doth possess.
She sinks with drooping wing--poor unfledged bird,
That fain had flown!--in fluttering breathlessness.
To what end those high hopes that wildly stirred
The beating heart with aspirations vain?
Why proffer prayers unanswered and unheard
To blank, deaf heavens that will not heed her pain?
Where lead these lofty, soaring tendencies,
That leap and fly and poise, to fall again,
Yet seem to link her with the utmost skies?
What mean these clinging loves that bind to earth,
And claim her with beseeching, wistful eyes?
This little resting-place 'twixt death and birth,
Why is it fretted with the ceaseless flow
Of flood and ebb, with overgrowth and dearth,
And vext with dreams, and clouded with strange woe?
Ah! she is tired of thought, she yearns for peace,
Seeing all things one equal end must know.
Wherefore this tangle of perplexities,
The trouble or the joy? the weary maze
Of narrow fears and hopes that may not cease?
A chill falls on her from the skyey ways,
Black with the night-tide, where is none to hear
The ancient cry, the Wherefore of our days.
IV. Fancies.
The ceaseless whirr of crickets fills the ear
From underneath each hedge and bush and tree,
Deep in the dew-drenched grasses everywhere.
The simple sound dispels the fantasy
Of gloom and terror gathering round the mind.
It seems a pleasant thing to breathe, to be,
To hear the many-voiced, soft summer wind
Lisp through the dark thick leafage overhead--
To see the rosy half-moon soar behind
The black slim-branching elms. Sad thoughts have fled,
Trouble and doubt, and now strange reveries
And odd caprices fill us in their stead.
From yonder broken disk the redness dies,
Like gold fruit through the leaves the half-sphere gleams,
Then over the hoar tree-tops climbs the skies,
Blanched ever more and more, until it beams
Whiter than crystal. Like a scroll unfurled,
And shadowy as a landscape seen in dreams,
Reveals itself the sleeping, quiet world,
Painted in tender grays and whites subdued--
The speckled stream with flakes of light impearled,
The wide, soft meadow and the massive wood.
Naught is too wild for our credulity
In this weird hour: our finest dreams hold good.
Quaint elves and frolic flower-sprites we see,
And fairies weaving rings of gossamer,
And angels floating through the filmy air.
V. In the Night.
Let us go in: the air is dank and chill
With dewy midnight, and the moon rides high
O'er ghostly fields, pale stream, and spectral hill.
This hour the dawn seems farthest from the sky
So weary long the space that lies between
That sacred joy and this dark mystery
Of earth and heaven: no glimmering is seen,
In the star-sprinkled east, of coming day,
Nor, westward, of the splendor that hath been.
Strange fears beset us, nameless terrors sway
The brooding soul, that hungers for her rest,
Out worn with changing moods, vain hopes' delay,
With conscious thought o'erburdened and oppressed.
The mystery and the shadow wax too deep;
She longs to merge both sense and thought in sleep.
VI. Faerie.
From the oped lattice glance once more abroad
While the ethereal moontide bathes with light
Hill, stream, and garden, and white-winding road.
All gracious myths born of the shadowy night
Recur, and hover in fantastic guise,
Airy and vague, before the drowsy sight.
On yonder soft gray hill Endymion lies
In rosy slumber, and the moonlit air
Breathes kisses on his cheeks and lips and eyes.
'Twixt bush and bush gleam flower-white limbs, left bare,
Of huntress-nymphs, and flying raiment thin,
Vanishing faces, and bright floating hair.
The quaint midsummer fairies and their kin,
Gnomes, elves, and trolls, on blossom, branch, and grass
Gambol and dance, and winding out and in
Leave circles of spun dew where'er they pass.
Through the blue ether the freed Ariel flies;
Enchantment holds the air; a swarming mass
Of myriad dusky, gold-winged dreams arise,
Throng toward the gates of sense, and so possess
The soul, and lull it to forgetfulness.
VII. Confused Dreams.
O strange, dim other-world revealed to us,
Beginning there where ends reality,
Lying 'twixt life and death, and populous
With souls from either sphere! now enter we
Thy twisted paths. Barred is the silver gate,
But the wild-carven doors of ivory
Spring noiselessly apart: between them straight
Flies forth a cloud of nameless shadowy things,
With harpies, imps, and monsters, small and great,
Blurring the thick air with darkening wings.
All humors of the blood and brain take shape,
And fright us with our own imaginings.
A trouble weighs upon us: no escape
From this unnatural region can there be.
Fixed eyes stare on us, wide mouths grin and gape,
Familiar faces out of reach we see.
Fain would we scream, to shatter with a cry
The tangled woof of hideous fantasy,
When, lo! the air grows clear, a soft fair sky
Shines over head: sharp pain dissolves in peace;
Beneath the silver archway quietly
We float away: all troublous visions cease.
By a strange sense of joy we are possessed,
Body and spirit soothed in perfect rest.
VIII. The End of the Song.
What dainty note of long-drawn melody
Athwart our dreamless sleep rings sweet and clear,
Till all the fumes of slumber are brushed by,
And with awakened consciousness we hear
The pipe of birds? Look forth! The sane, white day
Blesses the hilltops, and the sun is near.
All misty phantoms slowly roll away
With the night's vapors toward the western sky.
The Real enchants us, the fresh breath of hay
Blows toward us; soft the meadow-grasses lie,
Bearded with dew; the air is a caress;
The sudden sun o'ertops the boundary
Of eastern hills, the morning joyousness
Thrills tingling through the frame; life's pulse beats strong;
Night's fancies melt like dew. So ends the song!
ON THE PROPOSAL TO ERECT A MONUMENT
IN ENGLAND TO LORD BYRON.
The grass of fifty Aprils hath waved green
Above the spent heart, the Olympian head,
The hands crost idly, the shut eyes unseen,
Unseeing, the locked lips whose song hath fled;
Yet mystic-lived, like some rich, tropic flower,
His fame puts forth fresh blossoms hour by hour;
Wide spread the laden branches dropping dew
On the low, laureled brow misunderstood,
That bent not, neither bowed, until subdued
By the last foe who crowned while he o'erthrew.
Fair was the Easter Sabbath morn when first
Men heard he had not wakened to its light:
The end had come, and time had done its worst,
For the black cloud had fallen of endless night.
Then in the town, as Greek accosted Greek,
'T was not the wonted festal words to speak,
"Christ is arisen," but "Our chief is gone,"
With such wan aspect and grief-smitten head
As when the awful cry of "Pan is dead!"
Filled echoing hill and valley with its moan.
"I am more fit for death than the world deems,"
So spake he as life's light was growing dim,
And turned to sleep as unto soothing dreams.
What terrors could its darkness hold for him,
Familiar with all anguish, but with fear
Still unacquainted? On his martial bier
They laid a sword, a helmet, and a crown--
Meed of the warrior, but not these among
His voiceless lyre, whose silent chords unstrung
Shall wait--how long?--for touches like his own.
An alien country mourned him as her son,
And hailed him hero: his sole, fitting tomb
Were Theseus' temple or the Parthenon,
Fondly she deemed. His brethren bare him home,
Their exiled glory, past the guarded gate
Where England's Abbey shelters England's great.
Afar he rests whose very name hath shed
New lustre on her with the song he sings.
So Shakespeare rests who scorned to lie with kings,
Sleeping at peace midst the unhonored dead.
And fifty years suffice to overgrow
With gentle memories the foul weeds of hate
That shamed his grave. The world begins to know
Her loss, and view with other eyes his fate.
Even as the cunning workman brings to pass
The sculptor's thought from out the unwieldy mass
Of shapeless marble, so Time lops away
The stony crust of falsehood that concealed
His just proportions, and, at last revealed,
The statue issues to the light of day,
Most beautiful, most human. Let them fling
The first stone who are tempted even as he,
And have not swerved. When did that rare soul sing
The victim's shame, the tyrant's eulogy,
The great belittle, or exalt the small,
Or grudge his gift, his blood, to disenthrall
The slaves of tyranny or ignorance?
Stung by fierce tongues himself, whose rightful fame
Hath he reviled? Upon what noble name
Did the winged arrows of the barbed wit glance?
The years' thick, clinging curtains backward pull,
And show him as he is, crowned with bright beams,
"Beauteous, and yet not all as beautiful
As he hath been or might be; Sorrow seems
Half of his immortality."* He needs
No monument whose name and song and deeds
Are graven in all foreign hearts; but she
His mother, England, slow and last to wake,
Needs raise the votive shaft for her fame's sake:
Hers is the shame if such forgotten be!
May, 1875.
*"Cain," Act I. Scene 1.
ARABESQUE.
On a background of pale gold
I would trace with quaint design,
Penciled fine,
Brilliant-colored, Moorish scenes,
Mosques and crescents, pages, queens,
Line on line,
That the prose-world of to-day
Might the gorgeous Past's array
Once behold.
On the magic painted shield
Rich Granada's Vega green
Should be seen;
Crystal fountains, coolness flinging,
Hanging gardens' skyward springing
Emerald sheen;
Ruddy when the daylight falls,
Crowned Alhambra's beetling walls
Stand revealed;
Balconies that overbrow
Field and city, vale and stream.
In a dream
Lulled the drowsy landscape basks;
Mark the gleam
Silvery of each white-swathed peak!
Mountain-airs caress the cheek,
Fresh from the snow.
Here in Lindaraxa's bower
The immortal roses bloom;
In the room
Lion-guarded, marble-paven,
Still the fountain leaps to heaven.
But the doom
Of the banned and stricken race
Overshadows every place,
Every hour.
Where fair Lindaraxa dwelt
Flits the bat on velvet wings;
Mute the strings
Of the broken mandoline;
The Pavilion of the Queen
Widely flings
Vacant windows to the night;
Moonbeams kiss the floor with light
Where she knelt.
Through these halls that people stepped
Who through darkling centuries
Held the keys
Of all wisdom, truth, and art,
In a Paradise apart,
Lapped in ease,
Sagely pondering deathless themes,
While, befooled with monkish dreams,
Europe slept.
Where shall they be found today?
Yonder hill that frets the sky
"The last Sigh
Of the Moor" is named still.
There the ill-starred Boabdil
Bade good-by
To Granada and to Spain,
Where the Crescent ne'er again
Holdeth sway.
Vanished like the wind that blows,
Whither shall we seek their trace
On earth's face?
The gigantic wheel of fate,
Crushing all things soon or late,
Now a race,
Now a single life o'erruns,
Now a universe of suns,
Now a rose.
AGAMEMNON'S TOMB.
Uplift the ponderous, golden mask of death,
And let the sun shine on him as it did
How many thousand years agone! Beneath
This worm-defying, uncorrupted lid,
Behold the young, heroic face, round-eyed,
Of one who in his full-flowered manhood died;
Of nobler frame than creatures of to-day,
Swathed in fine linen cerecloths fold on fold,
With carven weapons wrought of bronze and gold,
Accoutred like a warrior for the fray.
We gaze in awe at these huge-modeled limbs,
Shrunk in death's narrow house, but hinting yet
Their ancient majesty; these sightless rims
Whose living eyes the eyes of Helen met;
The speechless lips that ah! what tales might tell
Of earth's morning-tide when gods did dwell
Amidst a generous-fashioned, god-like race,
Who dwarf our puny semblance, and who won
The secret soul of Beauty for their own,
While all our art but crudely apes their grace.
We gather all the precious relics up,
The golden buttons chased with wondrous craft,
The sculptured trinkets and the crystal cup,
The sheathed, bronze sword, the knife with brazen haft.
Fain would we wrest with curious eyes from these
Unnumbered long-forgotten histories,
The deeds heroic of this mighty man,
On whom once more the living daylight beams,
To shame our littleness, to mock our dreams,
And the abyss of centuries to span.
Yet could we rouse him from his blind repose,
How might we meet his searching questionings,
Concerning all the follies, wrongs, and woes,
Since his great day whom men call King of Kings,
Victorious Agamemnon? How might we
Those large, clear eyes confront, which scornfully
Would view us as a poor, degenerate race,
Base-souled and mean-proportioned? What reply
Give to the beauty-loving Greek's heart-cry,
Seeking his ancient gods in vacant space?
What should he find within a world grown cold,
Save doubt and trouble? To his sunny creed
A thousand gloomy, warring sects succeed.
How of the Prince of Peace might he be told,
When over half the world the war-cloud lowers?
How would he mock these faltering hopes of ours,
Who knows the secret now of death and fate!
Humbly we gaze on the colossal frame,
And mutely we accept the mortal shame,
Of men degraded from a high estate.
SIC SEMPER LIBERATORIBUS!
March 13, 1881.
As one who feels the breathless nightmare grip
His heart-strings, and through visioned horrors fares,
Now on a thin-ledged chasm's rock-crumbling lip,
Now on a tottering pinnacle that dare
The front of heaven, while always unawares
Weird monsters start above, around, beneath,
Each glaring from some uglier mask of death,
So the White Czar imperial progress made
Through terror-haunted days. A shock, a cry
Whose echoes ring the globe--the spectre's laid.
Hurled o'er the abyss, see the crowned martyr lie
Resting in peace--fear, change, and death gone by.
Fit end for nightmare--mist of blood and tears,
Red climax to the slow, abortive years.
The world draws breath--one long, deep-shuddering sigh,
At that which dullest brain prefigured clear
As swift-sure bolt from thunder-threatening sky.
How heaven-anointed humblest lots appear
Beside his glittering eminence of fear;
His spiked crown, sackcloth purple, poisoned cates,
His golden palace honey-combed with hates.
Well is it done! A most heroic plan,
Which after myriad plots succeeds at last
In robbing of his life this poor old man,
Whose sole offense--his birthright--has but passed
To fresher blood, with younger strength recast.
What men are these, who, clamoring to be free,
Would bestialize the world to what they be?
Whose sons are they who made the snow-wreathed head
Their frenzy's target? In their Russian veins,
What alien current urged on to smite him dead,
Whose word had loosed a million Russian chains?
What brutes were they for whom such speechless pains,
So royally endured, no human thrill
Awoke, in hearts drunk with the lust to kill?
Not brutes! No tiger of the wilderness,
No jackal of the jungle, bears such brand
As man's black heart, who shrinks not to confess
The desperate deed of his deliberate hand.
Our kind, our kin, have done this thing. We stand
Bowed earthward, red with shame, to see such wrong
Prorogue Love's cause and Truth's--God knows how long!
DON RAFAEL.
"I would not have," he said,
"Tears, nor the black pall, nor the wormy grave,
Grief's hideous panoply I would not have
Round me when I am dead.
"Music and flowers and light,
And choric dances to guitar and flute,
Be these around me when my lips are mute,
Mine eyes are sealed from sight.
"So let me lie one day,
One long, eternal day, in sunshine bathed,
In cerements of silken tissue swathed,
Smothered 'neath flowers of May.
"One perfect day of peace,
Or ere clean flame consume my fleshly veil,
My life--a gilded vapor--shall exhale,
Brief as a sigh--and cease.
"But ere the torch be laid
To my unshrinking limbs by some true hand,
Athwart the orange-fragrant laughing land,
Bring many a dark-eyed maid
"From the bright, sea-kissed town;
My beautiful, beloved enemies,
Gemmed as the dew, voluptuous as the breeze,
Each in her festal gown.
"All those through whom I learned
The sweet of folly and the pains of love,
My Rose, my Star, my Comforter, my Dove,
For whom, poor moth, I burned.
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