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Editorial
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

L'Assommoir

E >> Emile Zola >> L'Assommoir

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Produced by Cam Venezuela, Earle Beach, Eric Eldred,
and the Distributed Online Proofing Team




L'ASSOMMOIR

By Emile Zola



CHAPTER I

GERVAISE

Gervaise had waited and watched for Lantier until two in the morning.
Then chilled and shivering, she turned from the window and threw
herself across the bed, where she fell into a feverish doze with her
cheeks wet with tears. For the last week when they came out of the
Veau a Deux Tetes, where they ate, he had sent her off to bed with the
children and had not appeared until late into the night and always
with a story that he had been looking for work.

This very night, while she was watching for his return, she fancied
she saw him enter the ballroom of the Grand-Balcon, whose ten windows
blazing with lights illuminated, as with a sheet of fire, the black
lines of the outer boulevards. She caught a glimpse of Adele, a pretty
brunette who dined at their restaurant and who was walking a few steps
behind him, with her hands swinging as if she had just dropped his
arm, rather than pass before the bright light of the globes over the
door in his company.

When Gervaise awoke about five o'clock, stiff and sore, she burst into
wild sobs, for Lantier had not come in. For the first time he had
slept out. She sat on the edge of the bed, half shrouded in the canopy
of faded chintz that hung from the arrow fastened to the ceiling by a
string. Slowly, with her eyes suffused with tears, she looked around
this miserable _chambre garnie_, whose furniture consisted of a
chestnut bureau of which one drawer was absent, three straw chairs
and a greasy table on which was a broken-handled pitcher.

Another bedstead--an iron one--had been brought in for the children.
This stood in front of the bureau and filled up two thirds of the
room.

A trunk belonging to Gervaise and Lantier stood in the corner wide
open, showing its empty sides, while at the bottom a man's old hat lay
among soiled shirts and hose. Along the walls and on the backs of the
chairs hung a ragged shawl, a pair of muddy pantaloons and a dress or
two--all too bad for the old-clothes man to buy. In the middle of the
mantel between two mismated tin candlesticks was a bundle of pawn
tickets from the Mont-de-Piete. These tickets were of a delicate shade
of rose.

The room was the best in the hotel--the first floor looking out on the
boulevard.

Meanwhile side by side on the same pillow the two children lay calmly
sleeping. Claude, who was eight years old, was breathing calmly and
regularly with his little hands outside of the coverings, while
Etienne, only four, smiled with one arm under his brother's neck.

When their mother's eyes fell on them she had a new paroxysm of sobs
and pressed her handkerchief to her mouth to stifle them. Then with
bare feet, not stopping to put on her slippers which had fallen off,
she ran to the window out of which she leaned as she had done half the
night and inspected the sidewalks as far as she could see.

The hotel was on the Boulevard de la Chapelle, at the left of the
Barriere Poissonniers. It was a two-story building, painted a deep red
up to the first floor, and had disjointed weather-stained blinds.

Above a lantern with glass sides was a sign between the two windows:

HOTEL BONCOEUR

KEPT BY

MARSOULLIER

in large yellow letters, partially obliterated by the dampness.
Gervaise, who was prevented by the lantern from seeing as she desired,
leaned out still farther, with her handkerchief on her lips. She
looked to the right toward the Boulevard de Rochechoumart, where
groups of butchers stood with their bloody frocks before their
establishments, and the fresh breeze brought in whiffs, a strong
animal smell--the smell of slaughtered cattle.

She looked to the left, following the ribbonlike avenue, past the
Hospital de Lariboisiere, then building. Slowly, from one end to the
other of the horizon, did she follow the wall, from behind which in
the nightime she had heard strange groans and cries, as if some fell
murder were being perpetrated. She looked at it with horror, as if in
some dark corner--dark with dampness and filth--she should distinguish
Lantier--Lantier lying dead with his throat cut.

When she gazed beyond this gray and interminable wall she saw a great
light, a golden mist waving and shimmering with the dawn of a new
Parisian day. But it was to the Barriere Poissonniers that her eyes
persistently returned, watching dully the uninterrupted flow of men
and cattle, wagons and sheep, which came down from Montmartre and
from La Chapelle. There were scattered flocks dashed like waves on
the sidewalk by some sudden detention and an endless succession of
laborers going to their work with their tools over their shoulders
and their loaves of bread under their arms.

Suddenly Gervaise thought she distinguished Lantier amid this crowd,
and she leaned eagerly forward at the risk of falling from the window.
With a fresh pang of disappointment she pressed her handkerchief to
her lips to restrain her sobs.

A fresh, youthful voice caused her to turn around.

"Lantier has not come in then?"

"No, Monsieur Coupeau," she answered, trying to smile.

The speaker was a tinsmith who occupied a tiny room at the top of the
house. His bag of tools was over his shoulder; he had seen the key in
the door and entered with the familiarity of a friend.

"You know," he continued, "that I am working nowadays at the hospital.
What a May this is! The air positively stings one this morning."

As he spoke he looked closely at Gervaise; he saw her eyes were red
with tears and then, glancing at the bed, discovered that it had not
been disturbed. He shook his head and, going toward the couch where
the children lay with their rosy cherub faces, he said in a lower
voice:

"You think your husband ought to have been with you, madame. But don't
be troubled; he is busy with politics. He went on like a mad man the
other day when they were voting for Eugene Sue. Perhaps he passed the
night with his friends abusing that reprobate Bonaparte."

"No, no," she murmured with an effort. "You think nothing of that kind.
I know where Lantier is only too well. We have our sorrows like the
rest of the world!"

Coupeau gave a knowing wink and departed, having offered to bring her
some milk if she did not care to go out; she was a good woman, he told
her and might count on him any time when she was in trouble.

As soon as Gervaise was alone she returned to the window.

From the Barriere the lowing of the cattle and the bleating of the
sheep still came on the keen, fresh morning air. Among the crowd she
recognized the locksmiths by their blue frocks, the masons by their
white overalls, the painters by their coats, from under which hung
their blouses. This crowd was cheerless. All of neutral tints--grays
and blues predominating, with never a dash of color. Occasionally a
workman stopped and lighted his pipe, while his companions passed on.
There was no laughing, no talking, but they strode on steadily with
cadaverous faces toward that Paris which quickly swallowed them up.

At the two corners of La Rue des Poissonniers were two wineshops,
where the shutters had just been taken down. Here some of the workmen
lingered, crowding into the shop, spitting, coughing and drinking
glasses of brandy and water. Gervaise was watching the place on the
left of the street, where she thought she had seen Lantier go in, when
a stout woman, bareheaded and wearing a large apron, called to her
from the pavement,

"You are up early, Madame Lantier!"

Gervaise leaned out.

"Ah, is it you, Madame Boche! Yes, I am up early, for I have much to
do today."

"Is that so? Well, things don't get done by themselves, that's sure!"

And a conversation ensued between the window and the sidewalk. Mme
Boche was the concierge of the house wherein the restaurant Veau a
Deux Tetes occupied the _rez-de-chaussee_.

Many times Gervaise had waited for Lantier in the room of this woman
rather than face the men who were eating. The concierge said she had
just been round the corner to arouse a lazy fellow who had promised to
do some work and then went on to speak of one of her lodgers who had
come in the night before with some woman and had made such a noise
that every one was disturbed until after three o'clock.

As she gabbled, however, she examined Gervaise with considerable
curiosity and seemed, in fact, to have come out under the window for
that express purpose.

"Is Monsieur Lantier still asleep?" she asked suddenly.

"Yes, he is asleep," answered Gervaise with flushing cheeks.

Madame saw the tears come to her eyes and, satisfied with her
discovery, was turning away when she suddenly stopped and called out:

"You are going to the lavatory this morning, are you not? All right
then, I have some things to wash, and I will keep a place for you next
to me, and we can have a little talk!"

Then as if moved by sudden compassion, she added:

"Poor child, don't stay at that window any longer. You are purple with
cold and will surely make yourself sick!"

But Gervaise did not move. She remained in the same spot for two
mortal hours, until the clock struck eight. The shops were now
all open. The procession in blouses had long ceased, and only an
occasional one hurried along. At the wineshops, however, there was
the same crowd of men drinking, spitting and coughing. The workmen in
the street had given place to the workwomen. Milliners' apprentices,
florists, burnishers, who with thin shawls drawn closely around them
came in bands of three or four, talking eagerly, with gay laughs
and quick glances. Occasionally one solitary figure was seen, a
pale-faced, serious woman, who walked rapidly, neither looking to
the right nor to the left.

Then came the clerks, blowing on their fingers to warm them, eating a
roll as they walked; young men, lean and tall, with clothing they had
outgrown and with eyes heavy with sleep; old men, who moved along with
measured steps, occasionally pulling out their watches, but able, from
many years' practice, to time their movements almost to a second.

The boulevards at last were comparatively quiet. The inhabitants were
sunning themselves. Women with untidy hair and soiled petticoats were
nursing their babies in the open air, and an occasional dirty-faced
brat fell into the gutter or rolled over with shrieks of pain or joy.

Gervaise felt faint and ill; all hope was gone. It seemed to her that
all was over and that Lantier would come no more. She looked from the
dingy slaughterhouses, black with their dirt and loathsome odor, on to
the new and staring hospital and into the rooms consecrated to disease
and death. As yet the windows were not in, and there was nothing to
impede her view of the large, empty wards. The sun shone directly in
her face and blinded her.

She was sitting on a chair with her arms dropping drearily at her side
but not weeping, when Lantier quietly opened the door and walked in.

"You have come!" she cried, ready to throw herself on his neck.

"Yes, I have come," he answered, "and what of it? Don't begin any
of your nonsense now!" And he pushed her aside. Then with an angry
gesture he tossed his felt hat on the bureau.

He was a small, dark fellow, handsome and well made, with a delicate
mustache which he twisted in his fingers mechanically as he spoke.
He wore an old coat, buttoned tightly at the waist, and spoke with
a strongly marked Provencal accent.

Gervaise had dropped upon her chair again and uttered disjointed
phrases of lamentation.

"I have not closed my eyes--I thought you were killed! Where have you
been all night? I feel as if I were going mad! Tell me, Auguste, where
have you been?"

"Oh, I had business," he answered with an indifferent shrug of his
shoulders. "At eight o'clock I had an engagement with that friend,
you know, who is thinking of starting a manufactory of hats. I was
detained, and I preferred stopping there. But you know I don't like
to be watched and catechized. Just let me alone, will you?"

His wife began to sob. Their voices and Lantier's noisy movements as
he pushed the chairs about woke the children. They started up, half
naked with tumbled hair, and hearing their mother cry, they followed
her example, rending the air with their shrieks.

"Well, this is lovely music!" cried Lantier furiously. "I warn you,
if you don't all stop, that out of this door I go, and you won't see
me again in a hurry! Will you hold your tongue? Good-by then; I'll
go back where I came from."

He snatched up his hat, but Gervaise rushed toward him, crying:

"No! No!"

And she soothed the children and stifled their cries with kisses and
laid them tenderly back in their bed, and they were soon happy and
merrily playing together. Meanwhile the father, not even taking off
his boots, threw himself on the bed with a weary air. His face was
white from exhaustion and a sleepless night; he did not close his
eyes but looked around the room.

"A nice-looking place, this!" he muttered.

Then examining Gervaise, he said half aloud and half to himself:

"So! You have given up washing yourself, it seems!"

Gervaise was only twenty-two. She was tall and slender with delicate
features, already worn by hardships and anxieties. With her hair
uncombed and shoes down at the heel, shivering in her white sack, on
which was much dust and many stains from the furniture and wall where
it had hung, she looked at least ten years older from the hours of
suspense and tears she had passed.

Lantier's word startled her from her resignation and timidity.

"Are you not ashamed?" she said with considerable animation. "You know
very well that I do all I can. It is not my fault that we came here.
I should like to see you with two children in a place where you can't
get a drop of hot water. We ought as soon as we reached Paris to have
settled ourselves at once in a home; that was what you promised."

"Pshaw," he muttered; "You had as much good as I had out of our
savings. You ate the fatted calf with me--and it is not worth while
to make a row about it now!"

She did not heed his word but continued:

"There is no need of giving up either. I saw Madame Fauconnier, the
laundress in La Rue Neuve. She will take me Monday. If you go in with
your friend we shall be afloat again in six months. We must find some
kind of a hole where we can live cheaply while we work. That is the
thing to do now. Work! Work!"

Lantier turned his face to the wall with a shrug of disgust which
enraged his wife, who resumed:

"Yes, I know very well that you don't like to work. You would like to
wear fine clothes and walk about the streets all day. You don't like
my looks since you took all my dresses to the pawnbrokers. No, no,
Auguste, I did not intend to speak to you about it, but I know very
well where you spent the night. I saw you go into the Grand-Balcon
with that streetwalker Adele. You have made a charming choice. She
wears fine clothes and is clean. Yes, and she has reason to be,
certainly; there is not a man in that restaurant who does not know
her far better than an honest girl should be known!"

Lantier leaped from the bed. His eyes were as black as night and his
face deadly pale.

"Yes," repeated his wife, "I mean what I say. Madame Boche will not
keep her or her sister in the house any longer, because there are
always a crowd of men hanging on the staircase."

Lantier lifted both fists, and then conquering a violent desire to
beat her, he seized her in his arms, shook her violently and threw her
on the bed where the children were. They at once began to cry again
while he stood for a moment, and then, with the air of a man who
finally takes a resolution in regard to which he has hesitated, he
said:

"You do not know what you have done, Gervaise. You are wrong--as you
will soon discover."

For a moment the voices of the children filled the room. Their mother,
lying on their narrow couch, held them both in her arms and said over
and over again in a monotonous voice:

"If you were not here, my poor darlings! If you were not here! If you
were not here!"

Lantier was lying flat on his back with his eyes fixed on the ceiling.
He was not listening; his attention was concentrated on some fixed
idea. He remained in this way for an hour and more, not sleeping, in
spite of his evident and intense fatigue. When he turned and, leaning
on his elbow, looked about the room again, he found that Gervaise had
arranged the chamber and made the children's bed. They were washed
and dressed. He watched her as she swept the room and dusted the
furniture.

The room was very dreary still, however, with its smoke-stained
ceiling and paper discolored by dampness and three chairs and
dilapidated bureau, whose greasy surface no dusting could clean.
Then while she washed herself and arranged her hair before the small
mirror, he seemed to examine her arms and shoulders, as if instituting
a comparison between herself and someone else. And he smiled a
disdainful little smile.

Gervaise was slightly, very slightly, lame, but her lameness was
perceptible, only on such days as she was very tired. This morning,
so weary was she from the watches of the night, that she could hardly
walk without support.

A profound silence reigned in the room; they did not speak to each
other. He seemed to be waiting for something. She, adopting an
unconcerned air, seemed to be in haste.

She made up a bundle of soiled linen that had been thrown into a
corner behind the trunk, and then he spoke:

"What are you doing? Are you going out?"

At first she did not reply. Then when he angrily repeated the question
she answered:

"Certainly I am. I am going to wash all these things. The children
cannot live in dirt."

He threw two or three handkerchiefs toward her, and after another long
silence he said:

"Have you any money?"

She quickly rose to her feet and turned toward him; in her hand she
held some of the soiled clothes.

"Money! Where should I get money unless I had stolen it? You know very
well that day before yesterday you got three francs on my black skirt.
We have breakfasted twice on that, and money goes fast. No, I have no
money. I have four sous for the lavatory. I cannot make money like
other women we know."

He did not reply to this allusion but rose from the bed and passed in
review the ragged garments hung around the room. He ended by taking
down the pantaloons and the shawl and, opening the bureau, took out a
sack and two chemises. All these he made into a bundle, which he threw
at Gervaise.

"Take them," he said, "and make haste back from the pawnbroker's."

"Would you not like me to take the children?" she asked. "Heavens! If
pawnbrokers would only make loans on children, what a good thing it
would be!"

She went to the Mont-de-Piete, and when she returned a half-hour later
she laid a silver five-franc piece on the mantelshelf and placed the
ticket with the others between the two candlesticks.

"This is what they gave me," she said coldly. "I wanted six francs,
but they would not give them. They always keep on the safe side there,
and yet there is always a crowd."

Lantier did not at once take up the money. He had sent her to the
Mont-de-Piete that he might not leave her without food or money, but
when he caught sight of part of a ham wrapped in paper on the table
with half a loaf of bread he slipped the silver piece into his vest
pocket.

"I did not dare go to the milk woman," explained Gervaise, "because
we owe her for eight days. But I shall be back early. You can get some
bread and some chops and have them ready. Don't forget the wine too."

He made no reply. Peace seemed to be made, but when Gervaise went to
the trunk to take out some of Lantier's clothing he called out:

"No--let that alone."

"What do you mean?" she said, turning round in surprise. "You can't
wear these things again until they are washed! Why shall I not take
them?"

And she looked at him with some anxiety. He angrily tore the things
from her hands and threw them back into the trunk.

"Confound you!" he muttered. "Will you never learn to obey? When I say
a thing I mean it--"

"But why?" she repeated, turning very pale and seized with a terrible
suspicion. "You do not need these shirts; you are not going away. Why
should I not take them?"

He hesitated a moment, uneasy under the earnest gaze she fixed upon
him. "Why? Why? Because," he said, "I am sick of hearing you say that
you wash and mend for me. Attend to your own affairs, and I will
attend to mine."

She entreated him, defended herself from the charge of ever having
complained, but he shut the trunk with a loud bang and then sat down
upon it, repeating that he was master at least of his own clothing.
Then to escape from her eyes, he threw himself again on the bed,
saying he was sleepy and that she made his head ache, and finally
slept or pretended to do so.

Gervaise hesitated; she was tempted to give up her plan of going to
the lavatory and thought she would sit down to her sewing. But at last
she was reassured by Lantier's regular breathing; she took her soap
and her ball of bluing and, going to the children, who were playing
on the floor with some old corks, she said in a low voice:

"Be very good and keep quiet. Papa is sleeping."

When she left the room there was not a sound except the stifled
laughter of the little ones. It was then after ten, and the sun was
shining brightly in at the window.

Gervaise, on reaching the boulevard, turned to the left and followed
the Rue de la Goutte-d'Or. As she passed Mme Fauconnier's shop she
nodded to the woman. The lavatory, whither she went, was in the middle
of this street, just where it begins to ascend. Over a large low
building towered three enormous reservoirs for water, huge cylinders
of zinc strongly made, and in the rear was the drying room, an
apartment with a very high ceiling and surrounded by blinds through
which the air passed. On the right of the reservoirs a steam engine
let off regular puffs of white smoke. Gervaise, habituated apparently
to puddles, did not lift her skirts but threaded her way through the
part of _eau de Javelle_ which encumbered the doorway. She knew
the mistress of the establishment, a delicate woman who sat in a
cabinet with glass doors, surrounded by soap and bluing and packages
of bicarbonate of soda.

As Gervaise passed the desk she asked for her brush and beater, which
she had left to be taken care of after her last wash. Then having
taken her number, she went in. It was an immense shed, as it were,
with a low ceiling--the beams and rafters unconcealed--and lighted by
large windows, through which the daylight streamed. A light gray mist
or steam pervaded the room, which was filled with a smell of soapsuds
and _eau de Javelle_ combined. Along the central aisle were tubs
on either side, and two rows of women with their arms bare to the
shoulders and their skirts tucked up stood showing their colored
stockings and stout laced shoes.

They rubbed and pounded furiously, straightening themselves
occasionally to utter a sentence and then applying themselves again
to their task, with the steam and perspiration pouring down their red
faces. There was a constant rush of water from the faucets, a great
splashing as the clothes were rinsed and pounding and banging of the
beaters, while amid all this noise the steam engine in the corner kept
up its regular puffing.

Gervaise went slowly up the aisle, looking to the right and the left.
She carried her bundle under her arm and limped more than usual, as
she was pushed and jarred by the energy of the women about her.

"Here! This way, my dear," cried Mme Boche, and when the young woman
had joined her at the very end where she stood, the concierge, without
stopping her furious rubbing, began to talk in a steady fashion.

"Yes, this is your place. I have kept it for you. I have not much to
do. Boche is never hard on his linen, and you, too, do not seem to
have much. Your package is quite small. We shall finish by noon, and
then we can get something to eat. I used to give my clothes to a woman
in La Rue Pelat, but bless my heart, she washed and pounded them all
away, and I made up my mind to wash myself. It is clear gain, you see,
and costs only the soap."

Gervaise opened her bundle and sorted the clothes, laying aside all
the colored pieces, and when Mme Boche advised her to try a little
soda she shook her head.

"No, no!" she said. "I know all about it!"

"You know?" answered Boche curiously. "You have washed then in your
own place before you came here?"

Gervaise, with her sleeves rolled up, showing her pretty, fair arms,
was soaping a child's shirt. She rubbed it and turned it, soaped and
rubbed it again. Before she answered she took up her beater and began
to use it, accenting each phrase or rather punctuating them with her
regular blows.

"Yes, yes, washed--I should think I had! Ever since I was ten years
old. We went to the riverside, where I came from. It was much nicer
than here. I wish you could see it--a pretty corner under the trees
by the running water. Do you know Plassans? Near Marseilles?"

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