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Editorial
This article explores Rohinton Mistry's novel A Fine Balance (1996), alongside his short story "Lend Me Your Light" (1987), focussing on the tensions between the politically-distanced cosmopolitan migrant and the socially-committed local activist. My readings draw on Radhakrishnan's notion of diasporic "double duty" — of accountability to, rather than irresponsible detachment from, the homeland. Mistry's representations of migrants, I contend, are centrally concerned not only with the necessity, but also the difficulty, of performing such "double duty" through a sustained engagement with India's history and politics. In this light, I argue that Mistry offers representations of migrants whose attempts to distance themselves from local and national politics are revealed as impossible and irresponsible. Moreover, I suggest that Mistry's representations reveal an anxiety over his position as a migrant writer, and his work seems to mobilize writing as a means of avoiding a problematically apolitical detachment from India. Thus, Mistry establishes a tension between his representation of the migrant within his fiction and his negotiation of his own migrant position through his fiction.

The Book Of The Thousand Nights And One Night, Volume IV

A >> Anonymous >> The Book Of The Thousand Nights And One Night, Volume IVText scanned by JC Byers (www.wollamshram.ca/1001) and proofread by
JC Byers, Graeme Houston, Renate Preuss, Coralee Sheehan, Marryann
Short, and Anne Soulard



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