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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

The Magic City

E >> Edith Nesbit >> The Magic City

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THE END




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Transcriber's Notes:

Obvious punctuation errors repaired.

The ~ symbol in the text form is used to indicate a much smaller type in
the original for a much smaller voice.

Page 80, "delightfull" was changed to "delightful". (that delightful
chess-table)

Page 265, "cocoanut" changed to "cocoa-nut" to conform to the rest of
text. (cocoa-nut-ice plants)






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