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Annual Bibliography of Commonwealth Literature 2007
This paper argues that discourses of love in Ghanaian market literature for youth offer a view into complex negotiations of agency and empowerment. Drawing on Deborah Durham's notion of youth as "social `shifters'" and Francis Nyamnjoh's conception of the "interconnectedness" of agency, I take Ghanaian market literature as one specific case of how African literature for youth foregrounds questions of continuity and change as African societies enter into increasingly complex global relations. In this literature for youth, received notions of love, often constructed out of impressions from American pop and hip hop music, carry new notions of agency that compete with existing "domesticated" forms. Authors like Ike Tandoh and Evelyn Tay employ discourses of love to offer youth alternative avenues for empowerment in a context of socio-economic disenfranchizement. In a creative process of "straddling", this writing both reveals and reproduces the contradictions that obtain in youth configurations of agency.

Joyous Gard

A >> Arthur Christopher Benson >> Joyous Gard

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Of course, as I have said, care and sorrow, heaviness and
sadness--even disillusionment--must come; but the reason of that is
because we must not settle too close to the sweet and kindly earth,
but be ready to unfurl our wings for the passage over sea; and to what
new country of God, what unknown troops and societies of human
spirits, what gracious reality of dwelling-place, of which our beloved
fields and woods and streams are nothing but the gentle and sweet
symbols, our flight may bear us, I cannot tell; but that we are all in
the mind of God, and that we cannot wander beyond the reach of His
hand or the love of His heart, of this I am more sure than I am of
anything else in this world where familiarity and mystery are so
strangely entwined.









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