Georgian Poetry 1913 15
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Edited by E. M. (Sir Edward Howard Marsh) >> Georgian Poetry 1913 15
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* * * * *
JOHN DRINKWATER
A TOWN WINDOW
Beyond my window in the night
Is but a drab inglorious street,
Yet there the frost and clean starlight
As over Warwick woods are sweet.
Under the grey drift of the town
The crocus works among the mould
As eagerly as those that crown
The Warwick spring in flame and gold.
And when the tramway down the hill
Across the cobbles moans and rings,
There is about my window-sill
The tumult of a thousand wings.
OF GREATHAM
(To those who live there)
For peace, than knowledge more desirable,
Into your Sussex quietness I came,
When summer's green and gold and azure fell
Over the world in flame.
And peace upon your pasture-lands I found,
Where grazing flocks drift on continually,
As little clouds that travel with no sound
Across a windless sky.
Out of your oaks the birds call to their mates
That brood among the pines, where hidden deep
From curious eyes a world's adventure waits
In columned choirs of sleep.
Under the calm ascension of the night
We heard the mellow lapsing and return
Of night-owls purring in their groundling flight
Through lanes of darkling fern.
Unbroken peace when all the stars were drawn
Back to their lairs of light, and ranked along
From shire to shire the downs out of the dawn
Were risen in golden song.
* * * * *
I sing of peace who have known the large unrest
Of men bewildered in their travelling,
And I have known the bridal earth unblest
By the brigades of spring.
I have known that loss. And now the broken thought
Of nations marketing in death I know,
The very winds to threnodies are wrought
That on your downlands blow.
I sing of peace. Was it but yesterday
I came among your roses and your corn?
Then momently amid this wrath I pray
For yesterday reborn.
THE CARVER IN STONE
He was a man with wide and patient eyes,
Grey, like the drift of twitch-fires blown in June,
That, without fearing, searched if any wrong
Might threaten from your heart. Grey eyes he had
Under a brow was drawn because he knew
So many seasons to so many pass
Of upright service, loyal, unabased
Before the world seducing, and so, barren
Of good words praising and thought that mated his.
He carved in stone. Out of his quiet life
He watched as any faithful seaman charged
With tidings of the myriad faring sea,
And thoughts and premonitions through his mind
Sailing as ships from strange and storied lands
His hungry spirit held, till all they were
Found living witness in the chiselled stone.
Slowly out of the dark confusion, spread
By life's innumerable venturings
Over his brain, he would triumph into the light
Of one clear mood, unblemished of the blind
Legions of errant thought that cried about
His rapt seclusion: as a pearl unsoiled,
Nay, rather washed to lonelier chastity,
In gritty mud. And then would come a bird,
A flower, or the wind moving upon a flower,
A beast at pasture, or a clustered fruit,
A peasant face as were the saints of old,
The leer of custom, or the bow of the moon
Swung in miraculous poise--some stray from the world
Of things created by the eternal mind
In joy articulate. And his perfect mood
Would dwell about the token of God's mood,
Until in bird or flower or moving wind
Or flock or shepherd or the troops of heaven
It sprang in one fierce moment of desire
To visible form.
Then would his chisel work among the stone,
Persuading it of petal or of limb
Or starry curve, till risen anew there sang
Shape out of chaos, and again the vision
Of one mind single from the world was pressed
Upon the daily custom of the sky
Or field or the body of man.
His people
Had many gods for worship. The tiger-god,
The owl, the dewlapped bull, the running pard,
The camel, and the lizard of the slime,
The ram with quivering fleece and fluted horn,
The crested eagle and the doming bat
Were sacred. And the king and his high priests
Decreed a temple, wide on columns huge,
Should top the cornlands to the sky's far line.
They bade the carvers carve along the walls
Images of their gods, each one to carve
As he desired, his choice to name his god ...
And many came; and he among them, glad
Of three leagues' travel through the singing air
Of dawn among the boughs yet bare of green,
The eager flight of the spring leading his blood
Into swift lofty channels of the air,
Proud as an eagle riding to the sun ...
An eagle, clean of pinion--there's his choice.
Daylong they worked under the growing roof,
One at his leopard, one the staring ram,
And he winning his eagle from the stone,
Until each man had carved one image out,
Arow beyond the portal of the house.
They stood arow, the company of gods,
Camel and bat, lizard and bull and ram,
The pard and owl, dead figures on the wall,
Figures of habit driven on the stone
By chisels governed by no heat of the brain
But drudges of hands that moved by easy rule.
Proudly recorded mood was none, no thought
Plucked from the dark battalions of the mind
And throned in everlasting sight. But one
God of them all was witness of belief
And large adventure dared. His eagle spread
Wide pinions on a cloudless ground of heaven,
Glad with the heart's high courage of that dawn
Moving upon the ploughlands newly sown,
Dead stone the rest. He looked, and knew it so.
Then came the king with priests and counsellors
And many chosen of the people, wise
With words weary of custom, and eyes askew
That watched their neighbour face for any news
Of the best way of judgment, till, each sure
None would determine with authority,
All spoke in prudent praise. One liked the owl
Because an owl blinked on the beam of his barn.
One, hoarse with crying gospels in the street,
Praised most the ram, because the common folk
Wore breeches made of ram's wool. One declared
The tiger pleased him best,--the man who carved
The tiger-god was halt out of the womb--
A man to praise, being so pitiful.
And one, whose eyes dwelt in a distant void,
With spell and omen pat upon his lips,
And a purse for any crystal prophet ripe,
A zealot of the mist, gazed at the bull--
A lean ill-shapen bull of meagre lines
That scarce the steel had graved upon the stone--
Saying that here was very mystery
And truth, did men but know. And one there was
Who praised his eagle, but remembering
The lither pinion of the swift, the curve
That liked him better of the mirrored swan.
And they who carved the tiger-god and ram,
The camel and the pard, the owl and bull,
And lizard, listened greedily, and made
Humble denial of their worthiness,
And when the king his royal judgment gave
That all had fashioned well, and bade that each
Re-shape his chosen god along the walls
Till all the temple boasted of their skill,
They bowed themselves in token that as this
Never had carvers been so fortunate.
Only the man with wide and patient eyes
Made no denial, neither bowed his head.
Already while they spoke his thoughts had gone
Far from his eagle, leaving it for a sign
Loyally wrought of one deep breath of life,
And played about the image of a toad
That crawled among his ivy leaves. A queer
Puff-bellied toad, with eyes that always stared
Sidelong at heaven and saw no heaven there,
Weak-hammed, and with a throttle somehow twisted
Beyond full wholesome draughts of air, and skin
Of wrinkled lips, the only zest or will
The little flashing tongue searching the leaves.
And king and priest, chosen and counsellor,
Babbling out of their thin and jealous brains,
Seemed strangely one; a queer enormous toad
Panting under giant leaves of dark,
Sunk in the loins, peering into the day.
Their judgment wry he counted not for wrong
More than the fabled poison of the toad
Striking at simple wits; how should their thought
Or word in praise or blame come near the peace
That shone in seasonable hours above
The patience of his spirit's husbandry?
They foolish and not seeing, how should he
Spend anger there or fear--great ceremonies
Equal for none save great antagonists?
The grave indifference of his heart before them
Was moved by laughter innocent of hate,
Chastising clean of spite, that moulded them
Into the antic likeness of his toad
Bidding for laughter underneath the leaves.
He bowed not, nor disputed, but he saw
Those ill-created joyless gods, and loathed,
And saw them creeping, creeping round the walls,
Death breeding death, wile witnessing to wile,
And sickened at the dull iniquity
Should be rewarded, and for ever breathe
Contagion on the folk gathered in prayer.
His truth should not be doomed to march among
This falsehood to the ages. He was called,
And he must labour there; if so the king
Would grant it, where the pillars bore the roof
A galleried way of meditation nursed
Secluded time, with wall of ready stone
In panels for the carver set between
The windows--there his chisel should be set,--
It was his plea. And the king spoke of him,
Scorning, as one lack-fettle, among all these
Eager to take the riches of renown;
One fearful of the light or knowing nothing
Of light's dimension, a witling who would throw
Honour aside and praise spoken aloud
All men of heart should covet. Let him go
Grubbing out of the sight of those who knew
The worth of substance; there was his proper trade.
A squat and curious toad indeed ... The eyes,
Patient and grey, were dumb as were the lips,
That, fixed and governed, hoarded from them all
The larger laughter lifting in his heart.
Straightway about his gallery he moved,
Measured the windows and the virgin stone,
Till all was weighed and patterned in his brain.
Then first where most the shadows struck the wall,
Under the sills, and centre of the base,
From floor to sill out of the stone was wooed
Memorial folly, as from the chisel leapt
His chastening laughter searching priest and king--
Huge and wrinkled toad, with legs asplay,
And belly loaded, leering with great eyes
Busily fixed upon the void.
All days
His chisel was the first to ring across
The temple's quiet; and at fall of dusk
Passing among the carvers homeward, they
Would speak of him as mad, or weak against
The challenge of the world, and let him go
Lonely, as was his will, under the night
Of stars or cloud or summer's folded sun,
Through crop and wood and pasture-land to sleep.
None took the narrow stair as wondering
How did his chisel prosper in the stone,
Unvisited his labour and forgot.
And times when he would lean out of his height
And watch the gods growing along the walls,
The row of carvers in their linen coats
Took in his vision a virtue that alone
Carving they had not nor the thing they carved.
Knowing the health that flowed about his close
Imagining, the daily quiet won
From process of his clean and supple craft,
Those carvers there, far on the floor below,
Would haply be transfigured in his thought
Into a gallant company of men
Glad of the strict and loyal reckoning
That proved in the just presence of the brain
Each chisel-stroke. How surely would he prosper
In pleasant talk at easy hours with men
So fashioned if it might be--and his eyes
Would pass again to those dead gods that grew
In spreading evil round the temple walls;
And, one dead pressure made, the carvers moved
Along the wall to mould and mould again
The self-same god, their chisels on the stone
Tapping in dull precision as before,
And he would turn, back to his lonely truth.
He carved apace. And first his people's gods,
About the toad, out of their sterile time,
Under his hand thrilled and were recreate.
The bull, the pard, the camel and the ram,
Tiger and owl and bat--all were the signs
Visibly made body on the stone
Of sightless thought adventuring the host
That is mere spirit; these the bloom achieved
By secret labour in the flowing wood
Of rain and air and wind and continent sun ...
His tiger, lithe, immobile in the stone,
A swift destruction for a moment leashed,
Sprang crying from the jealous stealth of men
Opposed in cunning watch, with engines hid
Of torment and calamitous desire.
His leopard, swift on lean and paltry limbs,
Was fear in flight before accusing faith.
His bull, with eyes that often in the dusk
Would lift from the sweet meadow grass to watch
Him homeward passing, bore on massy beam
The burden of the patient of the earth.
His camel bore the burden of the damned,
Being gaunt, with eyes aslant along the nose.
He had a friend, who hammered bronze and iron
And cupped the moonstone on a silver ring,
One constant like himself, would come at night
Or bid him as a guest, when they would make
Their poets touch a starrier height, or search
Together with unparsimonious mind
The crowded harbours of mortality.
And there were jests, wholesome as harvest ale,
Of homely habit, bred of hearts that dared
Judgment of laughter under the eternal eye:
This frolic wisdom was his carven owl.
His ram was lordship on the lonely hills,
Alert and fleet, content only to know
The wind mightily pouring on his fleece,
With yesterday and all unrisen suns
Poorer than disinherited ghosts. His bat
Was ancient envy made a mockery,
Cowering below the newer eagle carved
Above the arches with wide pinion spread,
His faith's dominion of that happy dawn.
And so he wrought the gods upon the wall,
Living and crying out of his desire,
Out of his patient incorruptible thought,
Wrought them in joy was wages to his faith.
And other than the gods he made. The stalks
Of bluebells heavy with the news of spring,
The vine loaded with plenty of the year,
And swallows, merely tenderness of thought
Bidding the stone to small and fragile flight;
Leaves, the thin relics of autumnal boughs,
Or massed in June ...
All from their native pressure bloomed and sprang
Under his shaping hand into a proud
And governed image of the central man,--
Their moulding, charts of all his travelling.
And all were deftly ordered, duly set
Between the windows, underneath the sills,
And roofward, as a motion rightly planned,
Till on the wall, out of the sullen stone,
A glory blazed, his vision manifest,
His wonder captive. And he was content.
And when the builders and the carvers knew
Their labours done, and high the temple stood
Over the cornlands, king and counsellor
And priest and chosen of the people came
Among a ceremonial multitude
To dedication. And, below the thrones
Where king and archpriest ruled above the throng,
Highest among the ranked artificers
The carvers stood. And when, the temple vowed
To holy use, tribute and choral praise
Given as was ordained, the king looked down
Upon the gathered folk, and bade them see
The comely gods fashioned about the walls,
And keep in honour men whose precious skill
Could so adorn the sessions of their worship,
Gravely the carvers bowed them to the ground.
Only the man with wide and patient eyes
Stood not among them; nor did any come
To count his labour, where he watched alone
Above the coloured throng. He heard, and looked
Again upon his work, and knew it good,
Smiled on his toad, passed down the stair unseen,
And sang across the teeming meadows home.
* * * * *
JAMES ELROY FLECKER
THE OLD SHIPS
I have seen old ships sail like swans asleep
Beyond the village which men still call Tyre,
With leaden age o'ercargoed, dipping deep
For Famagusta and the hidden sun
That rings black Cyprus with a lake of fire;
And all those ships were certainly so old--
Who knows how oft with squat and noisy gun,
Questing brown slaves or Syrian oranges,
The pirate Genoese
Hell-raked them till they rolled
Blood, water, fruit and corpses up the hold.
But now through friendly seas they softly run,
Painted the mid-sea blue or shore-sea green,
Still patterned with the vine and grapes in gold.
But I have seen
Pointing her shapely shadows from the dawn
And image tumbled on a rose-swept bay
A drowsy ship of some yet older day;
And, wonder's breath indrawn,
Thought I--who knows--who knows--but in that same
(Fished up beyond AEaea, patched up new
--Stern painted brighter blue--)
That talkative, bald-headed seaman came
(Twelve patient comrades sweating at the oar)
From Troy's doom-crimson shore,
And with great lies about his wooden horse
Set the crew laughing, and forgot his course.
It was so old a ship--who knows, who knows?
--And yet so beautiful, I watched in vain
To see the mast burst open with a rose,
And the whole deck put on its leaves again.
A FRAGMENT
O pouring westering streams
Shouting that I have leapt the mountain bar,
Down curve on curve my journey's white way gleams--
My road along the river of return.
I know the countries where the white moons burn,
And heavy star on star
Dips on the pale and crystal desert hills.
I know the river of the sun that fills
With founts of gold the lakes of Orient sky.
* * * * *
And I have heard a voice of broken seas
And from the cliffs a cry.
Ah still they learn, those cave-eared Cyclades,
The Triton's friendly or his fearful horn,
And why the deep sea-bells but seldom chime,
And how those waves and with what spell-swept rhyme
In years of morning, on a summer's morn
Whispering round his castle on the coast,
Lured young Achilles from his haunted sleep
And drave him out to dive beyond those deep
Dim purple windows of the empty swell,
His ivory body flitting like a ghost
Over the holes where flat blind fishes dwell,
All to embrace his mother throned in her shell.
SANTORIN
(A Legend of the AEgean)
'Who are you, Sea Lady,
And where in the seas are we?
I have too long been steering
By the flashes in your eyes.
Why drops the moonlight through my heart,
And why so quietly
Go the great engines of my boat
As if their souls were free?'
'Oh ask me not, bold sailor;
Is not your ship a magic ship
That sails without a sail:
Are not these isles the Isles of Greece
And dust upon the sea?
But answer me three questions
And give me answers three.
What is your ship?" 'A British.'
'And where may Britain be?'
'Oh it lies north, dear lady;
It is a small country.'
'Yet you will know my lover,
Though you live far away:
And you will whisper where he has gone,
That lily boy to look upon
And whiter than the spray.'
'How should I know your lover,
Lady of the sea?'
'Alexander, Alexander,
The King of the World was he.'
'Weep not for him, dear lady,
But come aboard my ship.
So many years ago he died,
He's dead as dead can be.'
'O base and brutal sailor
To lie this lie to me.
His mother was the foam-foot
Star-sparkling Aphrodite;
His father was Adonis
Who lives away in Lebanon,
In stony Lebanon, where blooms
His red anemone.
But where is Alexander,
The soldier Alexander,
My golden love of olden days
The King of the world and me?'
She sank into the moonlight
And the sea was only sea.
YASMIN
(A Ghazel)
How splendid in the morning glows the lily: with what grace he throws
His supplication to the rose: do roses nod the head, Yasmin?
But when the silver dove descends I find the little flower of friends
Whose very name that sweetly ends I say when I have said, Yasmin.
The morning light is clear and cold: I dare not in that light behold
A whiter light, a deeper gold, a glory too far shed, Yasmin.
But when the deep red eye of day is level with the lone highway,
And some to Mecca turn to pray, and I toward thy bed, Yasmin;
Or when the wind beneath the moon is drifting like a soul aswoon,
And harping planets talk love's tune with milky wings outspread, Yasmin,
Shower down thy love, O burning bright! For one night or the other night
Will come the Gardener in white, and gathered flowers are dead, Yasmin.
GATES OF DAMASCUS
Four great gates has the city of Damascus,
And four Grand Wardens, on their spears reclining,
All day long stand like tall stone men
And sleep on the towers when the moon is shining.
'This is the song of the East Gate Warden
When he locks the great gate and smokes in his garden'.
Postern of Fate, the Desert Gate, Disaster's Cavern, Fort of Fear,
The Portal of Bagdad am I, the Doorway of Diarbekir.
The Persian dawn with new desires may net the flushing mountain spires,
But my gaunt buttress still rejects the suppliance of those mellow
fires.
Pass not beneath, O Caravan, or pass not singing. Have you heard
That silence where the birds are dead yet something pipeth like a bird?
Pass not beneath! Men say there blows in stony deserts still a rose
But with no scarlet to her leaf--and from whose heart no perfume flows.
Wilt thou bloom red where she buds pale, thy sister rose? Wilt thou not
fail
When noonday flashes like a flail? Leave, nightingale, the Caravan!
Pass then, pass all! Bagdad! ye cry, and down the billows of blue sky
Ye beat the bell that beats to hell, and who shall thrust ye back? Not
I.
The Sun who flashes through the head and paints the shadows green and
red--
The Sun shall eat thy fleshless dead, O Caravan, O Caravan!
And one who licks his lips for thirst with fevered eyes shall face in
fear
The palms that wave, the streams that burst, his last mirage, O Caravan!
And one--the bird-voiced Singing-man--shall fall behind thee, Caravan!
And God shall meet him in the night, and he shall sing as best he can.
And one the Bedouin shall slay, and one, sand-stricken on the way,
Go dark and blind; and one shall say--'How lonely is the Caravan!'
Pass out beneath, O Caravan, Doom's Caravan, Death's Caravan!
I had not told ye, fools, so much, save that I heard your Singing-man.
'This was sung by the West Gate's keeper
When heaven's hollow dome grew deeper'.
I am the gate toward the sea: O sailor men, pass out from me!
I hear you high on Lebanon, singing the marvels of the sea.
The dragon-green, the luminous, the dark, the serpent-haunted sea,
The snow-besprinkled wine of earth, the white-and-blue-flower foaming
sea.
Beyond the sea are towns with towers, carved with lions and lily
flowers,
And not a soul in all those lonely streets to while away the hours.
Beyond the towns, an isle where, bound, a naked giant bites the ground:
The shadow of a monstrous wing looms on his back: and still no sound.
Beyond the isle a rock that screams like madmen shouting in their
dreams,
From whose dark issues night and day blood crashes in a thousand
streams.
Beyond the rock is Restful Bay, where no wind breathes or ripple stirs,
And there on Roman ships, they say, stand rows of metal mariners.
Beyond the bay in utmost West old Solomon the Jewish King
Sits with his beard upon his breast, and grips and guards his magic
ring:
And when that ring is stolen, he will rise in outraged majesty,
And take the World upon his back, and fling the World beyond the sea.
'This is the song of the North Gate's master,
Who singeth fast, but drinketh faster.'
I am the gay Aleppo Gate: a dawn, a dawn and thou art there:
Eat not thy heart with fear and care, O brother of the beast we hate!
Thou hast not many miles to tread, nor other foes than fleas to dread;
Homs shall behold thy morning meal, and Hama see thee safe in bed.
Take to Aleppo filigrane, and take them paste of apricots,
And coffee tables botched with pearl, and little beaten brassware pots:
And thou shalt sell thy wares for thrice the Damascene retailers' price,
And buy a fat Armenian slave who smelleth odorous and nice.
Some men of noble stock were made: some glory in the murder-blade:
Some praise a Science or an Art, but I like honourable Trade!
Sell them the rotten, buy the ripe! Their heads are weak; their pockets
burn.
Aleppo men are mighty fools. Salaam Aleikum! Safe return!
'This is the song of the South Gate Holder,
A silver man, but his song is older.'
I am the Gate that fears no fall: the Mihrab of Damascus wall,
The bridge of booming Sinai: the Arch of Allah all in all.
O spiritual pilgrim, rise: the night has grown her single horn:
The voices of the souls unborn are half adream with Paradise.
To Meccah thou hast turned in prayer with aching heart and eyes that
burn:
Ah, Hajji, whither wilt thou turn when thou art there, when thou art
there?
God be thy guide from camp to camp: God be thy shade from well to well;
God grant beneath the desert stars thou hear the Prophet's camel bell.
And God shall make thy body pure, and give thee knowledge to endure
This ghost-life's piercing phantom-pain, and bring thee out to Life
again.
And God shall make thy soul a Glass where eighteen thousand AEons pass,
And thou shalt see the gleaming Worlds as men see dew upon the grass.
And son of Islam, it may be that thou shalt learn at journey's end
Who walks thy garden eve on eve, and bows his head, and calls thee
Friend.
THE DYING PATRIOT
Day breaks on England down the Kentish hills,
Singing in the silence of the meadow-footing rills,
Day of my dreams, O day!
I saw them march from Dover, long ago,
With a silver cross before them, singing low,
Monks of Rome from their home where the blue seas break in foam,
Augustine with his feet of snow.
Noon strikes on England, noon on Oxford town,
--Beauty she was statue cold--there's blood upon her gown:
Noon of my dreams, O noon!
Proud and godly kings had built her, long ago,
With her towers and tombs and statues all arow,
With her fair and floral air and the love that lingers there,
And the streets where the great men go.
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